A non-fictional historical account of the life of Rasputin.

    Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar’s secret police… Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction. Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences. Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

    As if rising from an uneasy grave, Palchinsky's ghost leads us through the miasma of Soviet technology and industry, pointing out the mistakes he condemned in his time, the corruption and collapse he predicted, the ultimate price paid for silencing those who were not afraid to speak out. The story of this visionary engineer's life and work, as Loren Graham relates it, is also the story of the Soviet Union's industrial promise and failure.We meet Palchinsky in pre-Revolutionary Russia, immersed in protests against the miserable lot of laborers in the tsarist state, protests destined to echo ironically during the Soviet worker's paradise. Exiled from the country, pardoned and welcomed back at the outbreak of World War I, the engineer joined the ranks of the Revolutionary government, only to find it no more open to criticism than the previous regime. His turbulent career offers us a window on debates over industrialization. Graham highlights the harsh irrationalities built into the Soviet system--the world's most inefficient steel mill in Magnitogorsk, the gigantic and ill-conceived hydroelectric plant on the Dnieper River, the infamously cruel and mislocated construction of the White Sea Canal. Time and again, we see the effects of policies that ignore not only the workers' and consumers' needs but also sound management and engineering precepts. And we see Palchinsky's criticism and advice, persistently given, consistently ignored, continue to haunt the Soviet Union right up to its dissolution in 1991.The story of a man whose gifts and character set him in the path of history, The Ghost of the Executed Engineer is also a cautionary tale about the fate of an engineering that disregards social and human issues.

    It was called “the year of the thaw”—a time when Stalin’s dark legacy of dictatorship died in February only to be reborn later that December. This historic arc from rising hope to crushing despair opened with a speech by Nikita Khrushchev, then the unpredictable leader of the Soviet Union. He astounded everyone by denouncing the one figure who, up to that time, had been hailed as a “genius,” a wizard of communism—Josef Stalin himself. Now, suddenly, this once unassailable god was being portrayed as a “madman” whose idiosyncratic rule had seriously undermined communism and endangered the Soviet state.This amazing switch from hero to villain lifted a heavy overcoat of fear from the backs of ordinary Russians. It also quickly led to anti-communist uprisings in Eastern Europe, none more bloody and challenging than the one in Hungary, which Soviet troops crushed at year’s end.Marvin Kalb, then a young diplomatic attaché at the U.S. Embassy in Moscow, observed this tumultuous year that foretold the end of Soviet communism three decades later. Fluent in Russian, a doctoral candidate at Harvard, he went where few other foreigners would dare go, listening to Russian students secretly attack communism and threaten rebellion against the Soviet system, traveling from one end of a changing country to the other and, thanks to his diplomatic position, meeting and talking with Khrushchev, who playfully nicknamed him Peter the Great.In this, his fifteenth book, Kalb writes a fascinating eyewitness account of a superpower in upheaval and of a people yearning for an end to dictatorship.

     'One of the great biographies of 2015.' The Times Fully updated edition including recently released information. A Guardian Book of the Year. The Times Best Biography of the Year. Mail on Sunday Biography of the Year. Daily Mail Biography of Year. Spectator Book of the Year. BBC History Book of the Year. 'A remarkable and definitive portrait ' Frederick Forsyth 'Andrew Lownie's biography of Guy Burgess, Stalin's Englishman ... shrewd, thorough, revelatory.' William Boyd 'In the sad and funny Stalin's Englishman, [Lownie] manages to convey the charm as well as the turpitude.' Craig Brown Guy Burgess was the most important, complex and fascinating of 'The Cambridge Spies' - Maclean, Philby, Blunt - all brilliant young men recruited in the 1930s to betray their country to the Soviet Union. An engaging and charming companion to many, an unappealing, utterly ruthless manipulator to others, Burgess rose through academia, the BBC, the Foreign Office, MI5 and MI6, gaining access to thousands of highly sensitive secret documents which he passed to his Russian handlers.In this first full biography, Andrew Lownie shows us how even Burgess's chaotic personal life of drunken philandering did nothing to stop his penetration and betrayal of the British Intelligence Service. Even when he was under suspicion, the fabled charm which had enabled many close personal relationships with influential Establishment figures (including Winston Churchill) prevented his exposure as a spy for many years.Through interviews with more than a hundred people who knew Burgess personally, many of whom have never spoken about him before, and the discovery of hitherto secret files, Stalin's Englishman brilliantly unravels the many lives of Guy Burgess in all their intriguing, chilling, colourful, tragi-comic wonder.

    The author, a famed scientist, was a leader of Soviet science fiction and his book Andromeda launched a decade that has been called the Golden Age of Soviet science fiction, but he also was an inspiration to scores of gifted young authors.

    When the glittering treasure of ancient Garamantia, the golden child, is delivered to the museum, a web of intrigue tightens around its personnel, especially the hapless museum officer Waring Smith. While prowling the halls one night, Waring is nearly strangled. Two suspicious deaths ensue, and only the cryptic hieroglyphics of the Garamantes can bring an end to the mayhem. Fitzgerald has an unerring eye for human nature, and this satirical look at the art world delivers a terrifically witty read.

    Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries’-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia.Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class—so-called “former people” and “class enemies”—overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families—the Sheremetevs and the Golitsyns—the book reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia’s most powerful aristocratic families, and a sweeping account of their homeland in violent transition.

    Really, how difficult could it be?Fake an exit visa, fool the Soviet authorities, pack enough sausage to last through immigration, buy a one-way Aeroflot ticket, and the rest will sort itself out. That was the gist of every Soviet-Jewish immigrant’s plan in the 1980s, Margarita’s included. Despite her father's protestations that they'd get caught and thrown into a gulag, she convinced her family to follow that plan.When they arrived in the US, Margarita had a clearly defined objective – become fully American as soon as possible, and leave her Soviet past behind. But she soon learned that finding her new voice was harder than escaping the Soviet secret police.She finds herself changing her name to fit in, disappointing her parents who expect her to become a doctor, a lawyer, an investment banker and a classical pianist – all at the same time, learning to date without hang-ups (there is no sex in the Soviet Union), parenting her own daughter ‘while too Russian’, and not being able to let go of old habits (never, ever throw anything away because you might use it again). Most importantly, she finds that no matter how hard you try not to become your parents, you end up just like them anyway.Witty, sharp and unflinching, I Named My Dog Pushkin will have fans of Samantha Irby and Jenny Lawson howling with laughter at Margarita’s catastrophes, her victories and her near misses as she learns to grow as both a woman and an immigrant in a world that often doesn’t appreciate either.

    It received first place in the Coronation of the Word competition in 2005 and subsequently was made into a feature film. The novel tells the story of young student scriptwriter's encounter with a mysterious, femme fatale actress named Liza at a vacation resort in the Carpathian Mountains in Soviet Ukraine in the 1970s. Unable to let go of his love after getting lost with her in the woods for one beautiful night, the young man's fascination with the actress turns into an obsession that changes his entire life. Great happiness or great tragedy can begin from the smallest detail, from a button, that is so easy to lose, but which you can search for your entire life. The Lost Button, a drama that ranges in geography from Central Europe to the United States of America, is a novel about love, devotion, and betrayal. It is about not looking back, but always valuing what you have - today and forever.

    With the Nazis recently defeated, Stalin gathers half a dozen of the top Soviet science fiction authors in a dacha in the countryside. Convinced that the defeat of America is only a few years away—and equally convinced that the Soviet Union needs a massive external threat to hold it together—Stalin orders the writers to compose a massively detailed and highly believable story about an alien race poised to invade the earth. The little group of writers gets down to the task and spends months working until new orders come from Moscow to immediately halt the project. The scientists obey and live their lives until, in the aftermath of Chernobyl, the survivors gather again, because something strange has happened: the story they invented in 1946 is starting to come true.

    Their showdown in Reykjavik, Iceland, held the world spellbound for two months with reports of psychological warfare, ultimatums, political intrigue, cliffhangers, and farce to rival a Marx Brothers film.Thirty years later, David Edmonds and John Eidinow have set out to reexamine the story we recollect as the quintessential cold war clash between a lone American star and the Soviet chess machine - a machine that had delivered the world title to the Kremlin for decades. Drawing upon unpublished Soviet and U.S. records, the authors reconstruct the full and incredible saga, one far more poignant and layered than hitherto believed.The authors chronicle how Fischer, a manipulative, dysfunctional genius, risked all to seize control of the contest as the organizers maneuvered frantically to save it - under the eyes of the world's press. They can now tell the inside story of Moscow's response, and the bitter tensions within the Soviet camp as the anxious and frustrated apparatchiks strove to prop up Boris Spassky, the most un-Soviet of their champions - fun-loving, sensitive, and a free spirit. Edmonds and Eidinow follow this careering, behind-the-scenes confrontation to its climax: a clash that displayed the cultural differences between the dynamic, media-savvy representatives of the West and the baffled, impotent Soviets. Try as they might, even the KGB couldn't help.

    For fans of We Were the Lucky Ones and A Gentleman in Moscow, this sweeping historical novel and unexpected love story is inspired by the remarkable life of Svetlana Alliluyeva.In one of the most momentous events of the Cold War, Svetlana Alliluyeva, the only daughter of the infamous Soviet despot Joseph Stalin, abruptly abandoned her life in Moscow in 1967, arriving in New York to throngs of reporters and a nation hungry to hear her story. By her side is Peter Horvath, a young lawyer sent by the CIA to smuggle Svetlana into America.She is a contradictory celebrity: charismatic and headstrong, lonely and haunted, excited and alienated by her adopted country’s radically different society. Persuading herself that all she yearns for is a simple American life, she attempts to settle into a suburban existence in Princeton, New Jersey. But one day an invitation from the widow of the architect Frank Lloyd Wright arrives, and Svetlana impulsively joins her cultlike community at Taliesin West. When this dream ends in disillusionment, Svetlana reaches out to Peter, the one person who understands how the chains of her past still hold her prisoner. Their relationship changes and deepens, moving from America to England to the Soviet Union and back again, unfolding under the eyes of her CIA minders, and Svetlana’s and Peter’s private lives are no longer their own.Novelist John Burnham Schwartz’s father was in fact the young lawyer who escorted Svetlana Alliluyeva to the United States. Drawing upon private papers and years of extensive research, Schwartz imaginatively re-creates the story of an extraordinary, troubled woman’s search for a new life and a place to belong, in the powerful, evocative prose that has made him an acclaimed author of literary and historical fiction.

    As the last chance to escape the dire implications of a winter campaign, Hitler directed seventy-five German divisions, almost two million men and three of Germany's four panzer groups into the offensive, resulting in huge victories at Viaz'ma and Briansk – among the biggest battles of the Second World War. David Stahel's groundbreaking new account of Operation Typhoon captures the perspectives of both the German high command and individual soldiers, revealing that despite success on the battlefield the wider German war effort was in far greater trouble than is often acknowledged. Germany's hopes of final victory depended on the success of the October offensive but the autumn conditions and the stubborn resistance of the Red Army ensured that the capture of Moscow was anything but certain.

    It ranges over the changing lives of peasants, urban workers, and professionals; the interaction of Soviet autocrats with the people; the character and role of religion, law, education, and literature within Soviet society; and the significance and fate of various national groups. As the story unfolds, we come to understand how the ideas of Marxism have been changed, taking on almost unrecognizable forms by unique political and economic circumstances.Hosking's analysis of this vast and complex country begins by asking how it was that the first socialist revolution took place in backward, autocratic Russia. Why were the Bolsheviks able to seize power and hold on to it? The core of the book lies in the years of Stalin's rule: how did he exercise such unlimited power, and how did the various strata of society survive and come to terms with his tyranny?The later chapters recount Khrushchev's efforts to reform the worst features of Stalinism, and the unpredictable effects of his attempts within the East European satellite countries, bringing out elements of socialism that had been obscured or overlaid in the Soviet Union itself. And in the aftermath of the long Brezhnev years of stagnation and corruption, the question is posed: can Soviet society find a way to modify the rigidities inherited from the Stalinist past?