In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.

    She was allergic to everything, used a wheelchair and practically lived at the hospital. Neighbors did all they could, holding fundraisers but no matter how many doctors, tests, or surgeries, no one could figure out what was wrong with Rose Gold.Turns out her mom, Patty Watts, was just a really good liar.After serving five years in prison, Patty begs her daughter to take her in. The entire community is shocked when Rose Gold says yes. And Rose Gold is no longer her weak little darling...And she's waited such a long time for her mother to come home.

    Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.

    She changed her name, dyed her hair, and left California for the windswept peace of Cape Cod. Now remarried, she has two more beloved children, and the terrible pain has begun to heal -- until the morning when she looks in the backyard for her little boy and girl and finds only one red mitten. She knows that the nightmare is beginning again....

    A complete shut-in, she spends her days spying on her neighbors, subtly meddling in their lives. But she can’t keep her demons out forever. Someone from her past has returned, and is desperate to get inside.Sarah can’t go home. Her husband has kicked her out, forcibly denying her access to their toddler. Sarah will do anything to get her daughter back, but she’s unraveling under the mounting pressure of concealing the dark secrets of her past. And her lies are catching up to her.The novel takes readers back in time to witness the complex family dynamics that formed Robin and Sarah into the emotionally damaged, estranged young women they’ve become. As the gripping and intricate layers of their shared past are slowly peeled away, the shocks and twists will keep readers breathless long after the final page.

    They are at the stockman’s grave, a landmark so old, no one can remember who is buried there. But today, the scant shadow it casts was the last hope for their middle brother, Cameron. The Bright family’s quiet existence is thrown into grief and anguish. Something had been troubling Cameron. Did he lose hope and walk to his death? Because if he didn’t, the isolation of the outback leaves few suspects…Dark, suspenseful, and deeply atmospheric, The Lost Man is the highly anticipated next book from the bestselling and award-winning Jane Harper, author of The Dry and Force of Nature.

    He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    It is a sin she can never forgive herself for, so she pushes away the man she loves most, knowing that he would eventually hate her for what she’s done, the same way she hates herself.Twenty years later, Abby’s husband, Nate, is also living with a deep sense of guilt. He was the driver who first came upon the scene of Abby’s accident, the man who pulled her to safety before the car erupted in flames, the man who could not save her brother in time. It’s this guilt, this regret that binds them together. They understand each other. Or so Nate believes.In a strange twist of fate, Liam (her old lover—possibly her true soulmate) moves in with his own family next door, releasing a flood of memories that Abby has been trying to keep buried all these years. Abby and Liam, in a complicit agreement, pretend never to have met, yet cannot resist the pull of the past—nor the repercussions of the dark secrets they’ve both been carrying…

    But Meg knows that the glow of their very public life hides a darker reality of lies, manipulation, and the heartbreak of her own solitary childhood. Desperate to break free of her mother, Meg accepts a proposal to write a scandalous, tell-all memoir.Digging into the past—and her mother’s cult classic—draws Meg to Bonny Island, Georgia and an unusual woman said to be the inspiration for the book. At first, island life seems idyllic, but as Meg starts to ask tough questions, disturbing revelations come to light…including some about her mother.Soon, Meg’s search leads her to question the facts of a decades-old murder. She’s warned to leave it alone, but as the lies pile up, Meg knows she’s getting close to finding a murderer. When her own life is threatened, Meg realizes the darkness found in her mother’s book is nothing compared to the chilling truth that lurks off the page.

    On her way, she hits a deer, but when she gets out of her car to look for it, the deer is nowhere to be found. Eager to get home and out of the oncoming snowstorm, Nan is forced to leave her car at the bottom of her snowy driveway to wait out the longest night of the year—and the lowest point of her life…The next morning, Nan is woken up by a police officer at her door with terrible news—one of her students, Leia Dawson, was killed in a hit-and-run on River Road the night before. And because of the damage to her car, Nan is a suspect. In the days following the accident, Nan finds herself shunned by the same community that rallied around her when her own daughter was killed in an eerily similar accident six years prior. When Nan begins finding disturbing tokens that recall the death of Nan’s own daughter, Nan suspects that the two accidents are connected.As she begins to dig further, she discovers that everyone around her, including Leia, is hiding secrets. But can she uncover them, clear her name, and figure out who really killed Leia before her reputation is destroyed for good?

    They are in there...Black smoke stains a summer blue sky. A school is on fire. And one mother, Grace, sees the smoke and rush. She knows her teenage daughter Jenny is inside. She runs into the burning building to rescue her.Afterwards Grace must find the identity of the arsonist and protect her children from the person who's still intent on destroying them. Afterwards, she must fight the limits of her physical strength and discover the limitlessness of love.