The isolated house he buys sight unseen should give him the space to come to terms with his grief and the quiet to allow him to work. Kilnsgate House turns out to be rather more than he expected, however. A man died there, sixty years ago. His wife was convicted of murder. And something is pulling Chris deeper and deeper into the story of Grace Elizabeth Fox, who was hanged by the neck until she was dead...

    She survived. Her attacker did not. Now Lucy’s goal is to join the FBI and fight cyber-crime, but in the meantime, she’s volunteering with a victim’s rights group, surfing the Web undercover to lure sex offenders into the hands of the law. But when the predators she hunts start turning up as murder victims, the FBI takes a whole new interest in Lucy.With her future and possibly even her freedom suddenly in jeopardy, Lucy discovers she’s a pawn in someone’s twisted plot to mete out vigilante justice. She joins forces with security expert and daredevil Sean Rogan, and together they track their elusive quarry from anonymous online chat rooms onto the mean streets of Washington, D.C. But someone else is shadowing them: A merciless stalker has his savage eye on Lucy. The only way for her to escape his brutality may be another fight to the death.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    A prostitute. A serial killer.Anywhere else, they’d be vermin. At the Mandel Academy, they’re called prodigies. The most exclusive school in New York City has been training young criminals for over a century. Only the most ruthless students are allowed to graduate. The rest disappear.Flick, a teenage pickpocket, has risen to the top of his class. But then Mandel recruits a fierce new competitor who also happens to be Flick’s old flame. They’ve been told only one of them will make it out of the Mandel Academy. Will they find a way to save each other—or will the school destroy them both?

    Her secret.When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their perfect life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look at the man she married. And when she is asked to defend Jason in court, she realizes that her loyalty to her husband could unearth old secrets.

    Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren’t telling. While life in Glasgow’s Hazlehurst housing estate isn’t grand, they do have each other. Besides, it’s only one year until Marnie will be considered an adult and can legally take care of them both.As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he’s not the only one who suspects something isn’t right. Soon, the sisters’ friends, their other neighbors, the authorities, and even Gene’s nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls’ family surface, creating complications that threaten to tear them apart.Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.

    She boards a train and is whisked away. But she can't get the girl out of her head...Heidi Wood has always been a charitable woman: she works for a nonprofit, takes in stray cats. Still, her husband and daughter are horrified when Heidi returns home one day with a young woman named Willow and her four-month-old baby in tow. Disheveled and apparently homeless, this girl could be a criminal—or worse. But despite her family's objections, Heidi invites Willow and the baby to take refuge in their home.Heidi spends the next few days helping Willow get back on her feet, but as clues into Willow's past begin to surface, Heidi is forced to decide how far she's willing to go to help a stranger. What starts as an act of kindness quickly spirals into a story far more twisted than anyone could have anticipated.

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the bestselling novelist known as "Korea's Stephen King" Who can you trust if you can't trust yourself? Early one morning, twenty-six-year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything's all right at home - he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life? Thus begins Yu-jin's frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    Four children, running in the woods behind their school, stumble upon a partially buried female body, eyes and mouth glued shut. Close behind the children is their teacher, Anne Navarre, shocked by this discovery and heartbroken as she witnesses the end of their innocence. What she doesn’t yet realize is that this will mark the end of innocence for an entire community, as the ties that bind families and friends are tested by secrets uncovered in the wake of a serial killer’s escalating activity. Detective Tony Mendez, fresh from a law enforcement course at FBI headquarters, is charged with interpreting those now revealed secrets. He’s using a new technique—profiling—to develop a theory of the case, a strategy that pushes him ever deeper into the lives of the three children, and closer to the young teacher whose interest in recent events becomes as intense as his own. As new victims are found and the media scrutiny of the investigation bears down on them, both Mendez and Navarre are unsure if those who suffer most are the victims themselves—or the family and friends of the killer, blissfully unaware that someone very close to them is a brutal, calculating psychopath.

    For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV. As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.

    Riveting and compulsive, national bestselling author Wendy Walker’s The Night Before “takes you to deep, dark places few thrillers dare to go” as two sisters uncover long-buried secrets when an internet date spirals out of control. Laura Lochner has never been lucky in love. She falls too hard and too fast, always choosing the wrong men. Devastated by the end of her last relationship, she fled her Wall Street job and New York City apartment for her sister’s home in the Connecticut suburb where they both grew up. Though still haunted by the tragedy that’s defined her entire life, Laura is determined to take one more chance on love with a man she’s met on an Internet dating site.Rosie Ferro has spent most of her life worrying about her troubled sister. Fearless but fragile, Laura has always walked an emotional tightrope, and Rosie has always been there to catch her. Laura’s return, under mysterious circumstances, has cast a shadow over Rosie’s peaceful life with her husband and young son – a shadow that grows darker as Laura leaves the house for her blind date. When Laura does not return home the following morning, Rosie fears the worst. She’s not responding to calls or texts, and she’s left no information about the man she planned to meet. As Rosie begins a desperate search to find her sister, she is not just worried about what this man might have done to Laura. She’s worried about what Laura may have done to him…

    Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough."--Elin Hilderbrand, #1 New York Times bestselling author of 28 SummersIt's been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town's Baptist church, the police station, and in the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and in a new documentary about the crime.When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town's youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its own missing girl to come home. But Odette can't look away. She shares a wound that won't close with the mute, one-eyed mystery girl. And she is haunted by her own history with the missing Tru.Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past--the night her friend disappeared, the night that inspired her to become a cop, the night that wrote them all a role in the town's dark, violent mythology.In this twisty psychological thriller, Julia Heaberlin paints unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength.Praise for We Are All the Same in the Dark"[Julia] Heaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it. 'What's coming is always unimaginable, ' Odette's one-time therapist tells her, 'and by that, I mean just that. It cannot be imagined. What's coming never acts or behaves the way we think it will.' That's true for this novel, too."--Dallas Morning News