But long before he was a Backstreet Boy, he was my boy--and I want to share his whole exciting story with you.

    Made up of bandmates Liam Payne, Zayn Malik, Niall Horan, Louis Tomlinson, and Harry himself, 1D came to prominence in the 2010 television series of X Factor UK. Since then they’ve played to sold-out arenas as they toured the world, topped the charts across the globe, and broken numerous records. Initially auditioning as separate contestants, the band was put together by Simon Cowell who thought they would stand a much better chance as a group. Simon was proved right as the five boys went on to finish third in the competition—and onward to global superstardom. Born February 1st, 1994 in Holmes Chapel, Cheshire, Harry is often considered the favorite of 1D fans. Known for his trademark boyish looks and gorgeous curly hair, girls all over the world are falling head over heels in love with him and will do anything to get his attention. Lifting the lid on life as a member of the world’s biggest band, this is the inspirational and sensational story of a how a boy from Cheshire followed his dreams to become an international star and heartthrob to millions of devoted fans.

    He writes openly about his film career, the huge success of The Krays, his tremendous fight against brain cancer and on to today with fame again in EastEnders. This is a stunningly written account of a fascinating life written with candour and wit. 'There are tears and laughter, and it's all told with honesty, style and unexpected humour. This inspiring tale reveals his hopes and fears as he battled for his life while trying to get his career back into the groove. It will have you glassy-eyed, torn between the Kleenex and digging out your old Spandau Ballet albums' The Mirror

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    They set records--in four hours they wrote four songs that became #1 hits. Their story is also the story of rock 'n' roll--and a trend-setting era they helped to create. - Their own story: Both were born in 1933--Leiber in Baltimore, Stoller on Long Island. They met in Los Angeles in 1950 and went on to write more hits than any other song writing team with the exception of John Lennon and Paul McCartney. With the help of veteran music writer David Ritz, they tell their incredible story in their own words.- Great stories about a great era: Jerry Leiber's parents ran a grocery store in a black neighborhood in Baltimore; he learned about R&B from their customers. Mike Stoller's parents sent him to integrated summer camps, where he received an education in boogie-woogie. When the duo met Elvis (they wrote "Jailhouse rock" for him), they were surprised to discover a kindred spirit in the King, who had an encyclopedic knowledge of the blues. They wrote songs for the Coasters, the Drifters, and Ben e. King. Working in the famous Brill Building in New York City, they mentored Carole King and Burt Bacharach and also helped out a pushy kid named Phil Spector.- The birth of rock 'n' roll: Leiber and Stoller were a vital component of rock 'n' roll's early sound. As songwriters, they teamed catchy hooks with the rhythms of R&B and swing, crafting hundreds of classic hits; as producers, they revolutionized the recording industry. Their memoir will be a must-read for music fans.

    McGill methodically explains the frequently misunderstood "Tabuteau number system" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance "musical."

    She was a go-go dancer who sewed her own outfits but had bigger ambitions—she wanted nothing less than to take over the music world.In this intimate portrait of the budding star who would soon catapult to fame and fortune, the author describes afternoons sitting with Gaga on the floor of her bare Lower East Side apartment, drinking wine from pint glasses and plotting out the pop stardom that awaited her.Filled with stories of love and heartbreak among Gaga and Sullivan and their circle of aspiring musicians and performers, and set against the vibrant backdrop of the downtown bars and parties of the mid-aughts, Rivington Was Ours is both a love letter to New York and a glimpse behind the veil of one of the biggest musical icons of her generation.

    A fascinating combination of photograph album, scrapbook, and biography, Simple Plan's exclusive material consists of hundreds of pictures from tours all over the world and the band members' own memories and personal archives. Journalist Kathleen Lavoie has followed the band's career since their beginnings a decade ago. She has written a lively account of the fi ve young Quebecers' fl ourishing career, covering multiple facets of their life from their stage performances to their recording session and tours, on the road and by air. Her look at the personal lives of the band members and their life as a group allows readers to step into their world. This abundantly illustrated book will interest and please Simple Plan fans and music lovers in general. It is the story of an inspiring journey that proves, contrary to popular belief, that even happy stories deserve to be told.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    Six prefabs, three pubs, a school, a church and a yard where the electricity board kept cables. Two long rows of terraced house faced each other at one end of the street; and, at the other, big houses with big doors and even bigger windows. There was a phone box next to one of the pubs and when it rang everyone came out to see who it was for. It was a tiny road - at one end of which there was Greenwich Park. It was heaven being there, its beauty always shone on me from the trees at sunsets and from the bushes in the rain. I was there in all weathers. It was 1964, I was ten years old and this is when my memory really begins. The previous decade is built up from vague recollections that lean heavily on the imagination.'Chris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze co-founder has made a lasting contribution to English music with hits such as 'Cool For Cats', 'Up The Junction', 'Labelled With Love', 'Hourglass' and 'Tempted'. Some Fantastic Place is his evocative memoir of an upbringing in Sixties' South London and his rise to fame in one of the definitive bands of the late Seventies and early Eighties.

    By the time Jack was 16, he was addicted to alcohol and prescription drugs, was hanging out with rock stars in LA and living a life that any teenager would aspire to—and then the reality show The Osbournes turned him into a global celebrity. As much as Jack enjoyed his fame, underneath it all he was still an awkward teenager, using his sense of humor as a protective shield. With fame and money came greater access to drugs and soon his addictions took a firmer hold on him and his behavior was soon out of control. In 21 Years Gone Jack writes with brutal frankness about his descent into addiction and the low point he reached when his mother Sharon was diagnosed with cancer. Scared that his she might die, Jack retreated further into his alcoholic shell, hating who he was, hating what he did. When Sharon realized what was happening she told Jack he had to go into rehab and slowly he turned his life around. Discovering a passion for extreme sports, he went from overweight and unfit to the lean young man he is today—courtesy of such adventures as running with the bulls in Pamplona, fighting a Thai martial arts expert, and scaling El Capitan, one of the world's toughest climbs.

    Celebrating the band’s 30th anniversary, By-Tour features in-depth original interviews with Geddy Lee, Alex Lifeson, and Neil Peart. Together, history’s loudest Order of Canada recipients conjure the sights and sounds of their strange journey: one that began in the microscopic, sometimes hostile clubs of Ontario and culminated in hockey barns, arenas, and stadiums all over the world. Rush have been headliners for over 20 years. The announcement of an impending Rush tour is major entertainment news all over the world, and a cause for celebration for the fanatical following the band has created with their grace, humour, intellect, focus, and spellbinding musicianship. A visitor to this book will be justly rewarded with fresh, exclusive insights about this enigmatic Canadian institution.

    But Peel's influence goes much deeper than this. Whether he was championing punk, reggae, jungle or grime, he had a unique relationship with his audience that was part taste-maker, part trusted friend.The book focuses on some 300 shows between 1967 and 2004, giving a thorough overview of Peel's broadcasting career and placing it in its cultural and social contexts. Peel comes alive for the reader, as do the key developments that kept him at the cutting edge - the changes in his tastes; the changes in his thinking. Just like a Peel show, Goodnight and Good Riddance is warm, informative and insightful, and wears its enthusiasm proudly.

    Two days later he was playing his first show as bass player with AC/DC; within a week he was on Countdown, rocking out next to wildman Bon Scott, who was dressed as a pigtailed, cigarette-smoking schoolgirl - and waving a mallet - and Angus who was - of course - decked out as a schoolboy. And all for the princely wage of $60 a week!Then came nearly being burnt alive on the video shoot for 'Jailbreak', and working with legends Vanda and Young on the massive album TNT, on which Mark's take-no-prisoners basslines anchored such immortal hits as 'TNT' and 'It's a Long Way To the Top'. Within a year, the band had relocated to London and were on the road to rock 'n' roll stardom, living the life of rock gods and making the most of all that had to offer. Until the tragic death of his good friend Bon Scott changed everything.Dirty Deeds is the first book about AC/DC written from the inside, by an insider - which is gold for any AC/DC fan. It is an honest, gripping, sometimes laugh-out-loud account of a band that lived fast, played hard and broke every one of the rules - before they broke all the records. It is also a revealing and frank memoir of a man who's had to contend with everything life has thrown at him - a rough-as-guts upbringing, lucky breaks and soaring highs, as well as terrible personal tragedy and loss. The hard lessons Mark has learned along the way will inspire any reader.

    Sometimes, it feels as if the last few years have encompassed a few decades. . . . You might have heard my voice on the radio, seen me onstage and on the red carpet, or in a music video, but that’s only a part of the story. In these pages, I’m revealing a more complete picture of what my life is really like. It’s not all glamorous and it’s not all pretty, but it’s all real. . . . I want you to come on a whirlwind journey with an all-access pass to My Crazy Beautiful Life.