Phantom trains chug down the now removed rails of the P&LE Railroad line on the Great Allegheny Passage. A wild ape boy is said to roam the Chester swamps, while the weeping Squonk wanders the hemlock-shrouded hills of central Pennsylvania, lamenting his hideousness. On dark nights, the ghosts of Betty Knox and her Union soldier beau still search for each other at Dunbar Creek. Join Thomas White and company as they go in search of the truth behind the legends of supernatural Pennsylvania.

    The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.

    I'm sure it will be ...

    In our language, in our stories (many written by men), we underline the idea that women who step out of bounds--who are angry or greedy or ambitious, who are overtly sexual or not sexy enough--aren't just outside the norm. They're unnatural. Monstrous. But maybe, the traits we've been told make us dangerous and undesirable are actually our greatest strengths.Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we're told fall outside the bounds of natural femininity. But monsters also get to do what other female characters--damsels, love interests, and even most heroines--do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us--harassed, shut out, and ruled by predators--women have never been more ready to become repellent, fearsome, and ravenous.

    That the books are entertainment seems a given, and for that I'm grateful. That they can be seen as a religious journey is also clear. I am immersed in the questions, and praying for the answers. Lestat, c'est moi. I want you to love all of my characters. I am, in the writing of these and other novels, as ambitious as Dickens. I want everybody to cry when Claudia dies, just like they did for Little Nell."-- Anne RiceFebruary 8, 1995Interview with the Vampire. The Vampire Lestat. The Queen of the Damned. The Talc of the Body Thief Memnoch the Devil. With her bestselling, epic saga, Anne Rice has reinvented the legend and literature of one of fiction's most popular and captivating archetypes. Now, Katherine Ramsland, Anne Rice's biographer, has completely revised and updated the ultimate reference guide to the world, history, and adventures of these haunting characters, from the unforgettable Lestat to Rice's newest chilling creation, Memnoch the Devil.Written with the full cooperation of Anne Rice -- and now with more than 1,200 entries -- The Vampire Companion offers an insightful exploration, appreciation, and interpretation of all the characters and events, names and places, symbols and themes in the five volumes of The Vampire Chronicles, including more than one hundred pages of new entries on Rice's latest vampire novel, Memnoch the Devil. Everything that readers might want to explore further is annotated and analyzed in this entertaining and enlightening work: the unforgettable characters of Louis, Lestat, Claudia, Akasha, Armand, and Memnoch; the important points of interest on Lestat's fascinating tour through Heaven and Hell; ancient lore; Rice's unique contributions to the mythos of vampires; the literary inspirations that echo through the novels; Rice's own reflections and revelations about her work and about the movie Interview with the Vampire; and much more.Richly illustrated with new photos, drawings, maps, and a complete time line of events in The Chronicles, The Vampire Companion is as captivating as the phenomenal saga it explores. It is a guidebook that no visitor to the world of Anne Rice should be without.

    They're not just in movies and books, but in commercials, fetish clubs, and even in your breakfast cereal. If you look, you'll discover that bloodsuckers have gone from guest spots in rural folk tales to becoming some of the most recognizable bad guys in the modern world. Eric Nuzum wanted to find out why and how this happened. And he found the answer in Goth clubs, darkened parks, haunted houses, and… chain restaurants.  Nuzum was willing to do whatever it took to better understand the vampire phenomenon. He traveled across Transylvania on a tour hosted by Butch Patrick (a.k.a. Eddie Munster), sat through Las Vegas' only topless vampire revue, hung out with assorted shady characters, and spent hours in a coffin. He even drank his own blood --just one more step in his quest to understand the weird, offbeat world of vampires and the people who love them. The Dead Travel Fast is the hilarious result of this bloody, gory, and often foolhardy journey. With his unmatched firsthand experience, Eric Nuzum delivers a far-reaching look at vampires in pop culture, from Bram to Bela to Buffy, and at what vampires and vampirism have come to mean to us today.  And the blood? Let's just say it doesn't go with eggs.

    He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Scholars continue to debate many of Wilde's critical positions.Included in Richard Ellmann's impressive collection of Wilde's criticism, The Artist as Critic, is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H.," "The Soul Man under Socialism," and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work."Wilde . . . emerges now as not only brilliant but also revolutionary, one of the great thinkers of dangerous thoughts."—Walter Allen, New York Times Book Review"The best of Wilde's nonfictional prose can be found in The Artist as Critic."—Michael Dirda, Washington Post Book World

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    Every page of Vampires features a column of commentary by the editor, expanding upon the stories and exploring the evolution of the vampire mystique in folklore, literature, and popular culture. More than 200 beautifully rendered black-and-white images of vintage engravings, film posters, and popular artifacts make this big book the "living end" of vampire fact, fiction, and lore.

    But the countless movies and books inspired by this child of the night who has a predilection for human blood are based on incidents recorded as fact in newspapers and judicial archives in the centuries preceding the works of Bram Stoker and other writers. Digging through these forgotten records, Claude Lecouteux unearths a very different figure of the vampire in the many accounts of individuals who reportedly would return from their graves to attack the living. These ancestors of the modern vampire were not all blood suckers; they included shroud eaters, appesarts, nightmares, and the curious figure of the stafia, whose origin is a result of masons secretly interring the shadow of a living human being in the wall of a building under construction. As Lecouteux shows, the belief in vampires predates ancient Roman times, which abounded with lamia, stirges, and ghouls. Discarding the tacked together explanations of modern science for these inexplicable phenomena, the author looks back to another folk belief that has come down through the centuries like that of the undead: the existence of multiple souls in every individual, not all of which are able to move on to the next world after death.

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom PerrottaAward-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

    Examines Dracula as a cultural icon, describing his transformation from a fictional character in Bram Stoker's novel to a figure that has pervaded popular culture.