A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity of human morality -- one she will only begin to understand when she carries her quest for the truth, and the killer, into adulthood twenty years later.

    And Thebes is only eleven."–from The Flying TroutmansDays after being dumped by her boyfriend Marc in Paris – "he was heading off to an ashram and said we could communicate telepathically" – Hattie hears her sister Min has been checked into a psychiatric hospital, and finds herself flying back to Winnipeg to take care of Thebes and Logan, her niece and nephew. Not knowing what else to do, she loads the kids, a cooler, and a pile of CDs into their van and they set out on a road trip in search of the children's long-lost father, Cherkis.In part because no one has any good idea where Cherkis is, the traveling matters more than the destination. On their wayward, eventful journey down to North Dakota and beyond, the Troutmans stay at scary motels, meet helpful hippies, and try to ignore the threatening noises coming from under the hood of their van. Eleven-year-old Thebes spends her time making huge novelty cheques with arts and crafts supplies in the back, and won't wash, no matter how wild and matted her purple hair gets; she forgot to pack any clothes. Four years older, Logan carves phrases like "Fear Yourself" into the dashboard, and repeatedly disappears in the middle of the night to play basketball; he's in love, he says, with New York Times columnist Deborah Solomon. Meanwhile, Min can't be reached at the hospital, and, more than once, Hattie calls Marc in tears.But though it might seem like an escape from crisis into chaos, this journey is also desperately necessary, a chance for an accidental family to accept, understand or at least find their way through overwhelming times. From interwoven memories and scenes from the past, we learn much more about them: how Min got so sick, why Cherkis left home, why Hattie went to Paris, and what made Thebes and Logan who they are today.In this completely captivating book, Miriam Toews has created some of the most engaging characters in Canadian literature: Hattie, Logan and Thebes are bewildered, hopeful, angry, and most of all, absolutely alive. Full of richly skewed, richly funny detail, The Flying Troutmans is a uniquely affecting novel.

    Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

    At mealtimes he is seated at the "cat's table" - as far from the Captain's Table as can be - with a ragtag group of "insignificant" adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself "with a distant eye" for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifying - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

    It confronts difficult material in a frank and unflinching manner, yet remains grounded in an abiding authorial intelligence. Pedal marks the debut of a hugely promising writer.”–Steven W. Beattie, Quill & Quire“Julia, the protagonist of this intense first novel, is a psychology grad student who risks everything to pursue scientific research in truly forbidden territory: sexual attraction between adults and children. She persists in her quest in spite of skeptical friends, fragile relatives, a squeamish thesis advisor, an enigmatic bike-tour companion, severe social taboos, and her own painful memories of a birth father she calls Dirtbag–not to prove any point but to find out what lies beyond the conventional wisdom. This is an unsettling novel–smart, fierce, confident, funny, and full of surprises–with an unforgettable young woman at the heart of the storm.”–Mary Schendlinger, Senior Editor, Geist“[…] a taut, unsettling, and provoking debut novel […] [Chelsea Rooney] ought to be commended for perceptively addressing such a difficult and inflammatory (and decidedly uncommercial) topic with a subtlety that’s buoyed by ample empathy.”–Brett Josef Grubisic, Vancouver Sun“Pedal is a brave and captivating book, written with an unflinching eye and a deep understanding of the torment that is the human condition. Chelsea Rooney is a major talent.”–Steven Galloway, author of The Confabulist and The Cellist of SarajevoJulia Hoop, a twenty-five-year-old counselling psych student, is working on her thesis, exploring an idea which makes her graduate supervisor squirm. She is conducting interview after interview with a group of women she affectionately calls the Molestas—women whose experience of childhood sexual abuse did not cause physical trauma. Julia is the expert, she claims, because she has the experience; her own father, Dirtbag, disappeared when she was eight leaving behind nothing but a legacy of addiction and violence.When both her boyfriend and her graduate advisor break up with her on the same day, Julia leaves her city of Vancouver on a bicycle for a cross-Canada trip in search of her father, or so she tells people. Her unexpected travel partner is Smirks, a handsome athlete who also has a complicated history. Their travel days are marked by peaks of ecstatic physical exertion, and their nights by frustrated drinking and drugs. After an unsettling incident in rural Saskatchewan involving a trio of aggressive children, Julie wakes up in the morning to discover Smirks has disappeared. Everything, once again, falls apart.Sometimes shocking in its candour, yet charmed with enigmatic characters, Pedal explores how we are shaped by accidents of timing—trauma and sex, brain chemistry and the landscape of our country—and challenges beliefs we hold dear about the nature of pedophilia, the essence of innocence and the idea that the past is something one runs from.

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.

    Arthur is reticent, solid, dutiful and set to inherit the farm and his father’s character; Jake is younger, attractive, mercurial and dangerous to know – the family misfit. When a beautiful young woman comes into the community, the fragile balance of sibling rivalry tips over the edge.Then there is Ian, the family’s next generation, and far too sure he knows the difference between right and wrong. By now it is the fifties, and the world has changed – a little, but not enough. These two generations in the small town of Struan, Ontario, are tragically interlocked, linked by fate and community but separated by a war which devours its young men – its unimaginable horror reaching right into the heart of this remote corner of an empire. With her astonishing ability to turn the ratchet of tension slowly and delicately, Lawson builds their story to a shocking climax. Taut with apprehension, surprising us with moments of tenderness and humour, The Other Side of the Bridge is a compelling, humane and vividly evoked novel with an irresistible emotional undertow.Arthur found himself staring down at the knife embedded in his foot. There was a surreal split second before the blood started to well up and then up it came, dark and thick as syrup. Arthur looked at Jake and saw that he was staring at the knife. His expression was one of surprise, and this was something that Arthur wondered about later too. Was Jake surprised because he had never considered the possibility that he might be a less than perfect shot? Did he have that much confidence in himself, that little self-doubt? Or was he merely surprised at how easy it was to give in to an impulse, and carry through the thought which lay in your mind? Simply to do whatever you wanted to do, and damn the consequences.–from The Other Side of the BridgeFrom the Hardcover edition.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges.  Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply.  By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    Unable to commit suicide, she hires a professional killer and contracts him to kill her, by her choice and on her terms. In an effort to dissuade her from death, her killer elicits from her stories about her travels. In this reversal of Sheherazade, who saves her life through a continuous story, Restlessness becomes a story about how to avoid story, a travel book about how to evade travel, a manual for how to stay put.

    Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend -- the only person to whom he has ever confessed his sins -- has published a novel mirroring Rank's life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he's spent his whole life running away.With the deep compassion, deft touch, and irreverent humour that have made her one of Canada's best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.