Beginning with the turn-of-the-century writings of Angelina Welde Grimke and Alice Dunbar Nelson, it charts the evolution of black lesbian and gay fiction into the Harlem Renaissance of Langston Hughes and Countee Cullen and the later postwar era, in which works by Audre Lorde and James Baldwin signal the emerging sexual liberation movements. The 40 authors featured also include Alice Walker, E. Lynn Harris, Audre Lorde, April Sinclair, Jewelle Gomez, Thomas Glave, and Jacqueline Woodson.

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    These 49 short stories, poems, interviews and essays—fiction and nonfiction—make up a powerful collection of original and new writing by 41 women. does your mama know? is ready to take its place in the halls of literary African-American lesbian voices.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    Here are characters faced with dangerous decisions, children slick with oil from the river, a woman in love with another despite the penalties. Here is a world marked by electricity outages, lush landscapes, folktales, buses that break down and never start up again. Here is a portrait of Nigerians that is surprising, shocking, heartrending, loving, and across social strata, dealing in every kind of change. Here are stories filled with language to make your eyes pause and your throat catch. Happiness, Like Water introduces a true talent, a young writer with a beautiful heart and a capacious imagination.

    In "Pyrography" a gay adolescent is torn between his sexual desires and his longing for acceptance as he goes on a camping trip with two straight male friends. An American in Crete finds a new reason for living after the death of his lover in "An Oracle." "Watermarked" is a moving tribute to a beautiful young actor, the subject of an early passion. And, perhaps the funniest story in the collection, "His Biographer" deals with the ludicrous experience of being the living subject of a biography; it brilliantly stages the meeting of Old World sophistication and New World political correctness.

    The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.

    From a spectrum of backgrounds—urban and rural, wealthy and poor, mixed race, immigrants, and more—Black Enough showcases diversity within diversity.Whether it’s New York Times bestselling author Jason Reynolds writing about #blackboyjoy or Newberry Honor-winning author Renee Watson talking about black girls at camp in Portland, or emerging author Jay Coles’s story about two cowboys kissing in the south—Black Enough is an essential collection full of captivating coming-of-age stories about what it’s like to be young and black in America.

    They express themselves through fashion, sports and other physical pursuits, through food, and music, and art. They are flirting and falling in love. They are loving to themselves and one another. With stories that feature fat main characters starring in a multitude of stories and genres, and written by authors who live these lives too, this is truly a unique collection that shows fat young people the representation they deserve.With a foreword by Aubry Gordon, creator of Your Fat Friend, and with stories by:Nafiza Azad, Chris Baron, Sheena Boekweg, Linda Camacho, Kelly deVos, Alex Gino, Claire Kann, amanda lovelace, Hillary Monahan, Cassandra Newbould, Francina Simone, Rebecca Sky, Monique Gray Smith, Renée Watson, Catherine Adel West, Jennifer Yen

    Honestly, though? I think the answer’s much simpler than that. Color outside the Lines is a collection of stories about young, fierce, brilliantly hopeful people in love.—Sangu Mandanna, editor of Color outside the Lines

    Living in the poor, segregated quarter of Little Tunis, Ivoe immerses herself in printed matter as an escape from her dour surroundings. She earns a scholarship to the prestigious Willetson College in Austin, only to return over-qualified to the menial labor offered by her hometown’s racially-biased employers.Ivoe eventually flees the Jim Crow South with her family and settles in Kansas City, where she and her former teacher and lover, Ona, found the first female-run African American newspaper, Jam! On the Vine. In the throes of the Red Summer—the 1919 outbreak of lynchings and race riots across the Midwest—Ivoe risks her freedom, and her life, to call attention to the atrocities of segregation in the American prison system.Skillfully interweaving Ivoe’s story with those of her family members, LaShonda Katrice Barnett’s Jam! On the Vine is both an epic vision of the hardships and injustices that defined an era and a moving and compelling story of a complicated history we only thought we knew.

    But as the city is thrown into confusion, a different kind of electricity sparks…A first meeting. Long-time friends. Bitter exes. And maybe the beginning of something new.When the lights go out, people reveal hidden truths. Love blossoms, friendship transforms, and new possibilities take flight.Beloved authors—Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon—celebrate the beauty of six couples and the unforgettable magic that can be found on a sweltering starry night in the city.

    With winning directness, Jackie Kay captures her characters' greatest joy and greatest vulnerability, exposing the moments of tenderness, of shock, of bravery and of stupidity that accompany the search for love, the discovery of love and, most of all, love's loss. Jackie Kay's characters sing from the page - Daily Telegraph. So immediately engaging that it reads as though she is speaking to you at a bus stop - Irish Times. Jackie Kay's new book reveals her gift for capturing a voice ...at the heart of it is a faith in stories themselves: a belief that the most desolate history can be lent coherence if you tell it right - Times Literary Supplement. Kay's humour and optimism are transcendent - Sunday Herald.

    Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. TAKE THE MIC's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.