Unfolding thorugh chiseled sketches and run through with tantalizing motifs, Kitakata's masterpiece follows the fortunes of a yakuza mobster as his moment of truth approaches. Cool, real, and cleansing, Ashes is a literary tonic.

    Louis. For most of his life, he was an all-around normal kid. He excelled in sports and academics, and cherished his time at home with his family. It wasn't until he turned fifteen that things went seriously wrong. While attending his first high school party, he was introduced to pot and alcohol. Needless to say, he gave in to the pressure. A month after that, he discovered heroin. The drug had just made its way into the suburban party scene, and Jude was sure that he could get away with doing it only once. He was sadly mistaken. Within a few short months, his entire life was in shambles.In a series of events that leaves you grasping for the next page, Jude spares no amount of detail in his account of his near-decade long struggle with drug addiction, and the horrors he witnessed along the way.

    She quickly learns that in traditional Kyoto, personal boundaries are firmly drawn and actions are not always what they appear.In the midst of her acculturation, Sarah learns of a family secret. During World War II, her grandmother was forced to give up one of her daughters for adoption. The child was adopted by the grandmother's sister-in-law, and the siblings were brought up as cousins, growing up on the same lane where both the biological and adoptive mother lived. Even into the present, the arrangement is never discussed. But as Sarah learns, its presence looms over the two houses. In this carefully articulated world, where every gesture and look has meaning, Sarah must learn the rules by which her mother, aunts, and grandmother live.Delicately balancing drama and restraint as only few writers can, Waters captures these women -- their deep passions and tumultuous histories -- in this tender and moving novel about the power, beauty, and importance of mother-daughter relationships.

    Ibuse began serializing Black Rain in the magazine Shincho in January 1965. The novel is based on historical records of the devastation caused by the atomic bombing of Hiroshima.

    The complete versions of both works are too long to be taught in one term, and this abridgement answers the need for a one-volume edition of both works suitable for use in survey courses in classical Japanese literature or world literature in translation and by the general reader daunted by the complete works. The translator has selected representative portions of the two texts with a view to shaping the abridgments into coherent, aesthetically acceptable wholes.Often called the world's earliest novel, The Tale of Genji, by Murasaki Shikibu, is a poetic evocation of aristocratic life in eleventh-century Japan, a period of brilliant cultural efflorescence. This new translation focuses on important events in the life of its main character, Genji. It traces the full length of Genji's relationship with Murasaki, the deepest and most enduring of his emotional attachments, and contains all or parts of 10 of the 41 chapters in which Genji figures, including the "Broom Tree" chapter, which provides a reprise of the themes of the book.In romanticized but essentially truthful fashion, The Tale of the Heike describes the late twelfth-century political intrigues and battlefield clashes that led to the eclipse of the Kyoto court and the establishment of a military government by the rival Minamoto (Genji) clan. Its underlying theme, the evanescence of worldly things, echoes some of the concerns of the Genji, but its language preserves many traces of oral composition, and its vigor and expansiveness contrast sharply with the pensive, elegant tone of the Genji. The selections of the Heike, about 40 percent of the work, are taken from the translator's complete edition, which received great acclaim: "this version of the Heike is superb and indeed reveals to English-language readers for the first time the full scope, grandeur, and literary richness of the work."—Journal of Asian StudiesFor both the Genji and the Heike abridgments, the translator has provided introductions, headnote summaries, and other supplementary materials designed to help readers follow the sometimes confused story lines and keep the characters straight. The book also includes an appendix, a glossary, a bibliography, and two maps.

    But long before the European powers began to encroach upon the East, Asia itself was the locus of dozens of empires—some, like the Mongols, legendary. In this gorgeously illustrated, accessibly written volume, experts of art and history analyze the Asian imperial enterprise with an emphasis on the cultural and creative. In seven compelling chapters, plus an informative introduction and conclusion, these essays provide a decisive corrective to old myths about European dominance relative to Asia and show instead the polycentric nature of world power during the past five hundred years. Reaching across a vast swath of the continent, the book brings to life a thousand years of history, from the Khmer empire in Southeast Asia in the early ninth century to the end of Japan's Meiji Period in 1945. It shows how Asian kingdoms dominated global political geography and challenged the states of Europe rather than the reverse, and it provides fascinating insights into the characters, events, and influences that shaped them.

    The Kisoji, which runs through the Kiso Valley in the Japanese Alps, has been in use since at least 701 C.E. In the seventeenth century, it was the route that the daimyo (warlords) used for their biennial trips—along with their samurai and porters—to the new capital of Edo (now Tokyo). The natural beauty of the route is renowned—and famously inspired the landscapes of Hiroshige, as well as the work of many other artists and writers. Wilson, esteemed translator of samurai philosophy, has walked the road several times and is a delightful and expert guide to this popular tourist destination; he shares its rich history and lore, literary and artistic significance, cuisine and architecture, as well as his own experiences.

    But when he gives her the least promising case possible—the attempted theft of an old samurai sword—it proves more dangerous than anyone on the force could have imagined. The owner of the sword, Professor Yasuo Yamada, says it was crafted by the legendary Master Inazuma, a sword smith whose blades are rumored to have magical qualities. The man trying to steal it already owns another Inazuma—one whose deadly power eventually comes to control all who wield it. Mariko’s investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she learns to wield could turn against her.