Paul Wilson combines medical and political intrigue in this brilliant thriller dealing with Washington's escalating war against drugs. Someone has kidnapped Dr. John VanDuyne's little daughter and all he has to do to get her back is poison his best friend--the president of the United States.

    But few know that within its bowels rests a priceless pre-Columbian antiquity—a treasure that now holds the key to a puzzle that is costing people their lives. For Kurt Austin, the leader of a courageous National Underwater Marine Agency (NUMA) exploration team, the killing begins when he makes a daring rescue of a beautiful marine archaeologist. The target of a powerful Texas industrialist named Halcon, Nina Kirov was attacked off the coast of Morocco after her discovery of a carved stone head that may prove Christopher Columbus was not the first European to discover America.Soon Kurt and Nina embark on a deadly mission to uncover Halcon's masterful plan—an insidious scheme that would have him carve out a new nation from the southwest United States and Mexico, and ride to power on a wave of death and destruction. With Austin's elite NUMA crew attacking the murderous conspiracy from different sides, an extraordinary truth emerges; that Columbus may have made a fifth, unknown voyage to America in search of a magnificent treasure. And that the silent, steel hull of the Andrea Doria not only holds the answer to what the explorer may have found—but the fate of the United States itself.

    The coroner rules it an accident, a sex game gone wrong. Jon Swift is from the old stock of journos - cynical, cantankerous and overweight - and something about his friend's death doesn't seem right. Then days after Macready's flat is apparently burgled, Swift discovers that his friend had been researching a string of Russian government figures who had met similarly 'accidental' fates. When the police refuse to investigate further, Swift gets in touch with his contacts in Moscow, determined to find out if his hunch is correct. Following the lead, he is soon drawn into a violent underworld, where whispers of conspiracies, assassinations and double-agents start blurring the line between friend and foe.But the truth will come at a price, and it may cost him everything.

    OR DIEThe van was in back of them again. Closer this time. There could be no mistake--they were being followed.RUN... OR DIEBut why? The question kept nagging at Alex and Colin as they left Philadelphia behind and sped toward their new home in San Francisco. Courtney would be waiting for the, ready to begin a wonderful new life with her husband, her brother...RUN... OR DIENow, someone else is driving cross-country to see Courtney, too. Someone whose brain is rotting inside. Someone who knows their route, their stops, even their destination.RUN... OR DIEHe's got an ax."Shattered catches you by the throat and won't let you go" --Chicago SunTimes

    Griffin's stories of the military and police, told with crackling realism and rich characters, have won him millions of fans and acclaim as "the dean of the American war adventure" ("Publishers Weekly"). Now he vaults into the present day with a series as exciting as anything he has ever written. At an airfield in Angola, two men board a leased Boeing 727; then, once it is in the air, slit the pilot's throat and fly to parts unknown. The consternation is immediate, as the CIA, FBI, FAA, and other agencies race to find out what has happened, in the process elbowing each other in the sides a little too vigorously.Fed up, the President of the United States turns to an outside investigator to determine the truth, an Army intelligence officer serving as special assistant to the Director of Homeland Security. Major Carlos Guillermo Castillo, known as Charley, is the son of a German mother and a Tex-Mex father, a Medal of Honor winner who died in Vietnam. A pilot, West Point graduate, and veteran of Desert Storm and the Special Forces, Castillo has a sharp eye for the facts-and the reality behind the facts. Traveling undercover, he flies to Africa, and there, helped and hindered by unexpected allies and determined enemies, begins to untangle a story of frightening dimensions-a story that, unless he can do something about it, will end very, very badly.

    ONE MAN PAYS THE PRICE.In response to the growing use of sophisticated digital encryption to conceal potential threats to the United States, the National Security Agency has ushered forth the new dawn of intelligence-gathering techniques. The top-secret initiative is dubbed Third Echelon. Its existence denied by the U.S. government, Third Echelon deploys a lone field operative. He is sharp, nearly invisible, and deadly. And he has the right to spy, steal, destroy, and assassinate to protect American freedoms.His name is Sam Fisher. He is a Splinter Cel®.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    In this now-classic political thriller, he and fellow author J. Frederick George tell a savagely witty, chillingly topical tale set in the tense moments of the Gulf War. When a foreign exchange student is found murdered at an Iowa University, Deputy Sheriff Clyde Banks finds that his investigation extends far beyond the small college town--all the way to the Middle East. Shady events at the school reveal that a powerful department is using federal grant money for highly dubious research. And what it's producing is a very nasty bug.Navigating a plot that leads from his own backyard to Washington, D.C., to the Gulf, where his Army Reservist wife has been called to duty, Banks realizes he may be the only person who can stop the wholesale slaughtering of thousands of Americans. It's a lesson in foreign policy he'll never forget.

    government, forced to work as white-hat hackers for Uncle Sam in order to avoid federal prison. At a secret complex known only as "the Lodge," where they will spend the next year working as an elite cyber-espionage team, these misfits dub themselves "the Zeroes."But once the Zeroes begin to work, they uncover secrets that would make even the most dedicated conspiracy theorist's head spin. And soon they're not just trying to serve their time, they're also trying to perform the ultimate hack: burrowing deep into the U.S. government from the inside, and hoping they'll get out alive. Packed with electric wit and breakneck plot twists, Zer0es is an unforgettable thrill ride through the seedy underbelly of "progress."

    Includes: Night Manager, Tailor of Panama, and Our GameNight ManagerEnter the new world of post Cold War espionage. Penetrate the secret world of ruthless arms dealers and drug smugglers who have risen to unthinkable power and wealth. The sinister master of them all is an untouchable Englishman named Roper. Slipping into this maze of peril is a former British soldier, Jonathan Pine, who knows Roper well enough to hate him more than any man on earth. Now Personal vengeance is only part of why Pine is willing to help the men at Whitehall try to bring Roper down....A Main Selection of the Book-of-the-Month ClubOur GameWith the Cold War fought and won, British spymaster Tim Cranmer accepts early retirement to rural England and a new life with his alluring young mistress Emma. But when both Emma and Cranmer's star double agent and lifelong rival, Larry Pettifer, disappear, Cranmer is suddenly on the run, searching for his brilliant protégé, desperately eluding his former colleagues, in a frantic journey across Europe and into the lawless, battered landscapes of Moscow and southern Russia, to save whatever of his life he has left....Tailor of PanamaLe Carre's Panama is a Casablanca without heroes, a hotbed of drugs, laundered money and corruption. It is also the country which on December 31, 1999, will gain full control of the Panama Canal. Seldom has the weight of politics descended so heavily on such a tiny and unprepared nation. And seldom has the hidden eye of the British Intelligence selected such an unlikely champion as Harry Pendel - a charmer, a dreamer, an evader, a fabulist and presiding genius to the house of Pendel & Braithwaite Co. Limitada, Tailors to Royalty, formerly of London and presently of Panama City. Yet there is a logic to the spies' choice, for everybody who is anybody in Cental America passes through Pendel's doors. He dresses politicos and crooks and conmen. His fitting room hears more confidences than the priest's confessional. And when Harry Pendel doesn't hear things as such - well, he hears them anyway, by other means. In a thrilling, hilarious AudioBook, le Carre once again effortlessly expands the borders of the spy story to bring us a magnificent entertainment straight out of the pages of tomorrow's history.

    In a style intelligent and ironic, Littell tells it like it was: CIA agents fighting not only 'the good fight' against foreign enemies, but sometimes the bad one as well, with the ends justifying such means as CIA-organized assassinations, covert wars, kidnappings, and toppling of legitimate governments. Behind every manoeuvre and counter-manoeuvre, though, one question spans the length of the book... Who is the mole within the CIA? The Company - an astonishing novel that captures the life and death struggle of an entire generation of CIA operatives during a long Cold War.

    citizen recognized its ominous potential. Armed with clear evidence of computer espionage, he began a highly personal quest to expose a hidden network of spies that threatened national security. But would the authorities back him up? Cliff Stoll's dramatic firsthand account is "a computer-age detective story, instantly fascinating [and] astonishingly gripping" (Smithsonian). Cliff Stoll was an astronomer turned systems manager at Lawrence Berkeley Lab when a 75-cent accounting error alerted him to the presence of an unauthorized user on his system. The hacker's code name was "Hunter" -- a mysterious invader who managed to break into U.S. computer systems and steal sensitive military and security information. Stoll began a one-man hunt of his own: spying on the spy. It was a dangerous game of deception, broken codes, satellites, and missile bases -- a one-man sting operation that finally gained the attention of the CIA...and ultimately trapped an international spy ring fueled by cash, cocaine, and the KGB.

    Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    THE SABOTEURSAn unknown quantity - deadly and efficient.THE RESULTCastrophe.One man, Jim Brady, is called in to save the life-blood of the world as unerringly, the chosen targets fall at the hands of a hidden enemy...

    "Hypnoisis. We collected four hundred and thirty first-class English speakers who'd never left the country, drilled them in every detail of American life and then hand-picked the cream for drug-assisted hypnosis. When we were finished with them, every one believed he was the American whose papers he carried, and each was programmed to detroy a target in the U.S.A. when he received a coded phone message."It was a brilliant plan. But now, at the wrong time, it was being executed by the wrong man. Now the Russians must stop TELEFON by dispatching their own James Bond to the United States.