The object of his desire is Gabriella, the Italian-Irish girl next door. Then one day Gabriella disappearsabandoning Sam. Bitter and resentful, Sam moves on with his life: into the shady side of Brisbane. Over the next two decades, Sam and Gabriella will find their lives inextricably, painfully, and passionately linked.

    So this was my strange new home…When Yvette receives a call to say her estranged father Joe has been attacked in a seemingly random act of violence, she rushes to his side.But when she arrives, she finds a man different to the larger-than-life father of her memories. Joe is broken, too scared to describe his attacker to the police, and seemingly haunted by memories of his past – memories he’s fought to suppress.About the boat journey that brought him and his wife Dolina to their new home in a hostile and unwelcoming Britain – as part of the Windrush Generation. About the secrets left behind in St Lucia… And about the darkest secret of all – the one that he has carried with him since stepping off the boat that cool, wet August day.As he fights for his life, he begs Yvette to find out what really happened on the last day of that crossing. Because, for forty years, Joe has believed that he killed a man. A man who had loved Dolina too. And who might hold the key to Yvette’s own story…What follows is a heart-stopping debut novel about family, identity, secrets, lies, and the journeys that define us. It will grip you, challenge you, and ultimately break you into a thousand pieces. Perfect for fans of Small Island and Girl, Woman, Other.

    A Start in Life is Sillitoe's ninth novel and follows the fortunes of Michael Cullen, who describes himself as ''a bastard'' at the start of the novel and soon confirms another meaning of the term when he leaves Nottingham and his pregnant girlfriend behind to flee to London, where he becomes involved in a smuggling ring. Sillitoe has adopted the picaresque form for this novel, yet it is full of his trademark humour.

    In the centerpiece story, an eighteenth-century Eno Indian tells of the fiery fate of his adopted father, English explorer John Lawson. In the surrounding stories, the age-old conflicts between newcomer and old-timer play out as twenty-first century retirees, carnies, runaways, heartbroken women, and farmers stumble into new lives and new insights in Ambler County, North Carolina. "Hudson's prose is pure as birdsong," says novelist Doris Betts. "These fine stories of change and discovery are a field guide to the human species in transition."

    Hold your breath. Justin wants a sex life, not a sex death. Rebecca has breasts but doesn't understand them. She needs to talk to Dostoevsky about erections, hairy armpits and firing squads. Life is difficult. Steve wants cash so he can enjoy his trendy body. He wants Carly too, but she just wants a never-ending orgasm. Johnny wants to be touched and, if possible, he'd like to seem happy. Colin wants to know why tits make his fists clench.This is their story. They try their best. They drag their feet through the fashions, the foul, the famous and the drunk of twenty-first century Britain. They're looking for happiness. What they find is friction.

    

    

    He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

    Her experience has left her haunted by hallucinatory echoes of kids who are not coming back. But when Leslie's own thirteen year-old daughter, Molly, attempts to hire her to find a vanished friend, the echoes start to take their form from Leslie's own troubled childhood. As the search for Molly's friend Lydia gets underway, it becomes apparent that there's much more to the story: a party of eighth graders at Lydia's home got out of hand and has resulted in charges of sexual assault against five thirteen-year-old boys. The once-rural town and now burgeoning suburb of Swifton Woods. Swifton has labored for decades under the stigma of an unsolved series of abductions and rapes of eleven young girls, who came to be known as the Nightingales. An incidental connection between Lydia's party and Swifton's past only fans the public response to an ugly rage. The boys' conviction seems all but inevitable.Molly, however, knows more than she's telling. In trying to honor a solemn promise while negotiating her inherent sense of right and wrong, she finds herself despised by those she most wants to help. At the same time, Leslie's increasing worry for the depth of Molly's involvement begins to weave into her own secret knowledge of the Nightingales' history. In the end, she is left uncertain of every instinct but the one that demands she protect her child. Even if that means she has to betray her own childhood by telling everything.

    Usually depicted as the lush and green world of rural quiet and tranquility, the Valley becomes the backdrop for the difficulties these characters confront as they try to maintain hope and independence in the face of isolation. In the title story, a teenage boy learns the consequences of succumbing to the lure of a town outsider; in "Campo," a young farm worker frantically attempts to hide his supervision of a huddle of children from the town police, only to have another young man come to his unexpected rescue; in "The Unimportant Lila Parr," a father must expose his own secrets after his son is found murdered in a highway motel. From conflicts of family and sexuality to the pain of loss and memory, the characters in Zigzagger seek to reconcile themselves with the rural towns of their upbringing—a place that, by nature, is bordered by loneliness.

    Why not try some microfiction short stories instead? These bite-sized, slice-of-life short stories are crafted with only one hundred words, so they go by in a flash. Perfect for time-challenged fiction lovers, these humorous yet thought-provoking stories can be read when you’re waiting in line, riding the bus, or whenever you need a short mental break. Go on. Try some flash fiction. Grab your copy of 100 Tiny Tales today! 100 Tiny Tales: Short Stories Told in Exactly One Hundred Words is written by K. Kris Loomis, a native South Carolinian and the author of the novels, The Sinking of Bethany Ann Crane and The Murder of Leopold Beckenbauer, as well as the short story collection, The Monster In the Closet and Other Stories. Kris is also a nonfiction author who writes books about yoga, meditation, and the time she spent living in South America, including After Namaste: Off-the-Mat Musings of a Modern Yogini and Thirty Days in Quito: Two Gringos and a Three-Legged Cat Move to Ecuador. When Kris isn’t at her standing desk writing, she can be found playing chess, folding an origami crane, or practicing a Beethoven sonata on the piano. She lives in Rock Hill, South Carolina with her husband and two cats. You can connect with Kris at her website, www.kkrisloomis.com or her Amazon Author page, or find her on Facebook, Twitter, or Instagram @kkrisloomis.

    Shortly before Dee dies, she tells her son, Thomas, that she thinks her death is a punishment. Thomas, whose own emotional life is complicated, tries to piece together his parents' lives in order to make sense of his mother's words.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    

    While she strives to adapt to Amish life, she bonds with the family, especially with two of the Yoder siblings: Jacob and Becca.Jacob, the eldest son, refuses to baptize and join the church, and according to his frustrated father, lacks direction. He not only faces a grave physical challenge resulting from his actions that June night, but also harbors a secret that threatens to upend his family and community. Becca is 16, entering her rumspringa, the time period when she is free to explore the normally forbidden modern world. When Taylor returns to her Philadelphia penthouse, Becca accompanies her for the summer and for the first time is exposed to city life—museums, music, technology, restaurants, fashion, even religious faiths different from her own.Taylor mentors Becca’s city fling and helps Jacob conceal his secret, actions that jeopardize her relationship with the Yoder family and her father. As the two cultures clash, both families struggle to determine whether the deep ties that bind them are greater than the differences that may tear them apart. Ultimately, Taylor, Jacob and Becca must answer for themselves: Are we more than what we do for a living or where we’re born? And if so, what price, if any, is too steep to walk away from family expectations?To Everything A Season is a perfect book club selection—smart and sophisticated women's fiction that invites discussion as well as touches the heart.Awards for To Everything A Season:2018 Next Generation Indie Book Awards, Finalist, Multicultural Fiction category12th Annual National Indie Excellence Awards, Finalist, Multicultural Fiction category