With red crosses on their arms and medical equipment strapped to their backs, they thunder into battle in a Chinook helicopter – straight into areas everyone else is desperate to get away from.In the middle of the fiercest fighting British troops have seen since the Falklands War, the medics are the last defence from death on the ground in some corner of a foreign field. But in Afghanistan, where a hostile is only obvious when they raise a weapon, there's no such thing as a non-combatant. And not all enemies are on the other side.Despite the heroic efforts of the medics on the ground and in the air, someone in the field hospital is determined to finish what the Taliban has started. Wounded soldiers – who should be living – are dying. Their deadliest enemy is much closer to home than they realise.As the death toll and the temperature rise, can the medics finish their tour of duty, or will it finish them?

    The officer was reported to have died in a car crash at the war's end, and the whereabouts of the Trabuc between then and now remain a mystery. Ryder's search for the widow's heirs leads him to Rachel Meredith, who teaches at NYU. The museum presents the painting to her in a spectacular public ceremony that winds up on the front page of newspapers around the world. Though the case is closed, Ryder can't seem to shake it. When Rachel Meredith is attacked, she calls on him; what might be a simple assault doesn't quite add up. And he still wonders who sent the van Gogh from Argentina.  One of his most reliable contacts in the art world floats a theory that ties the van Gogh portrait to a black market auction in the 70's that might have involved a Swiss art dealer and an international crime kingpin with unlimited cash. Then Israel's Mossad pays Ryder a clandestine visit; the news splash about the van Gogh is the first link they've had to the SS officer in decades. Meanwhile, art dealers, auction houses, and museums vie to buy the van Gogh from Rachel Meredith. When she refuses to sell, the situation goes from predatory to violent. Ryder has to race against time to outmaneuver a cunning mastermind who will resort to as many murders as it takes to get hold of the Trabuc.

    Heller treats the whole panorama of history past and present with the bravado of Mark Twain in one of his sassier moods."--The New York Times Book ReviewA keenly satirical look at the world of art and museums by the author of the modern classic, Catch-22.

    She traverses the nearby countryside on horseback and bicycle and works alongside her mother selling fish at market. It is a simple, happy life. But when WWII erupts and the Nazis overtake the country, Marianna's peaceful world is shattered.In the midst of chaos, Marianna encounters a handsome, young Italian soldier named Massimo Scalvone. Though she tries to keep her distance, Marianna finds herself powerfully drawn to Massimo. Yet all the while, the man she is growing to love conceals a deadly secret—a secret that ensures that in a world now ruled by politics and greed, Massimo is not free to give his heart. Devastated, Marianna immerses herself in helping her family and neighbors survive the war. But soon, merely helping is not enough, and the young woman undertakes increasingly dangerous missions for the resistance. Although Marianna and Massimo each harbor secrets, their only hope of survival is to trust each other with the truth of who they really are.

    Gabe Miller is going to Turin, Italy. His task is to once and for all verify the authenticity of the Shroud of Turin – the purported burial cloth of Jesus Christ. However, that is not why he is really going. Unknown to Dr. Miller, he is being sent to steal blood samples from the Shroud. His company has perfected a way to use DNA from any blood samples to recumbently clone humans. In Italy, Dr. Miller is protected by the head of Vatican Security, Father Dolan, a reformed mercenary who has a closet full of skeletons that he is atoning for. Miller has no idea of what he is getting into, but quickly discovers that people want him dead. As Dolan protects Miller, they uncover the real secret behind the trip to Turin, but not before a woman is impregnated with the clone. Miller and Dolan know they have to rescue the pregnant women. Once they do, the trio is hunted across the United States by a multitude of fanatical groups .The Shroud of Turin has been in public awareness since 1350 when it was brought to France after the Second Crusades. It has become the Catholic Church's most visible and sacred relic. Wars have been fought over it. The Church has been protecting it for over five hundred years. Why? Is the Shroud of Turin real? If so, what of the pregnant women? Can she be carrying the second coming of Jesus? Start the journey that is woven into the Fabric of Man.

    Sofia Barducci is born into a world where a woman is only as good as the man who cares for her, but she still claims the right to make her own mistakes. Her first mistake is convincing her father to let her marry Giorgio Carelli, a wealthy saffron merchant in San Gimignano, the Tuscan city of towers. Trained in secret by her father to create the beautifully-crafted panels and altarpieces acclaimed today as masterpieces of late medieval art, Sofia's desire for freedom from her father's workshop leads her to betray her passion and sink into a life of loveless drudgery with a husband who comes to despise her when she does not produce a son. In an attack motivated by vendetta, Sofia's father is crushed by his own fresco, compelling Sofia to act or risk the death of her soul. The choice she makes takes her on a journey from misery to the heights of passion-both as a painter and as a woman. Sofia escapes to Siena where, disguised as a boy, she paints again. When her work attracts the notice of a nobleman who discovers the woman under the dirty smock, Sofia is faced with a choice that nearly destroys her. The Towers of Tuscany unites a strong heroine with meticulously researched settings and compelling characters drawn from the rich tapestry of medieval Italy during one of Europe's most turbulent centuries. The stylishly written plot is packed with enough twists and turns to keep readers up long past their bedtimes.

    Jabez's rise to commercial success mirrors the rise of the city at the heart of the industrial revolution. Mrs George Linnaeus Banks (nee Isabella Varley) weaves a web of historical fact and fiction in a fast-paced story built around the rivalry between the Jabez and his nemesis Laurence Aspinall, and the fate of Augusta Ashton, who is loved by both but loves only one. An entertaining fictional journey through the early 19th century history of the city of Manchester, the book also has serious points to make about women's choices and domestic violence. (Summary by Phil Benson)

    When he quits his job in the Chicago stockyards to join other homesteaders settling the Great Plains, Nona finds herself torn between supporting her father's vision for their future and her mother's struggle to adjust to life on a desolate prairie.Initially, things look up for the family as they settle into life in Dalhart, Texas. The wheat boom is in full swing, and it appears her father's dream of providing his family with a home of their own is coming true. Too soon the effects of the depression impact her family. Then the rains stop. Before long, Dalhart is the epicenter of the Dust Bowl.Like Dust, I Rise transforms poverty into pride and reflects the heroism of endurance.

    Even if that means literally throwing herself at the Duke and risking her own ruination.No man is arguably more broken and debauched than Timothy Burton, the Duke of Marfront. But, according to his father’s will, he needs to wed and produce an heir. Only, he never sleeps with the same woman twice.When Diana finds herself bound to the same man she wanted to frame, she starts discovering not only his tender, guarded heart, but the big secret surrounding his mother’s death. For, she is about to follow her cold trail...

    It is in this space, surrounded by countryside and wild creatures, that she can finally grapple with the chain of events that led her here-her shaky mental health, her difficult time in art school-and maybe, just maybe, regain her footing in art and life. As Frankie picks up photography once more, closely examining the natural world around her, she reconsiders seminal works of art and their relevance. With "prose that makes sure we look and listen," Sara Baume has written an elegant novel that is as much an exploration of wildness, the art world, mental illness, and community as it is a profoundly beautiful and powerful meditation on life.

    Following their father's sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola's naturalist masterpiece L'Assommoir. Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of "civilized society." In the end, each will come to realize that her salvation, if not survival, lies with the other.

    Alice Fairfax takes up her role as housekeeper of the estate. But when Mr Rochester presents her with a woman who is to be hidden on the third floor, she finds herself responsible for much more than the house.This is the story Jane Eyre never knew - a narrative played out on the third floor and beneath the stairs, as the servants kept their master's secret safe and sound.

    From war correspondents, farmers, and slaves to foot soldiers, officers, wives and lovers on both sides of the conflict, Tom Wicker creates a most memorable cast.

    But it is his bitter feud with Giovanni Roero, a brutal knight in the Maltese Order of St. John, that is his fatal error.Now, in the village of Monte Piccolo, a priest claims to have discovered a lost painting by the famed artist in the storage room of an orphanage. Retired professor A. R. Richman believes it’s a delusional dream. But Lucia, a visiting art student, convinces him otherwise and recruits her best friend, Moto, to join in the quest. They think The Judas Kiss is worth investigating. But tracing its provenance back four hundred years could prove to be just as treacherous as the master’s final days.Richman, Lucia, and Moto begin chasing the mystery, uncovering a blood feud hidden for years that has now spilled into the twenty-first century. As they follow where it leads—down a trail of murder, betrayal, and vengeance—they find a secret history that someone will kill to keep buried.

    Here readers will find a coming-of-age story filled with quest, complication, and catastrophe as well as miracles and hope. Although the novel is set four hundred years ago, the hard choices it involves speak to all times, all places, and are sure to tap into readers’ own conflicts between head and heart, real life and dreams.