Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch

     5,000 additional words completed with sex, lies, and secrets A preview of Part 2 raw, unedited, and edge of the seat drama Follow Lakisha Johnson on social media: Instagram @KishaJohnson Twitter @_LakishaJohnson

    But no matter how hard she tries to love him, her heart yearns for another.Gade, Saphire's younger sister, married the man of her dreams. Lamonte Singletary is everything a red-blooded woman could ever want in a man. After the birth of their son, life has been picture perfect. That is, until Joe Burrels, a bittersweet memory from the past, returns with a haunting secret he is determined to reveal.Now the bond of sisterhood could be destroyed forever.http://www.amazon.com/Sister-Street-C...

    This time, enemies are coming full force, not caring who’s in their way. In this final installment to I Choose You, relationships will be tested and some loyalty will be broken along the way. Part one and two, we took a ride with Tyrone and Ka’lani and Tisha and Otis, well joining us this go round is none other than Tamika and Pat, as well as Cevon and Kyla being in the midst of the drama, while it unfolds right before your eyes.Come take a ride with the hood’s hottest couples. Will these couples be able to handle all the curves that are thrown their way? Will things become too much and have them ready to walk away? Will Tisha be able to handle the constant drama that continues to come at her? Or will she be forced to leave Otis and call of the whole wedding off?

    She gains a respectable post as housekeeper to an elderly man, but when he dies his waspish sister throws her out onto the streets where she faces destitution. At the entrance to the notorious Paradise Park Hotel she encounters Sal, a young street girl whom she tries to rescue. Her attempt ends in failure and Sal returns to her old life on the streets, leaving Rhiannon is even more determined to become respectable. She obtains a job as maid to unhappy Janey Buchan, who takes a liking to Rhiannon and teaches her ladylike ways. Her rascally husband Dafydd, once the lover of Llinos Mainwaring, causes Janey great unhappiness, and eventually she runs away, leaving Rhiannon once more without a job or a home. In desperation, knowing that little stands between her and a return to her old life, she finds herself back at the Paradise Park Hotel. Once scarcely more than a bawdy house, it has now changed hands and Rhiannon starts working there, helping gradually to transform it from a place of ill-repute into one of the finest hotels in Swansea. The only thing lacking in her life is love, and with Bull Beynon married to sweet, gentle Katie, she fears that she may have to live out her life alone . . . Paradise Park is the triumphant finale to Iris Gower's Firebird sequence, set amongst the romantic clay potteries of South Wales.

    His rise was fast and he enjoyed all the luxuries of his hustle, including the fly chick on his arm. But his reign is short lived. Now he is in prison on a bogus murder conviction and everything he had is gone, including his woman.Beautiful and ambitious Lieutenant Nicole Wright is the fantasy of every convict at Georgia State Prison where she works. The furthest thought from her mind is falling in love with a convict. She is married to a successful doctor, and though their marriage is absent of passion, Nicole is content until she meets Prince. A hot, fascinating, but dangerous relationship kicks off threatening to explode at every turn. Will Nicole be able to ride for Prince like he needs her to? Will his bitterness engulf her into its flames? Will loving a thug cost Nicole to lose everything, including her life? The answers lie within as she and Prince embark on a journey that is truly A Dirty South Love.

    After a year of courtship, Katie is ready to settle down and start her life as an Amish wife, but Zach finds himself longing for a wider world than his childhood home of Faith's Landing. Caught between love and possibility, societal expectations and the temptations of the flesh, will Zach and Katie's love be strong enough to survive the oncoming storm? This is Book 3 of 3 of the A Lancaster Amish Storm (Amish Faith Through Fire) serial. IF YOU LOVE CHRISTIAN BOOKS, SCROLL UP AND GRAB YOUR COPY NOW!

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    

    Closer to home, though, language is failing him. He doesn't know what to say to his wife, Mary, to keep her from leaving him, and he doesn't recognize the deep feelings that his lab assistant, Emma, has for him.