But perhaps the wildest, and least understood, are the world's oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation.Traffickers and smugglers, pirates and mercenaries, wreck thieves and repo men, vigilante conservationists and elusive poachers, seabound abortion providers, clandestine oil-dumpers, shackled slaves and cast-adrift stowaways -- drawing on five years of perilous and intrepid reporting, often hundreds of miles from shore, Ian Urbina introduces us to the inhabitants of this hidden world. Through their stories of astonishing courage and brutality, survival and tragedy, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil and shipping industries, and on which the world's economies rely.Both a gripping adventure story and a stunning expos�, this unique work of reportage brings fully into view for the first time the disturbing reality of a floating world that connects us all, a place where anyone can do anything because no one is watching.

    As the details of his short life emerge, it becomes clear that to help him, Cathy will face her biggest challenge yet. Reece is the last of six siblings to be fostered. Having been in care for four months his aggressive and disruptive behavior has seen him passed from carer to carer. Although only 7, he has been excluded from school, and bites people so often that his mother calls him "Sharky." Cathy wants to find the answers for Reece's distressing behavior, but he has been sworn to secrecy by his mother, and will not tell them anything. As the social worker prepares for the final hearing, he finds five different files on Reece's family, and is incredulous that he had not been removed from them as a baby. When the darkest of family secrets is revealed to Cathy, Reece's behavior suddenly starts to make sense, and together they can begin to rebuild his life.

    In her working-class neighbourhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For 'long, mysterious words begin to crawl across my soul', and she comes to realize that she has a vocation, something unknowable within her - and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind.Childhood, the first volume in The Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

    She talks all the time: in the car, on the way to nursery, to her extrovert older brother, to her collection of bears. But then, one February morning, everything changes. Nancy's mum and dad split up. Her father Patrick moves away from their Bristol home to Newcastle. And Nancy stops talking.Eva is forty-four, nearly forty-five. She didn't expect to be the third wife of a much-loved household name, but eight years ago, she and semi-retired bad boy Michael Quinn fell in love. Eva knew marrying a much older man meant compromises, but it was the love of a lifetime for them both - until Mickey dies suddenly, leaving Eva alone with his gossipy diaries, their two pugs, and a distressing voice in the back of her mind, wondering if perhaps she's sacrificed more than she meant to.While Nancy's parents negotiate their separation, the question of weekend contact is solved when Patrick volunteers his sister Eva's house. It's in Longhampton, an hour out of Bristol, with plenty of room for her to get to know a niece and nephew she's barely met - even if Nancy continues to refuse to speak. Patrick is sure it's just a phase but his soon-to-be-ex-wife is worried that something more traumatic lies at the heart of their daughter's selective mutism.Meanwhile, Eva begins to read through Mickey's diaries, and with every page she's forced to confront a view of her marriage that turns everything she believed about her late husband, her self - and her own heart - on its head. The fortnightly presence of two children in her peaceful, grown-up home - one constantly singing and performing, the other wordless and sad - initially drives Eva and the two pugs, Bumble and Bee, to exhaustion, but as spring turns into summer, a trust slowly begins to form between an anxious little girl with a heartbreaking secret, and a woman who has realised too late that what her soul yearns for is the love of a child.

    As we reel from the latest horror . . . " So begins a new epilogue, illustrating how Columbine became the template for nearly two decades of "spectacle murders." It is a false script, seized upon by a generation of new killers. In the wake of Newtown, Aurora, and Virginia Tech, the imperative to understand the crime that sparked this plague grows more urgent every year.What really happened April 20, 1999? The horror left an indelible stamp on the American psyche, but most of what we "know" is wrong. It wasn't about jocks, Goths, or the Trench Coat Mafia. Dave Cullen was one of the first reporters on scene, and spent ten years on this book-widely recognized as the definitive account. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world's leading forensic psychologists, and the killers' own words and drawings-several reproduced in a new appendix. Cullen paints raw portraits of two polar opposite killers. They contrast starkly with the flashes of resilience and redemption among the survivors.

    To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans despised. Their only hope for escape lay in a dangerous underground that would not take her child.

    Plus a handsome, funny, street-smart boyfriend who adored her. But behind her façade of success, this golden girl hid a dark secret. She’d made a mistake shared by millions: she fell in love with the wrong person.At first Leslie and Conor seemed as perfect together as their fairy-tale wedding. Then came the fights she tried to ignore: he pushed her down the stairs of the house they bought together, poured coffee grinds over her hair as she dressed for a critical job interview, choked her during an argument, and threatened her with a gun. Several times, he came close to making good on his threat to kill her. With each attack, Leslie lost another piece of herself.Gripping and utterly compelling, Crazy Love takes you inside the violent, devastating world of abusive love. Conor said he’d been abused since he was a young boy, and love and rage danced intimately together in his psyche. Why didn’t Leslie leave? She stayed because she loved him. Find out for yourself if she had fallen truly in love – or into a psychological trap. Crazy Love will draw you in -- and never let go.

    You ll meet the ghosts of the Indian martyrs of Gnadenhutten, a spectral soldier from the siege of Ft. Meigs, the phantom Phoebe, keeping an eye on the canal boats at Roscoe Village, the African American ghosts of Prospect Place, a stop on the Underground Railroad, and many other tales that reflect the history as well as the ghostly lore of the Buckeye State. You'll also meet a real-life Hatchet Man, possibly Ohio s first serial killer, the sad ghost of a wife slaughtered by her husband at what is now a Victorian tea room, and the spirit of a mad murderess in a remote farmhouse. Stories from the following counties:Adams, Ashtabula, Athens, Belmont, Clark, Clermont, Clinton, Coshocton, Crawford, Cuyahoga, Darke, Erie, Fairfield, Franklin, Fulton, Greene, Guernsey, Hamilton, Hardin, Henry, Highland, Jefferosn, Lake, Lawrence, Logan, Lorain, Lucas, Madison, Marion, Montgomery, Morgan, Muskingum, Paulding, Pickaway, Pike, Portage, Putnam, Richland, Ross, Shelby, Stark, Summit, Tuscarawas, Union, Van Wert, Warren, Wood

    With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician.She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove, Ohio. In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed.Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. "Driving with Dead People" is an extraordinary real-life tale with a wonderfully observant and resourceful heroine.

    Haunted by memories of the terrible mistake that drove him to this island and away from a successful career as a surgeon, he lives in a stasis so complete an anthill grows undisturbed in his living room.When an unexpected visitor alters his life completely, thus begins an eccentric, elegiac journey—one that shows Mankell at the very height of his powers as a novelist.A deeply human tale of loss and redemption, Italian Shoes is a testament to the unpredictability of life, which breeds hope even in the face of tragedy..

    He has planned a six-week vacation before he starts a new job at the Homicide Department. But after only a few hours in their new home, he is asked to investigate a brutal murder. The body of Jörgen Pålsson, one of Risk’s former classmates, has been found with both hands missing. Soon the bodies of more old classmates are found, and Risk finds himself in a race against time: Can they find the murderer before the entire class is killed?

    Three men on the beach are digging a hole, covertly watched by a young boy. His intrigue turns to horror as he makes out the fourth figure of the woman for whom the hole is intended. Buried up to her neck in the sand, the high tide is rapidly approaching. Still screaming in terror, the victim takes her last breath as water fills her nose and mouth—in her stomach, she feels her baby kick. And her waters break. The abhorrent crime remains unsolved 24 years later; but gruesome violence is still prevalent. A gang has been killing homeless people in parks, filming their attacks, and broadcasting them on the internet. The police have their work cut out trying to keep abreast of the crime wave. Olivia Rönning hopes to follow in her father's footsteps and join their ranks in the next few months as she completes her training; she has only one last hurdle to overcome over the summer break, a challenge from her professor to pick a cold case and solve it. Should be simple, she thinks. Little does she know the world she is getting involved in, the danger she faces, and the ugly truths she risks uncovering.

       In 2016, Pakistan’s first social media celebrity, Qandeel Baloch, was murdered in a suspected honor killing. Her death quickly became a media sensation. It was both devastatingly routine and breathtakingly brutal, and in a new media landscape, it couldn’t be ignored.   Qandeel had courted attention and outrage with a talent for self-promotion that earned her comparisons to Kim Kardashian—and made her the constant victim of harassment and death threats. Social media and reality television exist uneasily alongside honor killings and forced marriages in a rapidly, if unevenly, modernizing Pakistan, and Qandeel Baloch’s story became emblematic of the cultural divide.   In this deftly reported and artfully told account, Sanam Maher reconstructs the story of Qandeel’s life and explores the depth and range of her legacy from her impoverished hometown rankled by her infamy, to the aspiring fashion models who follow her footsteps, to the Internet activists resisting the same vicious online misogyny she faced. Maher depicts a society at a crossroads, where women serve as an easy scapegoat for its anxieties and dislocations, and teases apart the intrigue and myth-making of the Qandeel Baloch story to restore the humanity of the woman at its center.

    Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.

    A long-buried personal sadness is enfolding her—and her career is stalled—when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can’t be fully translated.Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva—a rain so soft you don’t notice when it begins or ends.With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for—and one of them may be a most unexpected love.