In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Yet when Legrand's conviction fails to waiver, they set off on a bizarre journey, accompanied by Jupiter, Legrand's loyal and equally skeptical servant. What follows is a strange tale of coded messages, hidden treasure, and uncanny prophecy that will both enthrall and baffle even the most perceptive readers.Part horror story, part detective fiction, The Gold Bug is an ingenious tale bearing all the hallmarks of Poe's extraordinary narrative skill. It is presented here with The Sphinx, a similarly themed and equally disturbing short story. Wonderfully versatile as an author and best known for his tales of terror and the macabre, Edgar Allan Poe (1809–1849) holds a venerable place in the history of American literature.This edition contains the following short stories:- The Gold Bug- The Sphinx- William Wilson.

    A noose is tied around his neck. In a moment he will meet his fate: DEATH BY HANGING. There is no escape. Or is there? Find out in . . . An Occurrence at Owl Creek Bridge.

    Amid a true Vonnegutian host of horrors—a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb—Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe . . . and who we say we are.

    During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.

    This is the story of a lovable girl upon whom fate has thrust a seemingly unbearable burden of trouble. She is alone in the mountains of Montana and threatened by a man whom she has every cause to hate and fear. Feeling that flight is the only course left, she arms herself, mounts a horse and bravely rides away. Thus begins a trail that finally leads her to the East, and to grandparents of widely divergent social stations. Her experiences with both are novel and sometimes humorous, but through them all she never quite forgets a certain tenderfoot who befriended her for a short time in her lonely journey. She meets him again under most unusual circumstances. Complications have arisen that threaten her future happiness, but in the end fate plays fair. See other titles by this author available from Kessinger Publishing.

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    Twain wrote this version between November 1897 and September 1900. "Eseldorf" is German for "Assville" or "Donkeytown".

    The "Story of the Young Man with the Cream Tarts," "Story of the Physician and the Saratoga Trunk," and "The Adventure of the Hansom Cab" chronicle the exploits of Prince Florizel of Bohemia and Colonel Geraldine through some of 19th-century London's most dangerous haunts.

    He ravaged the coasts of Cuba and America, striking terror wherever he went. Morgan was obsessive. He had two driving ambitions: to possess the beautiful woman called La Santa Roja and to conquer Panama, the “cup of gold.” Steinbeck’s first novel and sole work of historical fiction, Cup of Gold is a lush, lyrical swashbuckling pirate fantasy, and sure to add new dimensions to readers’ perceptions of this all-American writer. This edition features an introduction by Susan F. Beegel.

    Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

    But for the Royal Air Force pilot who has just taken off from West Germany, this single-seat jet is the only way to make it back to England for Christmas morning. His flight plan is simple; the fuel tank is full. In sixty-six minutes, he will be back in Blighty. But then the plane begins to fail. First the compass goes haywire, then the radio dies. Lost and alone above the English coast, the pilot is searching for a landing strip when the fog closes in, signaling certain death. He has given up hope when a second shadow appears—a Mosquito fighter-bomber of World War II vintage. The plane is a “shepherd,” guiding the Vampire to a safe landing, and its appearance is a gift from fate, a miracle out of time—but for one lonely pilot, the mystery has just begun.