Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

    Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation. Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing. Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

    Manette Ansay explores the rural Midwest landscape and the people who inhabit it: ordinary folk with extraordinary inner lives, struggling to make sense of the isolated, sometimes painful, and often intensely religious worlds in which they live. Her are 15 haunting and exquisitely written tales that offer a rare and unforgettable glimpse into the complexities of being human and being alive.

    In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersão, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

    An online forum for cancer support turns into a love triangle for an English professor, a Canadian fisherman, and an elementary school teacher living in Japan. A deer and a polar bear flirt via Skype. In The Hypothetical Girl a menagerie of characters graze and jockey, play and hook up in the online dating world with mixed and sometimes dark results. Flirting and communicating in chat rooms, through texts, e-mails, and IMs, they grope their way through a virtual maze of potential mates, falling in and out of what they think and hope may be true love.   With levity and high style, Cohen takes her readers into a world where screen and keyboard meet the heart, with consequences that range from wonderful to weird. The Hypothetical Girl captures all the mystery, misery, and magic of the eternal search for human connection.

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    Davis (Girl's Poker Night) offers darkly humorous take on starting over in New York and working with "the Elizabeths" and Alisa Valdes-Rodriquez (The Dirty Girls Social Club) muses on how different the words lady and woman are when paired with cat.Girl's Night In features stories about growing up, growing out of, moving out, moving on, falling apart and getting it all together. So turn off your cell phone and curl up on the couch: this is one Girl's Night In you won't want to miss.

    Ehrhardt’s stories, adultery and impropriety become disquietingly mundane. Mothers expect daughters to be complicit in their love affairs, children seek shelter in families that aren’t their own, fathers court their daughters, a couple enters into a marriage that lasts thirty days a year, and a young girl takes to the road with the simple guy who bags groceries at Piggly Wiggly while her mother imagines her safely at school. Beautifully restrained and shot through with tenderness, Famous Fathers and Other Stories establishes Ehrhardt as both a leading practitioner of the short story and an empathetic interpreter of the lives of wounded people who–instead of asking for what they want–take what is offered.