. . .The deaths of Darth Vader and Emperor Palpatine by no means spelled the end of the Empire. In the aftermath, the New Republic has faced a constant struggle to survive. Now a new threat looms: a masterpiece of Alderaanian art—lost after the planet’s destruction—has resurfaced on the black market. It conceals a vital secret—the code used to communicate with New Republic agents undercover within the Empire. Discovery by Imperial forces would spell disaster. The only option is recovery—and Han, Leia, Chewbacca, and C-3PO have been dispatched to Tatooine to infiltrate the auction.When a dispute at the auction erupts into violence, the painting vanishes in the chaos. Han and Leia are thrust into a desperate race to reclaim it. As they battle against marauding TIE fighters, encroaching stormtroopers, and Tatooine’s savage Tusken Raiders, Leia’s emotional struggle over the specter of her infamous father culminates in the discovery of an extraordinary link to the past. And as long-buried secrets at last emerge, she faces a moment of reckoning that will forever alter her destiny . . . and that of the New Republic.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Since then, the New Republic has valiantly struggled to maintain peace and prosperity among the peoples of the galaxy. But unrest has begun to spread and threatens to destroy the Republic's tenuous reign.Into this volatile atmosphere comes Nom Anor, a charismatic firebrand who heats passions to the boiling point, sowing seeds of dissent for his own dark motives. And as the Jedi and the Republic focus on internal struggles, a new threat surfaces from beyond the farthest reaches of the Outer Rim--an enemy bearing weapons and technology unlike anything New Republic scientists have ever seen.Suddenly, Luke Skywalker; his wife, Mara; Han Solo; Leia Organa Solo; and Chewbacca--along with the Solo children--are thrust again into battle, to defend the freedom so many have fought and died for. But this time, the power of the Force itself may not be enough . . .

     NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLYSet in an amoral future where genetically engineered monstrosities fight each other to the death in an Olympic event, The Games envisions a harrowing world that may arrive sooner than you think.   Silas Williams is the brilliant geneticist in charge of preparing the U.S. entry into the Olympic Gladiator competition, an internationally sanctioned bloodsport with only one rule: no human DNA is permitted in the design of the entrants. Silas lives and breathes genetics; his designs have led the United States to the gold in every previous event. But the other countries are catching up. Now, desperate for an edge in the upcoming Games, Silas’s boss engages an experimental supercomputer to design the genetic code for a gladiator that cannot be beaten.   The result is a highly specialized killing machine, its genome never before seen on earth. Not even Silas, with all his genius and experience, can understand the horror he had a hand in making. And no one, he fears, can anticipate the consequences of entrusting the act of creation to a computer’s cold logic.   Now Silas races to understand what the computer has wrought, aided by a beautiful xenobiologist, Vidonia João. Yet as the fast-growing gladiator demonstrates preternatural strength, speed, and—most disquietingly—intelligence, Silas and Vidonia find their scientific curiosity giving way to a most unexpected emotion: sheer terror.Praise for The Games   “Blends the best of Crichton and Koontz.”—Publishers Weekly (starred review)   “Outstanding . . . very like something Michael Crichton might have written . . . [a] bold mix of horror and SF . . . Expect big things from [Ted] Kosmatka.”—Booklist (starred review)   “Kosmatka successfully captures the thrill of groundbreaking technology. . . . The pleasure of his polished, action-packed storytelling is deepened by strong character development. This near-future SF thriller . . . seems destined for the big screen.”—Library Journal (starred review)

    He started it when he was in the US Army, so it has a long prison sequence that is reminiscent of that experience, being dark and grim. It features Aton Five, a space man who commits the crime of falling in love with the dangerous alluring Minionette and is therefore condemned to death in the subterranean prison of Chthon. It uses flashbacks to show how he came to know the Minionette, and flashforwards to show how he dealt with her after his escape from prison. The author regards this as perhaps the most intricately structured novel the science fantasy genre has seen. It was a contender for awards, but not a winner.

    For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, rumors of war arrive. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?

    The Infected were driven mad by the disease, becoming violent and cannibalistic, killing even those closest to them without hesitation. Six years ago, the tiny surviving community of Immune humans found a cure, and the Infected began to wake up and realize what they'd done. And what had been done to them. Over time, society began to rebuild itself. Now it is ready to judge those responsible for the Plague. Nella Rider, the court psychologist and Frank Courtlen a defense attorney are trying to establish the truth. But more depends on it than they know. They race to find the answers they need before the fragile remains of humanity vanish for good. The After the Cure Series: Book 1: After the Cure Book 2: The Cured Book 3: Krisis Book 4: Poveglia releases July 21, 2015 Book 5: The 40th Day coming Fall 2015

    The Peace Authority conquered the world with a weapon that never should have been a weapon--the "bobble," a spherical force-field impenetrable by any force known to mankind. Encasing governmental installations and military bases in bobbles, the Authority becomes virtually omnipotent. But they've never caught Paul Hoehler, the maverick who invented the technology, and who has been working quietly for decades to develop a way to defeat the Authority. With the help of an underground network of determined, independent scientists and a teenager who may be the apprentice genius he's needed for so long, he will shake the world, in the fast-paced hard-science thriller that garnered Vinge the first of his four Hugo nominations for best novel.

     In the year 2098, there is no more war, no more hunger and no more pollution. The world is secure and Earth’s 2.9 billion people are healthy and happy. There is also only one remaining library that still houses physical books. In addition to the dusty volumes, the library holds many secrets. But the government has decided to shut it down and burn the contents. Unless an unlikely trio can save the books, humanity will lose more than just what is printed on those antique pages. With a single government ruling the entire planet, one currency, one language and no religion, the population is unified and enjoying the prosperity that comes with more than seven decades of peace. Free healthcare for all and guaranteed employment make the future a dream. But this future may only be safe if they can hide the past. The books must be saved . . . the impossible task is up to an angry author, a brazen revolutionary and the last librarian. When everything is perfect, the only thing left to fear is the truth.

    But he never came back. With supplies running out and vital life support systems failing, Jack, Samantha, and Will have no choice but to ignore their father’s warnings and leave the vault. With no knowledge of what befell the world outside, or what they might expect once the door is opened, they find themselves in a world they do not recognize. Thrust into the remains of the world they remember, how will they survive on their own, not knowing what or who else remains amongst the ruins?

    showed that the projectile has passed the atmospheric strata, for the diffused light spread in the air would have been reflected on the metal walls, which reflection was wanting. This light would have lit the window, and the window was dark. Doubt was no longer possible; the travelers had left the earth. "I have lost," said Nicholl. "I congratulate you," replied Ardan. "Here are the nine thousand dollars," said the captain, drawing a roll of paper dollars from his pocket. "Will you have a receipt for it?" asked Barbicane, taking the sum. "If you do not mind," answered Nicholl; "it is more business-like." This is the legendary novel of technological speculation and social satire that launched an entire genre of adventure fiction: Verne's From the Earth to the Moon and 'Round the Moon is the first story of space exploration and remains a beloved work of daring exploits-and surprisingly accurate scientific conjecture. When the members of the Baltimore Gun Club-bored Civil War veterans-decide to fill their time by embarking on a project to shoot themselves to the moon, the race is on to raise money, overcome engineering challenges, and convince detractors that they're anything but "Lunatics." With this work, Verne inspired the first science fiction film, 1902's Le Voyage dans la lune, and accurately predicted that that ideal location for a spacebase is in Florida. First published in France in 1865, this replica 1918 edition includes the sequel, 1870's Round the Moon. Also available from Cosimo Classics: Verne's Five Weeks in a Balloon OF INTEREST TO: science fiction fans, readers of 19th-century literature French author JULES GABRIEL VERNE (1828-1905) is considered the father of modern science fiction. Among his many groundbreaking books are Journey to the Center of the Earth (1864), 20,000 Leagues Under the Sea (1870), and Around the World in Eighty Days (1872).

    Possessed of an unnatural hunger, bloodthirsty Reapers rule the planet, sucking out human blood and souls. Starting in revenge for the loss of his parents, on to fellow soldiers, Lieutenant David Valentine intends to fight back in this western-style frontier.

    In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . .Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth.A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.

    He's also expendable - at least in the eyes of the Secretary of Traffic for the Nation of California. Tanner doesn't care much for those eyes. You'd also never mistake Hell Tanner for a humanitarian. Facing life in prison for his various crimes, he's given a choice; rot away his remaining years in a tiny jail cell, or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts...if anyone is still alive there to receive it, that is. The chance of a full pardon does wonders for getting his attention. And don't mistake this mission of mercy for any kind of normal road trip - not when there are radioactive storms, hordes of carniverous beasts, and giant, mutated scorpions to be found along every deadly mile between Los Angeles and the East Coast. But then, this is no normal part of America, you see. This is DAMNATION ALLEY...

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.