So when an airport beggar read her palm and told her she would return to India—and for love—she screamed, “Never!” and gave the country, and him, the finger.But eleven years later, the prophecy comes true. When the love of Sarah’s life is posted to India, she quits her dream job to move to the most polluted city on earth, New Delhi. For Sarah this seems like the ultimate sacrifice for love, and it almost kills her, literally. Just settled, she falls dangerously ill with double pneumonia, an experience that compels her to face some serious questions about her own fragile mortality and inner spiritual void. “I must find peace in the only place possible in India,” she concludes. “Within.” Thus begins her journey of discovery through India in search of the meaning of life and death.Holy Cow is Macdonald’s often hilarious chronicle of her adventures in a land of chaos and contradiction, of encounters with Hinduism, Islam and Jainism, Sufis, Sikhs, Parsis and Christians and a kaleidoscope of yogis, swamis and Bollywood stars. From spiritual retreats and crumbling nirvanas to war zones and New Delhi nightclubs, it is a journey that only a woman on a mission to save her soul, her love life—and her sanity—can survive.

    In this tight-knit community, five girls on the cusp of womanhood-a politically driven graffiti artist; a transgender Christian convert; a blind girl who loves to dance; and the queer daughter of a hijabi union leader-forge an unbreakable bond.When the local government threatens to demolish their tin shacks in order to build a shopping mall, the girls and their mothers refuse to be erased. Together they wage war on the bulldozers sent to bury their homes, and, ultimately, on the city that wishes that families like them would remain hidden forever.Elegant, poetic, and vibrant, A People's History of Heaven takes a clear-eyed look at adversity and geography and dazzles in its depiction of love and female friendship.

    We are friends and family. We are doctors and lawyers. We are pharmacists, biologists, and engineers. We are ordinary people who see a universe that is bigger than any god man has ever imagined. For billions of people around the globe, god and religion are the biggest things in their lives. Even for those not very devout believers, their belief is a part of how they think about themselves and for most of them god is very big. However, for a small minority of people the idea of god is small and pitiful. We look out into the universe and see something so amazing that it could not possibly be the work of these tiny imagined gods of mankind. These gods whom we are given that display such ignoble traits as jealousy and outright hubris. We see the harm that religion brings to humanity. We see the injustice, inequality, and division amongst men that it causes. We see humanity being stifled by these religions and these tiny gods. We at Atheist Republic have a message we have steadily tried to convey. That message is that we as human beings are bigger than these imaginary gods. We believe that humanity is greater than gods and doctrines.

    This work will appeal to readers with a general interest in Mahayana Buddhism, to those who wish to familiarize themselves with one of the great classics of Indian Buddhist literature, and to students who come across passages quoted in other Buddhist works and who wish to explore further. The great Indian Buddhist master Nagarjuna (first–second century A.D.) wrote his celebrated poem "Letter to a Friend" as a gift of advice to a South Indian king, and it has since become a monument in the Indian shastra tradition. Despite its short length (only 123 verses), it covers the whole Mahayana path, combining a practical approach to daily conduct with a theoretical exposition of the different stages leading to enlightenment. It has thus been an ideal source for many of Tibet 's great scholars seeking a scriptural authority to enhance their own descriptions of the Buddhist path. Any difficulties in understanding the poem are overcome by Kangyur Rinpoche's commentary, which turns Nagarjuna's sometimes cryptic poem into straightforward prose, expanding on each topic and ordering the different subjects in such a way that on returning to the original poem, the reader can easily make sense of the advice it contains. It includes headings to explain Nagarjuna's frequent changes in subject and full explanations of the ideas introduced in each verse. In addition to the commentary, this book presents the original poem in the Tibetan and in a new English translation that attempts to emulate Nagarjuna's lines of metric verse. Also included are Kangyur Rinpoche's structural outline (sa bchad), a Tibetan line index to enable students to locate quotations used in other Tibetan works, full notes, and a glossary.