Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .

    She has no idea who might have sent her The Perfect Stranger - or how it ended up on her nightstand. At first, she is intrigued by the suspenseful story that unfolds.And then she realizes.This isn't fiction.The Perfect Stranger recreates in vivid, unmistakable detail the day Catherine became hostage to a dark secret, a secret that only one other person knew - and that person is dead.Now that the past Catherine so desperately wants to forget is catching up with her, her world is falling apart. Plunged into a living nightmare, she knows that her only hope is to confront what really happened on that terrible day... even if the shocking truth might destroy her.

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    The daughters of the infamous Bonesaw Killer, Kit and Fancy are used to feeling like outsiders, and that's just the way they like it. But in Portero, where the weird and wild run rampant, the Cordelle sisters are hardly the oddest or most dangerous creatures around.It's no surprise when Kit and Fancy start to give in to their deepest desire - the desire to kill. What starts as a fascination with slicing open and stitching up quickly spirals into a gratifying murder spree. Of course, the sisters aren't killing just anyone, only the people who truly deserve it. But the girls have learned from the mistakes of their father, and know that a shred of evidence could get them caught. So when Fancy stumbles upon a mysterious and invisible doorway to another world, she opens a door to endless possibilities.

    . . if you've ever known fear. In Palmerston, Pennsylvania, two men in long coats walk calmly into a crowded fast-food restaurant--then, slowly and methodically, gun down sixty-eight people. They take time to reload. On the Promenade of Santa Monica, California, a teenage girl gives sightseeing tips to a distinguished English tourist. She won't be going home tonight. In Dyersburg, Montana, a grief-stricken son tries to make sense of the accident that killed his parents--then finds a note stuffed in his father's favorite chair. It reads, "We're not dead."Three seemingly unrelated events, these are the first signs of an unimaginable network of fear that will lead one unlikely hero to a chilling confrontation with The Straw Men. No one knows who they are--or why they kill. But they must be stopped. Michael Marshall's electrifying debut novel is an instant masterpiece of modern suspense. An epic thriller for anyone who has feared that someone is watching us.

    But when one of Piper and Hazel's classmates disappears, they become determined to find out the truth of what happened to her.While investigating, they meet three handsome and rich grad students...who kidnap them. The girls are taken to a building in the middle of a privately-owned forest. The building isn't just designed to keep them locked away—every room is a test in survival. And Piper and Hazel won't give up without a fight.

    Upon closer inspection, he finds the garden is but a cover for the scores of bodies buried below. Soon, the small town of Mt. Dessicate plunges into chaos as journalists, reporters, and cameramen from across the nation descend upon the tiny, desert town to get a piece of the action. Along with the media, a mysterious woman appears. She may be the only person who has come face to face with the killer, dubbed the Botanist, and lived to tell the tale. If Cody can't piece together a timeline of the land the crime scene is located on, decipher how the woman's mysterious past is connected to the killer, and bring the Botanist to justice, he may lose the people he values most.

    A boy who planned to be the next school shooter. A patient with OCD whose loved ones really did suffer every time he missed a ritual. A choir boy who claimed he was being molested -- not by a priest -- but by God Himself. A patient with PTSD who gave me nightmares. A husband and wife who accused each other of abuse, and only one of them was telling the truth.And how could I ever forget, Patient #220.The problem is, my patients have a habit of dying. Sometimes I wonder if I'm the common denominator. Or maybe that's just the cost of taking on exceptionally broken clients.Either way, I'll never stop trying to help.

    Starting a family and gearing yourself up for your Happy Ever After. For some people, it's something they have dreamed about since they were a little girl. But not Jessica, not even eighteen years of age yet, she doesn't feel ready. She doesn't want 9 Months of discomfort, and a baby at the end of it. She doesn't feel as though she's lived enough of her own life yet. Maybe one day, just not right now. It's just too bad her kidnapper seems hell-bent on keeping her and her baby alive. What do they want with her baby? What will happen to her after she's given birth? I guess, in 9 Months, she'll find out. Until then, she's in for the long haul...Book One of the '9 Months' series - told through the eyes of the people living the nightmare. Continue your reading experience in Matt Shaw's 'Happy Ever After' World....And want news on Book Two? Find Matt Shaw on Facebook and join his page for exclusive news!

    She was just seven years old, wandering lost and hungry in the wilderness, when the solitary hunter took her in. In the years since then, he's taught her how to survive in this desolate land where civilization has been destroyed and men are at the mercy of the elements and each other.But the man Elka thought she knew has been harboring a terrible secret. He's a killer. A monster. And now that Elka knows the truth, she may be his next victim.Armed with nothing but her knife and the hard lessons Trapper's drilled into her, Elka flees into the frozen north in search of her real parents. But judging by the trail of blood dogging her footsteps, she hasn't left Trapper behind--and he won't be letting his little girl go without a fight. If she's going to survive, Elka will have to turn and confront not just him, but the truth about the dark road she's been set on.The Wolf Road is an intimate cat-and-mouse tale of revenge and redemption, played out against a vast, unforgiving landscape--told by an indomitable young heroine fighting to escape her past and rejoin humanity.

    Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    . .Five years ago, three-year-old Dillon disappeared. For his father Harry - who left him alone for ten crucial minutes - it was an unforgivable lapse. Yet Dillon's mother Robyn has never blamed her husband: her own secret guilt is burden enough.Now they're trying to move on, returning home to Dublin to make a fresh start.But their lives are turned upside down the day Harry sees an eight-year-old boy in the crowd. A boy Harry is convinced is Dillon. But the boy vanishes before he can do anything about it.What Harry thought he saw quickly plunges their marriage into a spiral of crazed obsession and broken trust, uncovering deceits and shameful secrets. Everything Robyn and Harry ever believed in one another is cast into doubt.And at the centre of it all is the boy that never was . . .