Space exploration has begun again. Science has led the way.But then one day, the sun goes out. Solar panels are useless, and the world begins to freezeEarth begins to fall out of its orbit.The end is nigh.Someone has sent us a sign.

    He’s been sent home, to New York, where he was raised an orphan ‘til he was old enough to split and join the special forces.Now he’s back, and unemployed; until Russian Mafia boss Peter Rusanov offers him a job wiping out the Albanian Mafia. It’s a job he figures could make him rich, until Colonel Jane Harris shows up, takes him for a ride to Pleasantville, and tells him about Cobra…Then all hell breaks loose.

    For fans of Philip Kerr and Alan Furst. The year is 1962, and KGB Lieutenant Colonel Alexander Vasin is chasing a white elephant: the long-rumored existence of an American spy embedded at the highest echelon of Soviet power. In a wild goose chase that has Vasin engaged in high-stakes espionage against a rival State agency, he first hears whispers of an ominous top-secret undertaking: Operation Anadyr.As tensions flare between Nikita Khrushchev and President Kennedy over Russian missiles hidden in Cuba, four Soviet submarines are ordered to make a covert run at the American blockade in the Caribbean--each sub carrying tactical ballistic missiles armed with thermonuclear warheads.Critically acclaimed novelist Owen Matthews has crafted an incredibly taut thriller around one of the most treacherous moments in modern history, where the fate of the world rested with the itchy trigger finger of one lone Soviet naval officer, 100 meters under the sea, out of all contact with his commanders.

    A web of deceit that grips you on page one and doesn't let up until its cataclysmic-bang-of-an-end." - Steve Berry, international bestselling author of The Templar Legacy."Gripped me from the first page. An intelligent, visceral conspiracy thriller involving a mediaeval sect pervading the upper echelons of 21st century society.” - Bill Napier, international bestselling author of Nemesis and Revelation."An intriguing and compelling mystery-thriller. Death and deception at every turn." - James Becker, bestselling author of The Lost Testament and The First Apostle.

    Witness the courage and charisma of America's first air hero, Captain Eddie V. Rickenbacker, whose exploits set the standard for all fighter pilots to follow; "The Doolittle Raid," in which sixteen B-25 Bombers struck hard at the heart of the Japanese empire; "The Flight of Enola Gay," the mission that changed the world forever; and "The Last Ace," an original account of the first victory of Vietnam jet ace Captain Steve Ritchie.These are not stories about airplanes, but rather of the heroes who flew them -- of the steady hands, bold hearts, and raw nerve that it takes to survive when the sky becomes a battlefield.

    Her face is split right down the middle: half-black and half-white. The non-white residents of her New Orleans camp call her a demon. The white oppressors who took over during the 2nd American Civil War have called her much worse…After years as an outcast, Jetta uncovers her true heritage as the daughter of an African storm god and a Finnish death goddess. As she attempts to harness her terrible new abilities to turn the tide in the war, trouble comes to those she tries to help. Only Jetta has the power to heal her divided homeland… or destroy everything in her path… Girl Divided is a post-apocalyptic sci-fi novel infused with magical forces. If you like immersive worlds, strong characters, and a tale that reads like Neil Gaiman and Stephen King combined, then you'll love Willow Rose's provocative story. Buy Girl Divided now to destroy a divided dystopia today!

    But the Afghani man who saved his life was always shrouded in mystery. Now, with The Lion of Sabray, Robinson reveals the amazing backstory of Mohammed Gulab—the brave man who forever changed the course of life for his Afghan family, his village, and himself when he discovered Luttrell badly injured and barely conscious on a mountainside in the Hindu Kush just hours after the firefight that killed the rest of Luttrell’s team. Operating under the 2,000-year-old principles of Pashtunwali—the tribal honor code that guided his life—Gulab refused to turn Luttrell over to the Taliban forces that were hunting him, believing it was his obligation to protect and care for the American soldier. Because Gulab was a celebrated Mujahedeen field commander and machine-gunner who beat back the Soviets as a teenager, the Taliban were wary enough that they didn’t simply storm the village and take Luttrell, which gave Gulab time to orchestrate his rescue. In addition to Gulab’s brave story, The Lion of Sabray cinematically reveals previously unknown details of Luttrell’s rescue by American forces—which were only recently declassified—and sheds light on the ramifications for Gulab, his family, and his community. Going beyond both the book and the movie versions of Lone Survivor, The Lion of Sabray is a must-read for anyone who wants to know more about the brave man who helped the Lone Survivor make it home.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Palm Beach doesn’t just have billionaires, yachts, and private planes—it also has the best murder plots money can buy. The Palm Beach Murders (previously published as Let's Play Make-Believe): Both survivors of the divorce wars, Christy and Martin don't believe in love at first sight and certainly not on a first date. But from the instant they lock eyes, life becomes a sexy, romantic dream come true. That is, until they start playing a strangely intense game of make-believe—a game that's about to go too far. (with James O. Born) Nooners: Everyone who knows Tim says he's a good guy. But the popular advertising exec has a problem: a lot of the people who know him are getting murdered. And by the time he figures out why, Tim won't feel so good anymore. (with Tim Arnold)Stingrays: When a teenager goes missing on a Caribbean beach, the local police are baffled. It's up to the Stingrays, a world class team that solves the unsolvable, to unearth the truth: a truth that no one will believe. (with Duane Swierczynski)

    Funny & practical illustrations.

    The book includes many pre-defined weapons, outlining theirnames, history, powers, stats, necessary rituals for unlocking their powers, andadventure hooks. How the weapons can gain power is discussed, as well as thefeats with which they might be used. Also included are discussions of othermagic items such as magic armor, rings, and staves.AUTHOR BIO: BRUCE R. CORDELL, an Originsaward-winning author, has designed over 30 game titles, including the Expanded Psionics Handbook ™. He also co-authored Sandstorm ™, Libris Mortis: The Book of Undead ™, Planar Handbook ™, Epic Level Handbook ™, and Underdark ™.KOLJA RAVEN LIQUETTE is best known for authoring The Waking Landsweb site. He has also published articles in Dragon ® Magazine.TRAVIS STOUT is a freelance designer who has written several articles for Dragon ® Magazine and whose previous design credits include Lost Empiresof Faerûn ™ and the Player’s Guide to Faerûn ™.

    But behind the pomp and bravado of its departure, a sober reality lurked. A mere 20 Sea Harriers operating from two aircraft carriers would take on the might of the Argentine air force, some 200 planes strong. The MOD estimated that within four days and against such formidable air power, half the harriers would likely be lost.To reinforce that meagre force, and in just three weeks, the RAF formed, trained and equipped a brand new squadron from scratch. Not since the Second World War had so much been expected of such a small band of pilots. Their home would be a container ship converted into a makeshift carrier. 809 Naval Air Squadron was born.Other covert operations mounted by MI6 and the SAS in Latin America would provide vital intelligence to protect the task force from attack but in the vanguard of the conflict it would be the Sea Harriers of the 809 whose heroics in the South Atlantic which would become legendary.With characteristic insider knowledge and in thrilling detail, Rowland White tells the story of those amazing exploits - the dogfights, the twenty-three kills, the deadly Exocet attacks, the ejections –demonstrating just why the Harrier is mentioned in the same breath as the Spitfire, the Lancaster and the Vulcan and is destined to join them in the ranks of our most celebrated aeronautical achievements.

    For everyone who thinks the bad guys are so much more fun to read than the good guys, this is a book just for you. The definitive volume containing every major villain from the Crouch/Kilborn/Konrath Universe is here.First, there was Serial, the collaborative smash-hit that has been downloaded 500,000 times and optioned for film.Then came Serial Uncut, which expanded on that story.Then Killers, the sequel to Serial.Then Birds of Prey which introduced every major villain the writers had ever created into one cohesive novel. (Birds of Prey + Killers = Killers Uncut.)And now, all that and more has been brought together for this definitive, omnibus monster...Serial Killers UncutThis epic work, over two years in the making, contains Serial Uncut, Killers, Birds of Prey, Crouch's Break You, an interview with the authors, and more. Serial Uncut + Break You + Killers + Birds of Prey = Serial Killers Uncut If you haven't read anything by Crouch, Kilborn, or Konrath, Serial Killers Uncut is the perfect introduction to the dark side of their universe. And if you enjoy a despicable bad guy (or bad girl), you're going to love this.There are twenty-one serial killers featured in this book: Lucy and Donaldson from Serial, Orson and Luther from Desert Places, Locked Doors, and Break You, Mr. K from Shaken, Alex and Charles Kork from Whiskey Sour and Rusty Nail, Isaiah from Abandon, Taylor from Afraid, Javier from Snowbound, and many, many more.There are some good guys too, including Andrew Z. Thomas (Desert Places, Locked Doors), Jack Daniels (Whiskey Sour, Shaken), Violet King (Locked Doors, Break You), Tequila (Shot of Tequila), and Clayton Theel (Draculas).Serial Killers Uncut is an original 120,000 word double novel that stands alone without having read any of Konrath's, Kilborn's, or Crouch's work.

    But when an elite global entity known as Unity takes note of her intelligence and offers her a chance to escape the hum-drum life of a foster-child, she signs up. At best, she expects her time abroad to be a vacation. At worst, an actual challenge. But what she finds, upon being swept up in a futuristic transport, is far, far worse. En route to a secret location in the Pacific, a meteor punches through the atmosphere triggering an electromagnetic pulse that sends the transport plummeting to the ocean. While fighting to escape the crash and climb onto an island beach, the meteor slams into the sea. A tsunami races across the island, pursuing Effie and her fellow survivors deeper into the volcanic island’s lush jungle. Beaten, terrified and abandoned, the small group discovers that they are not alone on the island. The locals are ruthless and well-trained. With the survivors looking to her for leadership, Effie struggles—and fails—to keep everyone alive as they fight for survival. Along the way, Effie uncovers a series of shocking truths: the parents she never knew were part of the island’s strange history, which includes massive robots known as Shugoten, and the meteor that sent them careening into the ocean, wasn’t a meteor at all. The daikaiju have arrived—and one of them is headed her way. Jeremy Robinson, creator of the ‘Kaiju Thriller’ genre, and international bestselling author of the Project Nemesis novel and comic book series, launches this new series combining the behind-enemy-lines themes of Red Dawn with the high-tech monster-fighting robots of Robotech, infusing it with his frenetic pacing and character driven plots.

    Meanwhile Bin Laden announces to the world that he will make a major terrorist strike on 9/11/10, the tenth anniversary of 9/11. Deep inside Washington, Brooke Chandler, a CIA operative whose cover was blown by an incompetent colleague in Lebanon, thinks he knows how the bomb is being moved toward its target and how to find it. First he must overcome the skepticism of the CIA and the White House, and then he must find the bomb and disable or detonate it before it causes the Middle East to go up in flames.