Reckless, dangerous games. Games you might even want to play yourself if you're with the right people. But shouldn't. Not ever. In a small Maine town, a group of thrill seeking college kids finds a game of hide and seek in an abandoned house turning into a reality of stark terror.

    He carries a secret about himself to which not even he has the answer . . .He is hired to find a missing baby. One that was taken away at birth . . . Or was it?His investigation takes him to a mysteriously located place called Perfect Rest. It is supposed to be a nursing home for the elderly . . . But is it?Here Dismas will discover the dark secret of the Others. And in an astonishing and spectacular finale he will resolve the enigma of his own existence . . .

    But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .

    With The Forbidden Zone, he continues his journey beyond the cutting edge of terrifying suspense into the sphere of a relentless psychological thriller only he could have written. Every small town has a special place like the mound. Lovers go there to woo, families picnic in summer, children sled in winter. For the community of Oscola, New York, the mound has never been dangerous...until now. Now something beyond cunning or imagining, something that appears undeniably evil is hiding beneath the mound. The terror comes from out of time, space, and the depths of the human mind with its alien needs and desires. It spreads its roots in secret...changing, transforming, reshaping reality. It seeks to sweep aside all that the good townfolk love and cherish: their past, their hopes, the promise of their souls. It fills the innocent earth with its presence - it screams with power. How can ordinary people protect themselves from this evil? How can they fight its weapon of soulbreaking potency - a sweetly seductive yet unspeakably savage pleasure too intense to resist? Brian Kelly, a courageous physicist still grieving over the hideous death of his first wife and child, suspects that the shell of reality must have been torn to let in this monstrosity. He must discover a way to repair the rift. His very pregnant second wife, Loi, a beautiful and brilliant refugee from the pain of Vietnam, has battled demons before. She's ready to dare anything to save her unborn son. The tough yet dangerously vulnerable EllenMaas, a big-city reporter trying to revive the local paper, must finally commit to destroying the beast - or perish herself. Bob West, a cop who saw every kind of madness and violence during the war, will return to the law of the jungle - or worse - if it will save his family. They

    But from the moment of his arrival at the secluded country mansion strange and inexplicable events begin to transpire. Soon he is drawn into an impenetrable maze of horror, and by the time he discovers the role he is intended to play in a diabolical design, it will already be too late. For the seeds of evil have been sown, and the time to reap their wicked harvest is nigh!

    From Vaudeville, through the big bands and up to the hottest rock acts, the Luxor had them all. It's closed now, a boarded-up relic, standing alone in a run down industrial part of town. But the old dance hall isn't empty. A hideous presence lives there, a monstrous evil that has the ability to invade people's fantasies and nightmares . . . and bring them to life. Three strangers will soon learn the extent of the dance hall's power. As their lives become more and more entangled in its inescapable web, they will come to see that what haunts the Luxor is far worse than any ghost.

    The Barren, windswept interior of the Antarctic plateau was lifeless--or so the expedition from Miskatonic University thought. Then they found the strange fossils of unheard-of creatures...and the carved stones tens of millions of years old...and, finally, the mind-blasting terror of the City of the Old Ones. Three additional strange tales, written as only H.P. Lovecraft can write, are also included in this macabre collection of the strange and the weird.Table of Contents:At the Mountains of Madness • [Cthulhu Mythos] • (1936) • novel by H. P. Lovecraft The Dreams in the Witch-House • [Cthulhu Mythos] • (1933) • novelette by H. P. Lovecraft The Shunned House • (1928) • novelette by H. P. Lovecraft The Statement of Randolph Carter • [Randolph Carter] • (1920) • shortstory by H. P. Lovecraft

    Now he has moved to Hollywood, determined to break into horror movies, and he's forgotten all about her. But Linda is a girl with vengeance in her heart - and she certainly hasn't forgotten him...

    Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    When he strikes in Ashford, the town reacts-setting limits on teens' activities, monitoring who goes where-and parents become paranoid.Seventeen-year-old Don Boyd doesn't need the grief. He's already under siege-he's got family trouble, girl trouble, trouble with his high school classes and trouble with the jocks who rule the school. Surely the Howler will kill someone else, somewhere else, and then Don can go back to trying to escape notice.But the Howler likes Ashford. And one frosty autumn night, the Howler chooses Don as his next victim. The attack is swift-but it doesn't go as planned. Suddenly the killer and the boy are surrounded by an unnatural mist, by green fire, by the sound of iron striking iron.And then the real horror begins.

    In San Francisco, Emily Blake and her husband David, a dermatologist, by an old Victorian in Pacific Heights and hope to start a family. Emily's happy plans are threatened when David begins an affair with a beautiful patient named Jennie. A visit to a mysterious young boy in the Mission District named Lupe starts a chain of events in motion that result in Jennie's death -- by spontaneous combustion -- a murder trial, a media circus, and demon possession.

    A Marine Corps psychiatrist with a crisis of faith encourages his patients to enact their fantasies as part of their therapy. However, he proves himself to be more deeply disturbed than at first appears and finally sacrifices himself to save one of his patients.

    He finds instead a nightmare in the form of a beautiful but strangely pale woman. A woman who offers him passion, ecstasy - and eternal life - but takes in exchange his lifeblood and his very soul.

    In 1936, young Leiber, then in correspondence with the famous writer H.P. Lovecraft, drafted this eerie story. Now Tor is pleased to present in its first paperback publication this short novel of cosmic dread and Lovecraftian horror.