This is the only introduction to Romanticism that incorporates not only the English but the Continental movements, and notonly literature but music, art, religion, and philosophy. Balancing lively details with intriguing topics, it sheds light on such subjects as the Sensibility movement, which preceded Romanticism; the rising prestige of the poet as inspired prophet; the suffering and neglect of the poet; therather different figure of the poetess; Romanticism as a religious trend; Romantic philosophy and science; and Romantic responses to the French Revolution, the Orient, gypsies, and the condition of women. Ferber offers a definition and several general propositions about this very diverse movement, as well as a discussion of the word Romantic and where it came from. Finally, some two hundred authors or artists are cited or quoted, many at length, including Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Emerson, Hugo, Goethe, Pushkin, Beethoven, Berlioz, Chopin, and Delacroix.

    Carter portrays Proust’s amorous adventures and misadventures from adolescence through his adult years, supplying where appropriate Proust’s own sensitive, intelligent, and often disillusioned observations about love and sexuality. Proust is revealed as a man agonizingly caught between the constant fear of public exposure as a homosexual and the need to find and express love. In telling the story of Proust in love, Carter also shows how the author’s experiences became major themes in his novel In Search of Lost Time.Carter discusses Proust’s adolescent sexual experiences, his disastrous brothel visit to cure homosexual inclinations, and his first great loves. He also addresses the duel Proust fought after the journalist Jean Lorrain alluded to his homosexuality in print, his flirtations with respectable women and high-class prostitutes, and his affairs with young men of the servant class. With new revelations about Proust’s love life and a gallery of photographs, the book provides an unprecedented glimpse of Proust’s gay Paris.

    Artists painted, sculpted, and photographed her; poets praised her strange beauty. Among them were Gabriele D’Annunzio, Man Ray, Jean Cocteau, Cecil Beaton, and American writers Tennessee Williams, Jack Kerouac, and Ezra Pound. Couturiers Fortuny, Poiret, and Erté dressed her. Some became lovers, others awestruck admirers, but all were influenced by this extraordinary muse. The extravagance ended in 1930 when Casati was more than twenty-five million dollars in debt. Fleeing to London, she spent her final flamboyant years there until her death in 1957. Now nearly a half-century later, Casati’s fashion legacy continues to inspire such designers as John Galliano, Karl Lagerfeld, and Tom Ford. Fully authorized and accurate, this is the fantastic story of the Marchesa Luisa Casati.Scot D. Ryersson is an award-winning freelance writer, illustrator, and graphic designer. He lives in New Jersey.Michael Orlando Yaccarino is a freelance writer specializing in international genre film, fashion, music, and unconventional historical figures. He lives in New Jersey.

    Mark Mason has embarked on a tour of the country, immersing himself in Britain's history on a roundabout journey from AB to ZE. On the lookout for interesting place names and unusual monuments, along the way he discovers what the Queen keeps in her handbag, why the Jack Russell has a white coat and how Jimi Hendrix got confused by the M1. He visits the Harrogate hotel where Agatha Christie hid for eleven days, a bungalow in Kent that can't get a mobile phone signal because of the Second World War and the grave of a Scottish duke whose legs had to be cut off so he could fit in his coffin.At the same time Mason paints an affectionate portrait of Britain int he 21st century, from aggressive seagulls in Blackpool to 'seasoned' drinkers in Surrey. And his travels offer the perfect opportunity to delve into the history of the Royal Mail, compete with pillar boxes, posties and Penny Reds - plus Oscar Wide's unconventional method of posting a letter.A charming mix of fact, anecdote and overheard conversation, Mail Obsession plays homage to Britain's wonderful past and its curious present.

    Miraculously, a three-week old child evades the violence and is given up to the custody of the Sisters of Charity. 20 years later, the young orphan, possessive of so traumatized a history, sets off in search of answers.

    Serafini explains the fundamentals behind her work, from stitches to color theory, and lays out 25 beautifully textured projects that feature fabulous focal-point beads. Sherry Serafini is a renowned beading teacher and a featured artist in the book Masters: Beadweaving. Other books in Lark Jewelry & Beading's Beadweaving Master Class series have been authored by Diane Fitzgerald, Marcia DeCoster, Laura McCabe, Maggie Meister, and Rachel Nelson-Smith.

     When the remnants of Napoleon's army returned over the Berezina River in November, only 27,000 effective soldiers remained. Adrien Bourgogne’s Memoirs is one of the most vivid and moving accounts of this dramatic turning point in the Napoleonic Wars. Bourgogne had been in the Napoleonic Army since the campaign of 1806 in Poland. He had taken part in the Battle of Essling, and had fought in Germany, Austria, Spain and Portugal. But none of this could prepare him for the campaign of 1812. The memoir begins with the long travel from Portugal to Moscow where the French were able to defeat the Russian armies in small battles and take the city. But this victory soon became a nightmare as supplies ran short and winter descended onto the Grande Armée. Without being able strike a decisive blow against the Russians, Napoleon was forced to retreat across the barren, snow-covered lands of western Russia. Bourgogne’s account of this agonising journey back towards France truly captures the horrific experience of the troops. As their rearguard was constantly harassed by Cossacks, the French stumbled across the landscape. Some died from hunger, others from merely sleeping on the ground and freezing to death. Bourgogne’s Memoir is an extremely personal account of this time, as he details how he and his comrades did absolutely anything to survive. These proud troops of France who had defeated every army they faced were reduced to killing their horses, stealing, pillaging and begging. But throughout they never lost faith in their leader, Napoleon. The Memoirs of Sergeant Bourgogne are essential reading for anyone interested in the Napoleonic Wars and Napoleon’s failed invasion of Russia. These memoirs were written during his months of captivity. After his life in the army he worked as a draper before re-enlisting in the army in 1830 and receiving the Legion of Honor in 1831. In 1853, Adrien Bourgogne retired and completed his memoirs entitled Memoirs of Sergeant Bourgogne, appearing in the New Retrospective Review. He died in 1867. This edition was compiled and translated by Paul Cottin in 1899. Cottin died in 1932.

    immigration authorities deported Graham Greene from Puerto Rico in 1954, the British author made an unplanned visit to Havana and discovered that “every vice was permissible and every trade possible” in a Caribbean fleshpot of mafia-run casinos and nude revues. The former MI6 officer had stumbled upon the ideal setting for a comic espionage story. Three years later, he returned in the midst of Fidel Castro’s guerrilla insurgency against a U.S.-backed dictator to begin writing his iconic novel Our Man in Havana. Twelve weeks after its publication, the Cuban Revolution triumphed in January 1959, soon transforming a capitalist playground into a communist stronghold.Combining biography, history, and politics, Our Man Down in Havana investigates the real story behind Greene’s fictional one. This includes his many visits to a pleasure island that became a revolutionary island, turning his chance involvement into a political commitment. His Cuban novel describes an amateur agent who dupes his intelligence chiefs with invented reports about “concrete platforms and unidentifiable pieces of giant machinery.” With eerie prescience, Greene’s satirical tale had foretold the Cold War’s most perilous episode, the 1962 Cuban Missile Crisis.Exploiting a wealth of archival material and interviews with key protagonists, Our Man Down in Havana delves into the story behind and beyond the author’s prophetic Cuban tale, focusing on one slice of Greene’s manic life: a single novel and its complex history.

    This new edition of a key, accessible text to the work of the most influential psychoanalytic and literary critic alive today includes a new introduction by Christopher Norris setting these key early interviews in the context of the full trajectory of Derrida's thought.

    On a May evening in 1922, the English arts lovers Violet and Sydney Schiff convened a grand dinner at the Majestic Hotel in Paris, following the premiere of a Stravinsky ballet. In addition to guests of honor Stravinsky and Diaghilev, the dinner was attended by Picasso, James Joyce, and finally, arriving around 2:30 in the morning, one more artist at the peak of his fame: Marcel Proust. Sodom and Gomorrah, the fourth and most shocking volume of Proust's monumental work In Search of Lost Time, had just appeared, transfixing readers with its finely detailed observations on themes of Jewishness and anti-Semitism, the interplay across social classes, and all manner ofsexual expression. The book's eccentric, ailing author had become a celebrity to French and English-language readers alike, and his presence at the dinner was all the more unusual since Proust rarely went out. In fact, he would be dead only six months later. Acclaimed historian and biographer Davenport-Hines takes the dinner at the Majestic as the leaping-off point for an examination of Proust's last days, and the enormous reaction his novel garnered from its first years of publication. Using accounts by Proust]s contemporaries, including other modernist stars, Proust's dazzled readers, and wealthy patrons such as the Schiffs, Davenport-Hines illuminates the Paris of the author's last days.

    Contents: -Introduction by Brian Stableford-Early Stories: The Egregore/ Funeral Oration/ The Locked Room/ Magic Lantern/ The Glass of Blood/ Beyond/ Glaucous Eyes-Sensations: One of Them/An Undesirable Residence/ A Troubled Night/ A Posthumous Protest/ An Uncanny Crime/ The Holes in the Mask/ The Visionary/ The Possessed/ The Double-Souvenirs: The Toad/ Night-Watch/ The Spirit of the Ruins/ Récits: Dolmance/ One January Night/ The Spectral Hand/ Prey to Darkness-Contes: The Princess of the Red Lilies/ The Princess at the Sabbat/ Narkiss/ The Princess au miroirs-Notes

    It was in this glittering capital of the international art world that, after suffering years of poverty and neglect, he emerged as the leader of a bohemian band of painters, sculptors, and poets. Fueled by opium and alcohol, inspired by raucous late-night conversations at the Lapin Agile cabaret, Picasso and his friends resolved to shake up the world. For most of these years Picasso lived and worked in a squalid tenement known as the Bateau Lavoir, in the heart of picturesque Montmartre. Here he met his first true love, Fernande Olivier, a muse whom he would transform in his art from Symbolist goddess to Cubist monster. These were years of struggle, often of desperation, but Picasso later looked back on them as the happiest of his long life. Recognition came slowly: first in the avant-garde circles in which he traveled, and later among a small group of daring collectors, including the Americans Leo and Gertrude Stein. In 1906, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the groundbreaking painting of Paul Cézanne and the startling inventiveness of African and tribal sculpture, Picasso created a work that captured and defined the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad. Only his colleague George Braque understood what Picasso was trying to do. Over the next few years they teamed up to create Cubism, the most revolutionary and influential movement in twentieth-century art. This is the story of an artistic genius with a singular creative gift. It is filled with heartbreak and triumph, despair and delirium, all of it played out against the backdrop of the world’s most captivating city.

    Taking into account the latest research and academic controversies over the historical identity of the Celts, the atlas deals separately with the Continental Celts (Germany, France, Italy, Spain, Anatolia), the Atlantic Celts (Britain and Ireland) and the Modern Celts and the current state of Celtic culture.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    Polizzotti reconstructs Breton's intense and formative friendships with Man Ray, Duchamp, Dali, and Miro, among others; his legendary encounters with Trotsky, Freud, and Sartre; and his several marriages and love affairs.