. . . The literature of the twenty-first century will belong to Neuman and a few of his blood brothers."—Roberto BolañoPlayful, philosophizing, and gloriously unpredictable, Andrés Neuman's short stories consider love, lechery, history, mortality, family secrets, therapy, Borges, mysterious underwear, translators, and storytelling itself.Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes he's the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand.With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cortázar, Bolaño, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, The Things We Don't Do confirms Neuman's place as one of the most dynamic authors writing today.Andrés Neuman was born in Buenos Aires, but grew up and lives in Spain. He was included in Granta's "Young Spanish-Language Novelists" issue and is the author of almost twenty works, two of which—Traveler of the Century and Talking to Ourselves—have been translated into English. Traveler of the Century won the Alfaguara Prize, the National Critics Prize, was longlisted for the 2013 Best Translated Book Award, and was shortlisted for the 2013 Independent Foreign Fiction Prize and the 2014 International IMPAC Dublin Literary Award.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    A mammoth balloon is inflated over the city with much talk by the natives after the artifact; Indians storm the city in spite of the excellent hand-sanded table (birch veneer on black wrought iron legs); two emphatic creatures named Edward and Pia exist in instant replays and talk in stereo static: a tiny President (forty-eight inches tall at the shoulder) may or may not cause intermittent and mass unconsciousness; and Kellerman, "gigantic with gin, runs through the park at noon with his naked father slung under one arm." Meaning may emerge, blur forth, but in this glittering clatterbang of existence no overview is possible ("The moon hates us").With elegance and wicked glee, the author has produced hitherto buried delights in the "Isle of Vernacular." Each fragment has its visual and verbal surprise. Baffling, brilliant, and very special, this is Bertie Wooster's "Guernica."

    But if Neruda is blazing fire, Tranströmer is expanding ice. The Great Enigma: New Collected Poems gathers all the poems Tomas Tranströmer has published: from his distinctive first collection in 1954, 17 Poems, through his epic poem Baltics ("my most consistent attempt to write music"), and The Sad Gondola, published six years after he suffered a debilitating stroke in 1990 ("I am carried in my shadow / like a violin / in its black case."), to his most recent slim book, The Great Enigma, published in Sweden in 2004. Also included is his prose-memoir Memories Look at Me, containing keys into his intensely spiritual, metaphysical poetry (like the brief passage of insect collecting on Runmarö Island when he was a teenager). Firmly rooted in the natural world, his work falls between dream and dream; it probes "the great unsolved love" with the opening up, through subtle modulations, of "concrete words."

    Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking.

    An unidentified woman lies beheaded in a posh suburban home—a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing ten years earlier. But this time there’s a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.To homicide detectives Peter Lindgren and Manfred Olsson, nothing about the suave, high-profile businessman—including a playboy reputation and rumors of financial misdeeds—suggests he conceals the dark heart and twisted mind of a cold-blooded killer. In search of a motive, Lindgren and Olsson turn to the brilliant criminal profiler Hanne Lagerlind-Schön. Once a valued police asset, now marooned in unhappy retirement and a crumbling marriage, she’s eager to exercise her keen skills again—and offer the detectives a window into the secret soul of Jesper Orre. But they’re not the only ones searching. Two months before, Emma Bohman, a young clerk at Orre’s company, chanced to meet the charming chief executive, and romance swiftly bloomed. Almost as quickly as the passionate affair ignited, it was over when Orre inexplicably disappeared. One staggering misfortune after another followed, leaving Emma certain that her runaway lover was to blame and transforming her confusion and heartbreak into anger. Now, pursuing the same mysterious man for different reasons, Emma and the police are destined to cross paths in a chilling dance of obsession, vengeance, madness, and love gone hellishly wrong.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Over the course of eight stories, we are introduced to a host of young people on the cusp of discovery and loss. As he evokes the various states of agony and pleasure--humiliation, rebellion, camaraderie, and desire--Benioff displays a profound understanding of the transformative power of a single moment and how sadness can be illuminated by a humorous flip side. When the Nines Roll Over confirms the promise of a gifted writer emerging as a storytelling force.

    After experiencing several inexplicable incidents, lonely Nora receives a strangely lifelike doll, which leads her to discover long-hidden secrets about her family.

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    1 international bestseller and Swedish crime sensation Camilla Lackberg.Two sisters, one murder, and a robbery in a vintage boutique in Fjällbacka. A thrilling story with a fashionable twist...

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees. You will come to see it in your own way, you will experience things for yourself and live a life of your own, so of course it is primarily for my own sake that I am doing this: showing you the world, little one, makes my life worth living.Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. He describes with acute sensitivity daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. The sun, wasps, jellyfish, eyes, lice—the stuff of everyday life is the fodder for his art. Nothing is too small or too vast to escape his attention.This beautifully illustrated book is a personal encyclopaedia on everything from chewing gum to the stars. Through close observation of the objects and phenomena around him, Knausgaard shows us how vast, unknowable and wondrous the world is.