And the book itself provides some intriguing clues. But only recently has enough information come to light to make it possible to place the book in a plausible geographical, historical, and cultural setting. In An Ancient American Setting for the Book of Mormon, Dr. John L. Sorenson, chairman of the Department of Anthropology at Brigham Young University, presents a credible model for an ancient American background for the Book of Mormon. This model takes notice of extensive details given in the Book of Mormon descriptions of the land southward and of the land northward, of battle movements, of cities built and abandoned, of population and demographic data. Hundreds of geographical, historical, and cultural facts fall into place as his model is carried to its logical conclusions. How does Dr. Sorenson proceed? In a word, he asks more questions than he answers. His words are probing and carefully weighed. The results are great surprises and rewarding insights on every page. He asks questions like "Who were these people?" "What might they have looked like?" "Who were their neighbors?" "How many of them were there?" "How did they live, eat, speak, work, or fight?" He finds plausible answers to these questions by matching specific data from reliable archaeological and anthropological studies of Mesoamerica with the entire spectrum of cultural and historical information from the Book of Mormon. An Ancient American Setting for the Book of Mormon is a thorough work of scholarship, a book that must be read by every serious student of the Book of Mormon.

    Those pages containing the only copy of the first three months of the Joseph Smith’s translation of the golden plates were forever lost, and the detailed stories they held forgotten over the ensuing years—until now.In this highly anticipated work, author Don Bradley presents over a decade of historical and scriptural research to not only tell the story of the lost pages but to reconstruct many of the detailed stories written on them. Questions explored and answered include:Was the lost manuscript actually 116 pages?How did Mormon’s abridgment of this period differ from the accounts in Nephi’s small plates?Where did the brass plates and Laban’s sword come from?How did Lehi’s family and their descendants live the Law of Moses without the temple and Aaronic priesthood?How did the Liahona operate?Why is Joseph of Egypt emphasized so much in the Book of Mormon?How were the first Nephites similar to the very last?What message did God write on the temple wall for Aminadi to translate?How did the Jaredite interpreters come into the hands of the Nephite kings?Why was King Benjamin so beloved by his people?Despite the likely demise of those pages to the sands of time, the answers to these questions and many more are now available for the first time in nearly two centuries in The Lost 116 Pages: Reconstructing the Book of Mormon’s Missing Stories.

    A good mother and devout Mormon woman, she nevertheless admitted that she saw her husband so infrequently that she felt more like his mistress. Her disappointment speaks volumes about the hardships of practical polygamy, as opposed to the ideal that was preached from the pulpit.

    Purity rings, purity pledges, and purity balls came with a dangerous message: girls are potential sexual “stumbling blocks” for boys and men, and any expression of a girl’s sexuality could reflect the corruption of her character. This message traumatized many girls—resulting in anxiety, fear, and experiences that mimicked the symptoms of Post-Traumatic Stress Disorder—and trapped them in a cycle of shame. This is the sex education Linda Kay Klein grew up with. Fearing being marked a Jezebel, Klein broke up with her high school boyfriend because she thought God told her to, and took pregnancy tests though she was a virgin, terrified that any sexual activity would be punished with an out-of-wedlock pregnancy. When the youth pastor of her church was convicted of sexual enticement of a twelve-year-old girl, Klein began to question the purity-based sexual ethic. She contacted young women she knew, asking if they were coping with the same shame-induced issues she was. These intimate conversations developed into a twelve-year quest that took her across the country and into the lives of women raised in similar religious communities—a journey that facilitated her own healing and led her to churches that are seeking a new way to reconcile sexuality and spirituality. Sexual shame is by no means confined to evangelical culture; Pure is a powerful wake-up call about our society’s subjugation of women.

    Every year, Elna Baker attends the New York Regional Mormon Singles Halloween Dance. This year, her Queen Bee costume (which involves a funnel stinger stuck to her butt) isn't attracting the attention she'd anticipated. So once again, Elna finds herself alone, standing at the punch bowl, stocking up on Oreos, a virgin in a room full of thirty-year-old virgins doing the Funky Chicken. But loneliness is nothing compared to what Elna feels when she loses eighty pounds, finds herself suddenly beautiful...and in love with an atheist.

    These poems devour and complicate tropes of femininity--of naivete, of careless abandon--before sharply exploring the intelligence and fortitude of women, how "far & wide, / how dark & deep / this frigid female mind can go." At every step, Sotelo's poems seduce with history, folklore, and sensory detail--grilled meat, golden habaneros, and burnt sugar--before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves.Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.

    Rowe asserts that many Mormons view Christian witnessing as Bible bashing. What Christians need to understand, he suggests, is that Latter-day Saints are an entirely separate ethnic group with their own history, values, and customs. Evangelizing Mormons can be so much more effective if Christians first know, understand, and respect Mormon heritage.With helpful illustrations and discussions of Mormon values and theology, Rowe calls Christians away from confrontational evangelism and instead suggests active listening and respect as a way to bridge Christian beliefs and Mormon culture. A glossary in the back of the book and discussion questions at the end of each chapter will help readers apply these concepts in their own witnessing experiences. In the end, Christians will be more approachable representatives of Christ.

    Douglas Thayer was such a boy. In this poignant, often humorous memoir, he depicts his Utah Valley boyhood during the Great Depression and World War II.Known in some circles as a Mormon Hemingway, Thayer has created a richly detailed work that shares cultural DNA with Frank McCourt's Angela's Ashes, Mark Twain's The Adventures of Huckleberry Finn, and William Golding's Lord of the Flies. His narrative at once prosaic and poetic, Thayer captures nostalgia for a simpler time, along with boyhood's universal yearnings, pleasures, and mysteries.

    An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth.

    Looking at current administrative and cultural practices, the author explains why some women struggle with the gendered divisions of labor. She then examines ample real-life examples that are currently happening in local settings around the country that expand and reimagine gendered practices. Readers will understand how to evaluate possible pain points in current practices and propose solutions that continue to uphold all mandated church policies. Readers will be equipped with the tools they need to have respectful, empathetic and productive conversations about gendered practices in Church administration and culture.

    This book shows that these doctrines did not originate in a vacuum but were rather prompted and informed by the religious culture from which Mormonism arose. Early Mormons, like their early Christian and even earlier Israelite predecessors, brought with them their own varied culturally conditioned theological presuppositions (a process of convergence) and only later acquired a more distinctive theological outlook (a process of differentiation).In this first-of-its-kind comprehensive treatment of the development of Mormon theology, Charles Harrell traces the history of Latter-day Saint doctrines from the times of the Old Testament to the present. He describes how Mormonism has carried on the tradition of the biblical authors, early Christians, and later Protestants in reinterpreting scripture to accommodate new theological ideas while attempting to uphold the integrity and authority of the scriptures. In the process, he probes three questions: How did Mormon doctrines develop? What are the scriptural underpinnings of these doctrines? And what do critical scholars make of these same scriptures? In this enlightening study, Harrell systematically peels back the doctrinal accretions of time to provide a fresh new look at Mormon theology.“This Is My Doctrine” will provide those already versed in Mormonism’s theological tradition with a new and richer perspective of Mormon theology. Those unacquainted with Mormonism will gain an appreciation for how Mormon theology fits into the larger Jewish and Christian theological traditions.

    In this powerful and heartbreaking account, former FLDS member Brent Jeffs reveals both the terror and the love he experienced growing up on his prophet’s compound—and the harsh exile existence that so many boys face once they have been expelled by the sect. Brent Jeffs is the nephew of Warren Jeffs, the imprisoned leader of the FLDS. The son of a prominent family in the church, Brent could have grown up to have multiple wives of his own and significant power in the 10,000-strong community. But he knew that behind the group’s pious public image—women in chaste dresses carrying babies on their hips—lay a much darker reality. So he walked away, and was the first to file a sexual-abuse lawsuit against his uncle. Now Brent shares his courageous story and that of many other young men who have become “lost boys” when they leave the FLDS, either by choice or by expulsion.Brent experienced firsthand the absolute power that church leaders wield—the kind of power that corrupts and perverts those who will do anything to maintain it. Once young men no longer belong to the church, they are cast out into a world for which they are utterly unprepared. More often than not, they succumb to the temptations of alcohol and other drugs. Tragically, Brent lost two of his brothers in this struggle, one to suicide, the other to overdose. In this book he shows that lost boys can triumph and that abuse and trauma can be overcome, and he hopes that readers will be inspired to help former FLDS members find their way in the world.

    When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved--plaintive love poems, unbridled musings with youthful naiveté, and a vulnerability that she barely recognized. Before her passing, her fame as an author, actress, and pop-culture icon was indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her costar, Harrison Ford.With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of all time--and what developed behind the scenes. Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candor and introspection of a diary while offering shrewd insight into one of Hollywood's most beloved stars.

    They’re quite stereotypically different from each other - while he’s charming, and loves springing surprises, Sara often comes across as too confident in her skin, almost to the point of being rude, and prefers doing things her way.And yet, they find themselves crossing paths, brutally, destructively, over and over. Across seasons and years. Learning and re-learning the same lessons, and ignoring them.Because isn’t love always meant to be?

    It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn’t enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.