There's something happening on the posh liner... The people - staff and passengers alike... They're changing...From Matt Shaw comes a claustrophobic new horror.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade.Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.

    5,000 words (16 pages).For Bafion, there is no farther to fall. Once a banneret, officer, and gentleman, he is none of those things now. He is a swordsman who has slipped through the cracks of society and is eking out an existence as a thug for hire.Bafion is presented with the opportunity to reclaim some of what was lost to him, but to do so will mean facing part of his past that he would rather forget.The Swordsman of Tanosa is a swashbuckling fantasy short story set in the same world as the Society of the Sword trilogy.

    A police force that large is going to have more than a few colorful characters and unbelievable stories. Retired NYPD Detective Vic Ferrari takes you behind the scenes as he peels back the onion, revealing the good, the bad, and the ugly of the New York City Police Department. The NYPD's Flying Circus picks up where NYPD: Through the Looking Glass left off in this controversial tell-all sequel. The NYPD’s Flying Circus is an introspective, behind-the-scenes look into the New York City Police Department. Cops, crime and chaos are sarcastically woven together through the eyes of a retired NYPD detective, exposing the funnier side of the NYPD—a fascinating history lesson wrapped in personal anecdotes covering a twenty-year law enforcement career. If you enjoy Live PD, are fascinated with police work, or ever wondered what it was like to be a member of the NYPD, you’ve picked up the right book.

    An old friend shows up in town to stay and they have decisions to make about some big plans for their future. Spend a little more time in Bellingwood during the holidays and see what everyone is up to. Rebecca and Andrew have a party to attend, Polly has yet another rescue. It's just one more week in that little world we all love.

    A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation.In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.

    2: AmericanThen he saw, an indefinite distance beyond him, burning like red-hot iron through the darkness, a little scarlet or crimson gleam, as of a lighted cigar.

    Andrew and James are looking forward to meeting their favorite author, but when a homeless woman, who claims to be the author’s “biggest fan,” begins to stalk the two friends, they have to wonder if this creepy old woman is who she appears to be, and why the sound of bells follows her wherever she goes.

    Now shimmering illustrations, as bejeweled and golden as the Prince himself, give glowing life to the many dimensions of his tale. His story of friendship, love, and a willingness to part with one's own riches may be more important today than ever before. Full color.

    It is the finest collection yet from a contemporary master of the form.Beginning with the sudden terror of a family caught up in shocking sectarian violence, and ending with the whiteout of an Iowa blizzard and the fear of losing your way very far from home, this collection is about bonds made and broken, secret and known. In the extraordinary story "Up the Coast," a landscape painter discovers a place that makes her, finally, feel whole, only to have that communion shattered by an arbitrary act of aggression that will resonate throughout her life.Written with effortless skill and empathy, these stories are hauntingly real. MacLaverty's perfect attention to every detail, every nuance of idiom and character, remakes the world for us here on the page.

    And in the title story a teenage girl strikes up an unlikely friendship with a lonely bachelor.Love, loss, betrayal. Grief, guilt, longing. The act of grace or forgiveness that can suddenly transform and redeem lives. In these twelve haunting stories Mary Costello carefully examines the passions and perils of everyday life and relationships and, with startling insight, casts a light on the darkest corners of the human heart.What emerges is a compassionate exploration of how ordinary men and women endure the trials and complexities of marriage, memory, adultery, death, and the ripples of disquiet that lie just beneath the surface. With a calm intensity and an undertow of sadness, she reveals the secret fears and yearnings of her characters, and those isolated moments when a few words or a small deed can change everything, with stark and sometimes brutal consequences.

    When she’s not working, she’s swimming—lap after lap at the local indoor pool, in a desperate attempt to wash away the sting of professional failure and heartbreak that she can’t seem to shake. It takes an unexpected client to show her that appearances can be deceiving, and that sometimes the bravest thing you can do is simply dive back in.