Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

    A Catholic schoolboy playing football has a theological debate with a Protestant policeman; a chess game in Spain is a catalyst for grief and redemption; in the haunting title story a Belfast man out walking his dog is kidnapped at gunpoint.As always, MacLaverty's writing is vivid, exact, and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only after we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy. This is a powerful, honest, and moving book by one of the great storytellers of our age.

    Now that he’s fifty and has returned to his boyhood home to recover from a breakdown on stage, he is not surprised to find the place still haunted. He is surprised, however, by new presences. And he is soon overwhelmed by how they, coupled with an onslaught of disturbing memories, compel him to confront the clutter that has become his life: ruined career, tenuous marriage, and troubled relationship with an estranged daughter.

    But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    P. Donleavy's first novel is now recognized the world over as a masterpiece and a modern classic of the highest order. Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable--and he satisfies it with endless charm.

    Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English. Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature.

    In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece."

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, 'In a German Pension', appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    A despairing author abandons his wife, but in the course of a long night's wandering, he learns love's true value and returns to her, only to find her a different woman than the one he left. A landowner, seeking to prove a principle, inadvertently exposes the ferocity of mother love. A wealthy young traveler melts the hauteur of a lovely woman by masquerading as her aged and loyal servant.Shimmering and haunting, Dinesen's Winter's Tales transport us, through their author's deft guidance of our desire to imagine, to the mysterious place where all stories are born.

    Virtuosic and exquisitely compressed, these stories show Salter at his best.The collection received the 1989 PEN/Faulkner Award.

    In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.

    With a passionate introduction by Enright, The Granta Book of the Irish Short Story traces this great tradition through decades of social change and shows the pleasure Irish writers continue to take in the short-story form. Deft and often devastating, these short stories dodge the rolling mythologies of Irish life to produce truths that are delightful and real. Includes Roddy Doyle, Elizabeth Bowen, Frank O’Connor, Seán Ó Faoláin, Edna O’Brien, Colm Tóibín, Clarie Keegan and William Trevor.The road to the shore / Michael McLaverty --The pram / Roddy Doyle --An attack of hunger / Maeve Brennan --Summer voices / John Banville --Summer night / Elizabeth Bowen --Music at Annahullion / Eugene McCabe --Naming the names / Anne Devlin --Shame / Keith Ridgway --Memory and desire / Val Mulkerns --The mad Lomasneys / Frank O'Connor --Walking Away / Philip Ó Ceallaigh --Villa Marta / Clare Boylan --Lilacs / Mary Lavin --Meles Vulgaris / Patrick Boyle --The trout / Seán Ó Faoláin --Night in Tunisia / Neil Jordan --Sister Imelda / Edna O'Brien --The key / John McGahern --A priest in the family / Colm Tóibín --The supremacy of grief / Hugo Hamilton --The swing of things / Jennifer C Cornell --Train Tracks / Aidan Mathews --See the tree, how big it's grown / Kevin Barry --Visit / Gerard Donovan --Everything in this country must / Colum McCann --Curfew / Sean O'Reilly --Language, truth and lockjaw / Bernard MacLaverty --Midwife to the fairies / Éilís Ní Dhuibhne --Men and women / Clare Keegan --Mothers were all the same / Joseph O'Connor --The dressmaker's child / William Trevor

    Through the events of her twenty-fifth birthday, decades of pain and betrayal build to a devastating, deadly climax.