Frank Sinatra was the best-known entertainer of the twenti­eth century—infinitely charismatic, lionized and notori­ous in equal measure. But despite his mammoth fame, Sinatra the man has remained an enigma. As Bob Spitz did with the Beatles, Tina Brown for Diana, and Peter Guralnick for Elvis, James Kaplan goes behind the legend and hype to bring alive a force that changed popular culture in fundamental ways. Sinatra endowed the songs he sang with the explosive conflict of his own personality. He also made the very act of listening to pop music a more personal experience than it had ever been. In Frank: The Voice, Kaplan reveals how he did it, bringing deeper insight than ever before to the complex psyche and tur­bulent life behind that incomparable vocal instrument. We relive the years 1915 to 1954 in glistening detail, experiencing as if for the first time Sinatra’s journey from the streets of Hoboken, his fall from the apex of celebrity, and his Oscar-winning return in From Here to Eternity. Here at last is the biographer who makes the reader feel what it was really like to be Frank Sinatra—as man, as musician, as tortured genius.

    Now, Victoria Wilson gives us the first full-scale life of Barbara Stanwyck, whose astonishing career in movies (eighty-eight in all) spanned four decades beginning with the coming of sound, and lasted in television from its infancy in the 1950s through the 1980s—a book that delves deeply into her rich, complex life and explores her extraordinary range of motion pictures, many of them iconic. Here is her work, her world, her Hollywood. We see the quintessential Brooklyn girl whose family was in fact of old New England stock . . . her years in New York as a dancer and Broadway star . . . her fraught mar­riage to Frank Fay, Broadway genius, who influenced a generation of actors and comedians (among them, Jack Benny and Stanwyck herself ) . . . the adoption of a son, embattled from the outset; her partnership with the “unfunny” Marx brother, Zeppo, crucial in shaping the direction of her work, and who, together with his wife, formed a trio that created one of the finest horse-breeding farms in the west; her fairy-tale romance and marriage to the younger Robert Taylor, America’s most sought-after— and beautiful—male star. Here is the shaping of her career with many of Hol­lywood’s most important directors: among them, Frank Capra, “Wild Bill” William Wellman (“When you get beauty and brains together,” he said, “there’s no stopping the lucky girl who possesses them. The best example I can think of is Barbara”), King Vidor, Cecil B. De Mille, and Preston Sturges, all set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II—and a fast-changing, coming-of-age motion picture industry. And here is Stanwyck’s evolution as an actress in the pictures she made from 1929 through the summer of 1940, where Volume One ends—from her first starring movie, The Locked Door (“An all-time low,” she said. “By then I was certain that Hollywood and I had nothing in common”); and Ladies of Leisure, the first of her six-picture collaboration with Frank Capra (“He sensed things that you were trying to keep hidden from people. He knew. He just knew”), to the scorching Baby Face, and the height of her screen perfection, beginning with Stella Dallas (“I was scared to death all the time we were making the pic­ture”), from Clifford Odets’s Golden Boy and the epic Union Pacific to the first of her collaborations with Preston Sturges, who wrote Remember the Night, in which she starred. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, her losses and desires; how she made use of the darkness in her soul in her work and kept it at bay in her private life, and finally, her transformation from shunned outsider to one of Holly­wood’s—and America’s—most revered screen actresses. Writing with the full cooperation of Stanwyck’s family and friends, and drawing on more than two hundred interviews with actors, directors, cameramen, screen­writers, costume designers, et al., as well as making use of letters, journals, and private papers, Victoria Wilson has brought this complex artist brilliantly alive. Her book is a revelation of the actor’s life and work.Praise:“Wilson’s book is indeed a monument of research. . . . A Life of Barbara Stanwyck will unquestionably remain the biography of record; beyond Wilson’s excavation of so much that would otherwise have been lost, her book has a deep sensitivity to the seriousness and subtlety of Stanwyck’s craft. This is the biography not of a Hollywood phenomenon but of a serious artist.”(Geoffrey O'Brien BookForum)"Victoria Wilson's biography of Barbara Stanwyck is monumental in every sense. It is a sweeping and authoritative work, written with verve and with great empathy and relish for her subject. The author loves Barbara Stanwyck, but she is also shrewd about the actress's complexity and human limitations. Wilson knows all the facts, but she is never overwhelmed by them, and, throughout, she is smart about the films and about the history and business of Hollywood in the Golden Age. Not the least of her achievement is leaving the reader eager to read volume two."(Foster Hirsch, author of The Dark Side of the Cinema; A Method to Their Madness and)"I was blown away, absorbed, riveted. What great smooth style, what brilliance, what depth. I collect celebrity biographies and this one is transcendent. This is huge and wonderful and rich. What an achievement!"(Anne Rice)“What you have done is extraordinary. It is an amazing book, brilliantly written, enhancing the whole life, Barbara’s life, happenings around her—people of the industry, people in the theater and in politics. The way you have shown her life to include other situations, all that you interject . . . it makes her life, to me, more historically important. My father fell in love with Barbara after he saw her in Ladies of Leisure. He loved to go to the opera and to the movies and the only star he talked about was Barbara Stanwyck. He used to say she was an incredible actress. And she was. She really was. You have brought her wonderful career magnificently to life, and as her friend, I thank you.”(Nancy Sinatra, Sr., Barbara Stanwyck’s closest friend)

    He was chiefly responsible for the final act of Judy’s meteoric comeback after she was unceremoniously booted off the MGM lot: he produced her iconic, Oscar-nominated vehicle A Star Is Born and expertly shaped her concert career. Previously unpublished, Sid Luft’s intimate autobiography tells his and Judy’s story in hard-boiled yet elegant prose. It begins on a fateful night in New York City when the not quite divorced Judy Garland and the not quite divorced Sid Luft meet at Billy Reed’s Little Club and fall for each other. The romance lasted Judy’s lifetime, despite the separations, the reconciliations, and the divorce. Under Luft’s management, Judy came back bigger than ever, building a singing career that rivaled Sinatra’s. However, her drug dependencies and suicidal tendencies put a tremendous strain on the relationship. Sid did not complete his memoir; it ended in 1960 after Judy hired David Begelman and Freddie Fields to manage her career. But Randy L. Schmidt, acclaimed editor of Judy Garland on Judy Garland and author of Little Girl Blue: The Life of Karen Carpenter, seamlessly pieced together the final section of the book from extensive interviews with Sid, most previously unpublished. Despite everything, Sid never stopped loving Judy and never forgave himself for not being able to ultimately save her from the demons that drove her to an early death at age forty-seven in 1969. Sid served as chief conservator of the Garland legacy until his death at the age of eighty-nine in 2005. This is his testament to the love of his life.

    You'll fall in love with her like everybody else."-Humphrey Bogart

    Its cast includes actors, writers, musicians and composers, producers and directors, racketeers and labor leaders, journalists and politicians in the turbulent decade from World War II to Korea.

    Just think about the last time you slowed down as you passed the scene of a car accident. When a public figure bites the dust, the curiosity only increases. From Attila the Hun to Marie Antoinette, from Heath Ledger to Anna Nicole Smith, the deaths of the rich and famous spark endless speculation and tabloid fodder. Their lives-and deaths-are grave matters.

    Beginning with his early days in Brooklyn and his college years in Texas, where he dreamed of becoming an actor, this book follows his career as one of the earliest members of the famed Actors Studio and as a Tony Award winner for his work on Broadway. Wallach has worked with such stars as Marlon Brando, Paul Newman, Marilyn Monroe, Gregory Peck, and Henry Fonda, and his many movies include The Magnificent Seven, How the West Was Won, the iconic The Good, the Bad and the Ugly, and, most recently, Mystic River. For more than fifty years Eli Wallach has held a special place in film and theater, and in a tale rich with anecdotes, wit, and remarkable insight he recounts his magical life in a world unlike any other.

    The autopsy report ruled peritonitis was the cause, but the startling photos of the boy suggested murder.How could the Jurgens kill a small child and get away with it? Determined to find answers, detectives Ron Meehan and Greg Kindle tracked down old witnesses and rebuilt the case brick by brick until they exposed the demons that drove an adopted parent to torture and eventually murder a helpless child. Just as compelling, they investigated why so many people watched and did absolutely nothing. A vivid portrait of an all-American town that harbored a killer, A Death in White Bear Lake is also the absorbing story of two detectives who refused to give up until they had the killer cold.

    Mothers, daughters, sisters and grandmothers-fiendish killers all. Society is conditioned to think of murderers and predators as men, but in this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill-and the political, economic, social, and sexual implications. From history's earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain's notorious child-slayer Myra Hindley to 'Honeymoon Killer' Martha Beck, from the sensational murder-spree of Aileen Wournos, to cult killers, homicidal missionaries, and the sexy femme fatale, Vronsky challenges the ordinary standards of good and evil and defies the accepted perceptions of gender role and identity.

    One of the bestselling memoirs of all time, David Niven's The Moon's a Balloon is an account of one of the most remarkable lives Hollywood has ever seen.Beginning with the tragic early loss of his aristocratic father, then regaling us with tales of school, army and wartime hi-jinx, Niven shows how, even as an unknown young man, he knew how to live the good life.But it is his astonishing stories of life in Hollywood and his accounts of working and partying with the legends of the silver screen - Lawrence Oliver, Vivien Leigh, Cary Grant, Elizabeth Taylor, James Stewart, Lauren Bacall, Marlene Dietrich, Noel Coward and dozens of others, while making some of the most acclaimed films of the last century - which turn David Niven's memoir into an outright masterpiece.An intimate, gossipy, heartfelt and above all charming account of life inside Hollywood's dream factory, The Moon is a Balloon is a classic to be read and enjoyed time and again..

    . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times"People are right to be shocked." –The New YorkerFrom the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject.All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

    Recreating the glamour of Hollywood in the 1940s, the actress tells of the roles she played, the rich and famous men who have pursued her, the failure of her first marriage, and her struggle against mental illness

    After the tremendous impact of Public Enemy - in which he notoriously pushed half a grapefruit into Mae Clarke's face - he was typecast as a gangster because of the terrifying violence that seemed to be pent up within him. Years of pitched battle with Warner Brothers finally liberated him from those roles, and he went on to star in such triumphs as the musicals Yankee Doodle Dandy (winning the 1942 Oscar for best actor) and Love Me or Leave Me. Even so, one of his greatest later roles involved a return to crime - as the psychopathic killer in the terrifying White Heat. He retired from films in 1961 after making Billy Wilder's One, Two, Three, only to return twenty years later for Ragtime. But however much Cagney personified violence and explosive energy on the screen, in life he was a quiet, introspective, and deeply private man, a poet, painter, and environmentalist, whose marriage to his early vaudeville partner was famously loyal and happy. His story is one of the few Hollywood biographies that reflect a fulfilled life as well as a spectacular career.

    Natalie Wood has been hailed alongside Marilyn Monroe and Elizabeth Taylor as one of the top three female movie stars in film history. We watched her mature on the movie screen before our eyes in classics such as Miracle on 34th Street, Rebel Without a Cause, Splendor in the Grass, and West Side Story. But the story of what she endured, of what her life was like when the doors of the soundstages closed, had long been obscured.Based on years of astonishing research, Natalie Wood (previously published as Natasha) raises the curtain on Wood's turbulent life. Award-winning author Suzanne Finstad conducted nearly four hundred interviews with Natalie Wood's family, close friends, legendary costars, lovers, film crews, and virtually everyone connected to her death. Through these firsthand accounts, Finstad reconstructs a life of emotional abuse and exploitation, of unimaginable fame, great loneliness, and loss. She reveals painful truths in Wood's complex relationships with James Dean, Frank Sinatra, Warren Beatty, and, of course, Robert Wagner.Thirty years after Natalie Wood's death, the L.A. Sheriff's Department reopened the investigation into her drowning using Finstad's groundbreaking research and chilling, hour-by-hour timeline of that tumultuous weekend as evidence. Within a year, the L.A. Coroner changed Natalie Wood's death certificate from "Accidental Drowning" to "Drowning and Other Undetermined Factors." In 2018, the LAPD officially named Wagner a "Person of Interest" in Wood's death.In this updated edition, Finstad will share her explosive findings from the last two decades. With her unprecedented access to the LAPD's "Murder Book," ignored by the original investigators, and new witnesses who have never spoken publicly, Finstad uncovers what really happened to Natalie Wood on that fateful boating trip in 1981 with Wagner and Christopher Walken. She expands on intimate details from Wood's unpublished memoir, which affirms her fear of drowning and the betrayal by Wagner that shattered their first marriage.Finstad tells this heartbreaking story with sensitivity and grace, revealing a complex and conflicting mix of fragility and strength in a woman who was swept along by forces few could have resisted.

    From its humble beginnings as a ranch sprawling northwest of Los Angeles in the late 1800s, Hollywood has spanned lifetimes as a factory of dreams, a dazzling place where all things are possible. This collection of stories takes you on a journey into the golden age, illuminating the space between the airy fantasy and the gritty reality of life in Hollywood. In a transient city where nothing lasts, thousands of stories have taken place in their time here. From the offscreen debauchery of the silent era, to countless dramatic and mysterious deaths, to the sinister past lives of world-famous LA landmarks, vestiges of Hollywood's checkered past can still be found all over the city. With generations of Tinseltown's luminaries living and working under the sunny guise of paradisal prosperity, their real stories reveal the sordid underbelly lurking directly beneath the surface. A dangerous collusion between the studios, the press, the mob, and the LAPD forms an impenetrable behind-the-scenes network of corruption, power and control, where the truth is always up for sale. A network in which the most glamorous and well-known figures are merely players in this elaborate charade. It's magical and gritty, it's ugly and dirty, it's the land of dreams...it's Hollywood.