In this new edition, numerous revisions and additions have been made, taking into account the comments and responses of both students and teachers who have been using the course. In Book I, the revisions are directed at making the grammatical explanations easier to understand, while adding further explanations of points that students have difficulty with. Changes have also been made in favor of more natural practice sentences and dialogues. In addition, new appendices list the particles, interrogatives, and sentence patterns in the book, as well as the kanji introduced. More fundamental revisions have been made to Book II, which has been expanded and divided into two volumes, Book II and Book Ill. The changes result in a smoother transition from Book I, make new grammatical elements clearer, and present more natural practice dialogues and exercise sentences. THE JAPANESE FOR BUSY PEOPLE COURSE This concise course in natural Japanese is ideal for such students as businessmen whose aim is a working knowledge of the spoken language in everyday life. Survival Japanese for Adults, ' as it might be called, gets to the heart of the language without recourse to childish or classroom-only Japanese. Book II consists of twenty lessons in the same format as Book I, with dialogues, notes on grammar, and vocabulary, exercises and quizzes. The dialogues introduce the daily language and life of adult Japanese and, compared with Book I, conversations are more natural and include abbreviated expressions and suitable responses. In this revised Book II, kanji are introduced systematically, and alternate readings, stroke order and associated kanji are given for the characters appearing in each chapter.

    A profoundly wise and humorous rendering of the classic Chinese text on military strategy, as told through the delightful Chinese cartoon panels of best-selling author Tsai Chih Chung.

    Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions.

    This edition was derived from the Egerton translation, minus the Latin, with a few euphemisms thrown in, but is considerably more complete than the Olympia Press version most Westerners are familiar with. Given the fine academic tradition of disassociating one's self from erotica in any form, Western scholars will often compare this book with... Don Quixote and other non-English masterpieces of a certain age. To which we at Silk Pagoda reply: considering that Jin Ping Mei comes to us as part of a literary cycle (Outlaws of the Marsh) and is primarily a fin de siecle romance with adultery as key theme, the book it best compares to is of course Mort d'Arthur, and Jin Ping Mei's author should be celebrated for, unlike Mallory, experiencing life outside prison walls.

    A sympathetic prostitute befriends Chun, but two years later, at the height of a plague quarantine, Chun is thrust into a bewildering new world. A young Methodist woman rescues her and places her in a Home for abused and trafficked girls. The Home is destroyed in the 1906 earthquake and fire, but Chun (aka "Maud") survives. In an attempt to raise funds to rebuild the Home, Maud and a group of seven other Chinese children embark on a six-month cross-country singing tour. Performing for President Theodore Roosevelt in the White House is the highlight of the journey, but when the matron of the Home suffers a breakdown, thirteen year-old Maud must find within herself the strength and resolve to lead the band of children home. The novel is based on events in the life of the author's wife's grandmother.

    In the story, a mother takes extreme measures to provide her four mentally disabled children with a normal life. She feeds them a medicinal soup made from the bones of her dead husband when she finds out that bones 'the closer from kin the better' can cure their illness. When she runs out of her husband's bones, she resorts to a measure that only a mother can take.

    These are the untold stories of 1949, the year China was decidedly cut in two.

    At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    Hard-core realism, experimental prose, and black humor; exoticism and eroticism;shocking tales of brutality, tender evocations of love, and engrossing mysteries all coexist in an anthology that spans nearly a decade, ten years that have witnessed a dizzying array of societal and political changes. Almost all of the stories appear in English translation for the first time. Includes Shi Tiesheng, “First Person”; Hong Ying, “The Field”; Su Tong, “The Brothers Shu”; Wang Meng, “A String of Choices”; Li Rui, “Sham Marriage”; Duo Duo, “The Day I Got to Xi’an”; Chen Ran, “Sunshine Between the Lips”; Li Xiao, “Grass on the Rooftop”; Yu Hua, The Past and the Punishments”; Mo Yan, “The Cure”; Ai Bei, “Green Earth Mother”; Cao Naiqian, “When I Think of You Late at Night, There’s Nothing I Can Do”; Can Xue, “The Summons”; Bi Feiyu, “The Ancestor”; Yang Zhengguang, “Moonlight over the Field of Ghosts”; Ge Fei, “Remembering Mr. Wu You”; Chen Cun, “Footsteps on the Roof”; Chi Li, “Willow Waist”; Kong Jiesheng, “The Sleeping Lion”; Wang Xiangfu, “Fritter Hollow Chronicles.”

    It can only end in chaos!

    Popular phrases, words, and expressions accompany the complete conjugation of common Spanish verbs.

    Da Qin—Big Piano—and her younger sister, Xiao Qin—Little Piano—live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.

    When his totaled car is recovered, his friend's wife finds piles of papers inside. She determines that her husband is not dead, but rather has run off with his lover. She asks David Toscana to sift through the papers and make sense of her husband's disappearance -- the result is Tula Station. The novel is three stories in one: the story of an orphan destined to live a Quixotic life in search of adventure; the life of a man who will forever be in love with the fantasy of a woman; and the almost true story of the once prosperous town of Tula, whose mountain location make it inaccessible to both trains and modernity in spite of the hopeful construction of Tula Station. Intelligent and subtle, Tula Station is a striking mix of old and new.

    From the delicate cream cheeses of Kurdsburg to the Hopes-of-Heaven pastries of Chouxville, each was so delicious that people wept with joy as they ate them.But even in this happy kingdom, a monster lurks. Legend tells of a fearsome creature living far to the north in the Marshlands... the Ickabog. Some say it breathes fire, spits poison, and roars through the mist as it carries off wayward sheep and children alike. Some say it's just a myth...And when that myth takes on a life of its own, casting a shadow over the kingdom, two children — best friends Bert and Daisy — embark on a great adventure to untangle the truth and find out where the real monster lies, bringing hope and happiness to Cornucopia once more.Features full-colour illustrations by the young winners of The Ickabog competition.