Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.

    Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?

    B is known for her amazing ability to make readers feel like they are walking beside her with every page that they turn, and this book, the follow up to the notorious "Letters To My Ex," is another testament to that. Fresh out of an intense break-up, and with her three closest friends by her side, Cici brings you with her as she learns what it means to take back control of her life, and to be her own woman. Completely raw and unfiltered, as always, she doesn't hold back. This is a story for the modern day grown woman. It will make you smile, laugh out loud, hold your breath, bite your bottom lip, and most importantly... Blush.

    It showcases the works that made him one of the most beloved and significant writers of the past century while inviting a new recognition of his enduring commitments, fluency, and power.

    THEORIES OF FALLING is the winner of the 2007 New Issues Poetry Prize. Judge Marie Howe said of THEORIES OF FALLING, "I kept coming back to these poems--the tough lyric voice that got under my skin. Clear, intent, this poet doesn't want to fool herself or anybody else. Desire pushes defeat against the wall, and the spirit climbs up from underground." "Sandra Beasley slices her way down the page with precision and punch. Her haunting 'Allergy Girl' series will set off such an itch, I doubt you'll ever fully recover...This poet leaves us to smolder and ache in small kingdoms where 'even the tame dogs dream of biting clear to the bone.'"--Aimee Nezhukumatathil.

    As we read, each of our senses is engaged, and we come to detect a search for spiritual revelations--in buildings, churches, homes, trains, and cars. Then suddenly we find ourselves back in the open, pursuing the course to Baltimore and Bucharest, to the zoo and the park, to the past and future. As ever, Ashbery's wakeful digressions are wily, comic, heartbreaking, and vertiginous.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch-"crows in a caterwaul" are "scored like black notes in the bare oak"-and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."

    Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.

    Cole's most recent poems have a daring sensitivity and imagistic beauty unlike anything on the American scene today. Whether they are exploring pleasure or pain, humor or sorrow, triumph or fear, they reach for an almost shocking intensity. Cole's fourth book, Middle Earth, awakened his audience to him as a poet now writing the poems of his career. Pierce the Skin brings together sixty-six poems from the past twenty-five years, including work from Cole's early, closely observed, virtuosic books, long out of print, as well as his important more recent books, The Visible Man (1998), Middle Earth (2003), and Blackbird and Wolf (2007). The result is a collection reconsecrating Cole's central themes: the desire for connection, the contingencies of selfhood and human love, the dissolution of the body, the sublime renewal found in nature, and the distance of language from experience. "I don't want words to sever me from reality," Cole says, striving in Pierce the Skin to break the barrier even between word and skin. Maureen N. McLane wrote in The New York Times Book Review that Cole is a poet of "self-overcoming, lusting, loathing and beautiful force." This book will have a permanent place with other essential poems of our moment.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    Brave in its nakedness, her work like a lucid stream enjoys itself as it keeps its surefooted course. Written with the precision only passion can ensure, the poems commend us to the gay gravity of angels. This is a collection to be indeed relished and prized.' - Theodore Weiss

    Her poems are sculptures pieced together from bits of memory and a montage of American detritus. This cinematic and wildly original collection asks the big questions as it documents our private selves, playing out our lives in public.Before becoming a poet, Brenda Coultas was a farmer, a carny, a taffy maker, a park ranger, a waitress in a disco ballroom, and the second woman welder in Firestone Steel’s history. Her poetry has appeared in numerous publications, including Conjunctions, Epoch, Fence, and Open City. She lives one block from the Bowery in New York City.

    From the graveyards and battlefields of the Civil War to the ancient forests of Brazil, from desire to despair, landscapes both literal and emotional are traversed in this unforgettable collection of poems. Brimhall guides readers through ever-winding mazes of heartbreak and treachery, and the euphoric dreams of missionaries. The end of days, the intoxication of religion that at times borders on terror, and the post-evangelical experience intertwine with the haunting redemptions and metamorphoses found in violence. These tender yet ruthless poems, brimming with danger and longing, lure readers to “a place where everyone is transformed by suffering.”