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    In a harrowing rescue during an apartment fire, she meets young Candace Beacon. Candi becomes displaced when everything she owns is ruined and her apartment is deemed a hazard by the fire department.In an attempt to help Candi, Suzanne invites her to move in with her until she can find a place of her own. What ensues is a push and pull relationship when the two women discover that they are at odds with one another. Will Suzanne find that she is in over her head? Or will they discover they had more in common than they initially thought?

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    You'll fall in love, too!Love's Replay: David Henderson is so desperate to stop his father from selling their family's auto dealership, he'll even marry to prove he's serious about the future. Enter ex-lover Sandra Miller, who is back in town to help her successful business career. Too bad those prospects hang on partnering with David, the man who once crushed her heart. Will the mistrust and jealousy that tore them apart before prevent a replay of their rekindled love?Just My Type: Janiyah Henderson enjoys her stress-free post-college life, but when her dad insists she can't handle a "real job," she's determined to prove him wrong. Her high-spirited ways clash with the conservative instincts of her new boss, accountant Fredrick Jenkins, yet attraction brews between them. When Fredrick shows Janiyah the man behind the numbers, she realizes she could be just the type of woman he needs.Making It Real: After five years in prison, Kareem Henderson is on the right track as a barber, with a goal to open a high-end salon. But he needs society connections to make his dream a reality. Patrice "Neecie" Baldwin, needs a shield to return home, so she offers Kareem a deal: Pretend to be her fiance, and she'll introduce him to her well-healed relatives. But as they grow closer, this fake relationship might become something very real.From One Night to Forever: When trucker Aaron Henderson rolls into Reliant, Tennessee, for business, a singing beauty at a bar stirs feelings he's long forgotten. Then his one-night stand turns out to be his new partner's baby sister. When Kacey Randal learns that Aaron's working with her brother and has a list of conquests as high as his big rig's mileage, she's ready to pretend their night together never happened. But the fire burns hot between these two--can Kacey tame Aaron's roaming ways to go from one night to forever?Sensuality Level: Sensual

    Will trust tear these two apart or will it bond them forever? With Wicked being shot and the culprits still on the run he's at a standstill trying to figure out his next move. As he starts to heal from his gunshot wounds things with him & Mecca seem to get better. At least that’s what he thinks, until he’s exposed to the truth and is shocked to find out Mecca isn’t as innocent as she claims to be. Mecca has never been stable in life. She went from being controlled by men to branching out and finding her passion. Finding her voice gave her a newfound freedom but it also caused her to do some unsavory things. The love she has for Wicked is undeniable but the love she has for her freedom is just as undeniable. A couple nights of fun caused her to make some bad decisions. When things hit the fan she doesn’t know if she can come back from it. Classie’s past has caught up with her causing her to reveal her sordid past. Her secrets may have caused her and her friends their lives. It’s the survival of the fittest in Classie’s mind as she tries to find away back to the love of her life. Zay has a lot of issues he’s dealing with right now. Feeling less than a man because someone took his girl & he did nothing but stand there. The horrible memory plagues his mind daily as he wonders about Classie’s whereabouts. As an old face on the streets he doesn’t have the clout he use to have but he’s determine to get his girl back. These two couple’s go through the up’s, down’s to figure out is love enough. There will be some heartbreak, some fights, some forgiveness, and even death. But who will come out on top & in the end does love always win?

    Right is much easier said than done. While surrounding himself with his close group of girlfriends it comes to pass that the only thing harder than looking for love is supporting the loved ones around you. From the critically acclaimed writer who brought you Bad Jews.

    These four constant companions become one in this brilliantly witty, time-jumping, loving tribute (and cautionary tale) dedicated to the people-and machines-upon which we all depend.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    But never has he blended these disparate elements into such a brilliantly cohesive whole as he has in Lips Together, Teeth Apart,hailed by Frank Rich of the New York Times as McNallys"most ambitious and most accomplished play yet."At the heart of this haunting play is a dramatically incisive portrait of two married couples - the Trumans and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. Acerbic and haunting, Lips Together, Teeth Apart probes the stifledlives of people and their prejudices with a stunning clarity that resonates long after.

    Gathered here are three of his latest works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York Times: "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."

    Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi