Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    All she wants is to turn up the volume on her iPod until all of the demands of family and friends fade away. So she sneaks off to the beach to spend a day by herself.Then Amber meets Cade. Their attraction is instant, and Amber can tell he’s also looking for an escape. Together they decide to share a perfect day: no pasts, no fears, no regrets.The more time that Amber spends with Cade, the more she’s drawn to him. And the more she’s troubled by his darkness. Because Cade’s not just living in the now—he’s living each moment like it’s his last.

    Confident that she and Kate will be best friends forever.But everything changes in one blurry night. Suddenly, Kate is avoiding her, and people are looking the other way when she passes in the halls. As the aftershocks from a startling accusation rip through Liz's world, everything she thought she knew about photography, family, friendship and herself shifts out of focus. What happens when the picture you see no longer makes sense? What do you do when you may lose everything you love most? Told in stunning, searingly raw free verse, Exposed is Kimberly Marcus's gut-wrenching, riveting debut and will appeal to fans of Ellen Hopkins, Laurie Halse Anderson and Virginia Euwer Wolff.

    Twenty voices.Endless possibilities.There's the girl who is in love with Holden Caulfield. The boy who wants to be strong who falls for the girl who's convinced she needs to be weak. The girl who writes love songs for a girl she can't have. The two boys teetering on the brink of their first anniversary. And everyone in between.As he did in the highly acclaimed Boy Meets Boy, David Levithan gives us a world of unforgettable voices that readers will want to visit again and again. It's the realm of possibility open to us all - where love, joy, and the stories we tell will linger.

    This book is about me.It tells the deeply hideous storyof what happens when my mother diesand I'm dragged three thousand miles awayfrom my gorgeous boyfriend, Ray,to live in L.A. with my father,who I've never even metbecause he's such a scumbag that hedivorced my mom before I was born.The only way I've ever even "seen" himis in the movies,since he's this megafamous actorwho's been way too busytrying to win Oscarsto even visit me once in fifteen years.Everyone loves my father.Everyone but me.

    Ariel’s mom disappeared when she was a baby. Dad says home is wherever the two of them are, but Ariel is now seventeen and after years of new apartments, new schools, and new faces, all she wants is to put down some roots. Complicating things are Monica and Gabe, both of whom have stirred a different kind of desire. Maya’s a teenager who’s run from an abusive mother right into the arms of an older man she thinks she can trust. But now she’s isolated with a baby on the way, and life’s getting more complicated than Maya ever could have imagined. Ariel and Maya’s lives collide unexpectedly when Ariel’s mother shows up out of the blue with wild accusations: Ariel wasn’t abandoned. Her father kidnapped her fourteen years ago. What is Ariel supposed to believe? Is it possible Dad’s woven her entire history into a tapestry of lies? How can she choose between the mother she’s been taught to mistrust and the father who has taken care of her all these years? In bestselling author Ellen Hopkins’s deft hands, Ariel’s emotionally charged journey to find out the truth of who she really is balances beautifully with Maya’s story of loss and redemption. This is a memorable portrait of two young women trying to make sense of their lives and coming face to face with themselves—for both the last and the very first time.

    The spot you’d press when you felt a headache coming on. The bullet tore away bone, the way dynamite blasts rock—leaving a soft crater.Life changes forever for Liv when her older brother, Jonah, accidentally shoots himself with his best friend Clay’s father’s gun. Now Jonah needs round-the-clock care just to stay alive, and Liv seems to be the only person who can see that her brother is still there inside his broken body.With Liv’s mom suing Clay’s family, there are divisions in the community that Liv knows she’s not supposed to cross. But Clay is her friend, too, and she refuses to turn away from him—just like she refuses to give up on Jonah.

    Tippi and Grace. Two sisters. Two hearts. Two dreams. Two lives. But one body.Grace and Tippi are conjoined twins, joined at the waist, defying the odds of survival for sixteen years. They share everything, and they are everything to each other. They would never imagine being apart. For them, that would be the real tragedy.But something is happening to them. Something they hoped would never happen. And Grace doesn’t want to admit it. Not even to Tippi.How long can they hide from the truth—how long before they must face the most impossible choice of their lives?

    In one moment,it is over.In one momentit is gone.The morning growsthin, greyand our lives—how they were—have vanished.Our lives havechangedwhen I walk inon Lizziemy sisterholding a shotgun.Twelve year old girl Hope's life is turned upside down when her older sister Lizzie becomes an elective mute and is institutionalized after trying to kill herself.With raw and haunting writing reminiscent of Ellen Hopkins and Elizabeth Scott, Carol Lynch Williams is a promising new YA voice.

    A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

    It’s only blood, they agree. But soon a gruesome meme goes viral, turning an intimate, affectionate afternoon into something sordid, mortifying, and damaging. In the time it takes to swipe a screen, Frankie’s universe implodes. Who can she trust? Not Harriet, her suddenly cruel best friend, and certainly not Benjamin, the only one who knows about the incident. As the online shaming takes on a horrifying life of its own, Frankie begins to wonder: is her real life over?Author Lucy Cuthew vividly portrays what it is to be a teen today with this fearless and ultimately uplifting novel in verse. Brimming with emotion, the story captures the intensity of friendships, first love, and female desire, while unflinchingly exploring the culture of online and menstrual shaming. Sure to be a conversation starter, Blood Moon is the unforgettable portrait of one girl’s fight to reclaim her reputation and to stand up against a culture that says periods are dirty.

    But not to her. He attacks her brother and sister, but she’s just an invisible witness in a house of horrors, on the brink of disappearing altogether. Until she makes the volleyball team at school. At first just being exhausted after practice feels good, but as Anke becomes part of the team, her confidence builds. When she learns to yell “Mine!” to call a ball, she finds a voice she didn’t know existed. For the first time, Anke is seen and heard. Soon, she’s imagining a day that her voice will be loud enough to rescue everyone at home—including herself.

    Living in a strange city with a host family, she's deeply lonely-until she falls into the arms of Remington, a choreographer in his early twenties. At first, she loves being Rem's muse, but as she discovers a surprising passion for writing, she begins to question whether she's chosen the right path. Is Rem using her, or is it the other way around? And is dancing still her dream, or does she need something more? This debut novel in verse is as intense and romantic as it is eloquent.

    Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow students and the spirit of Emily Dickinson offer helping hands. But it is up to Emily Beam to heal her own damaged self, to find the good behind the bad, hope inside the despair, and springtime under the snow.

    A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.