But is it now as bland and unthreatening as any new town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered neutral by street lighting and CCTV cameras. His nocturnal forays see him prospecting in the London night with the people who drive its pulse, from the avian police to security guards, urban fox hunters and exorcists. He wades through the sewers, hangs out with pirate DJs, and accompanies the marine patrol looking for midnight corpses. Beautifully written, Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    Feroz Ahmad provides a full survey of Turkey's chequered history, from its beginnings as a disparate group of tribes to its status as the first secular republic in the Islamic world. In addition to providing a detailed account of the key cultural, economic and social events, this accessible text also examines the problems faced by modern Turkey, from the rise of Islamic militancy to current tension in Turkey's government.

    Translated from the Polish by award-winning translators John and Bogdana Carpenter, these sixty-eight verse and prose poems span forty years of Herbert's incredible life and work. The pieces are organized chronologically from 1950 to 1990, with an emphasis on the writer's early and late poems.Here Zbigniew Herbert's poetry turns from the public--what we have come to expect from this poet--to the more personal. The title poem, "Elegy for the Departure of Pen Ink and Lamp , is a three-part farewell ode to the inanimate objects and memories of childhood. Herbert reflects on the relationship between the living and the dead in "What Our Dead Do," the state of his homeland in "Country," and the power of language in "We fall asleep on words . . . " Herbert's short prose poems read like aphorisms, deceptively whimsical but always wise: "Bears are divided into brown and white, also paws, head, and trunk. They have nice snouts, and small eyes.... Children who love Winnie-the-Pooh would give them anything, but a hunter walks in the forest and aims with his rifle between that pair of small eyes."Elegy for the Departure and Other Poems confirms Zbigniew Herbert's place as one of the world's greatest and most influential poets.

    He describes the elegant tour of France that Henry James and Edith Wharton made in 1907, and the orgy of drugs and suffering of the Tour de France in our own time. An unparalleled connoisseur of French writing and writers, Barnes gives us his thoughts on the prolific and priapic Simenon, on Sand, Baudelaire, and Mallarmé ("If literature is a spectrum, and Hugo hogs the rainbow, then Mallarmé is working in ultra-violet"). In several dazzling excursions into the prickly genius of Flaubert, Barnes discusses his letters; his lover Louise Colet; and his biographers (Sartre's The Family Idiot, "an intense, unfinished, three-volume growl at Flaubert, is mad, of course"). He delves into Flaubert's friendship with Turgenev; looks at the "faithful betrayal" of Claude Chabrol's film version of Madame Bovary; and reveals the importance of the pharmacist's assistant, the most major minor character in Flaubert's great novel: "if Madame Bovary were a mansion, Justin would be the handle to the back door; but great architects have the design of door-furniture in mind even as they lay out the west wing."For lovers of France and all things French-and of Julian Barnes's singular wit and intelligence-Something to Declare is an unadulterated joy to read.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    Prospero's Cell is his magical evocation of the blazing Aegean landscape, brimming with memories of the places and people that changed him forever.'Some writers reinvent their language; others the world. Durrell did both.' Andr� Aciman'Invades the reader's every sense ... Remarkable.' Victoria Hislop'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes'Corfu could not have found a fitter chronicler.' Daily Telegraph'A charming idyll ... Delightful.' Sunday Times

    The tale of Orpheus' search for her through the underworld is one of the most beloved episodes from Ovid's masterpiece, The Metamorphoses. It's a classic myth of love beyond death, translated by Mary M. Innes.

    The Idle Years comprises two semi-autobiographical novels (My Father's House and The Idle Years) that form part of a series; these two are set during the 1920s and 1930s, a period of major social change in the new Turkish Republic. The unnamed narrator grows up in an affluent household in Adana with his brother, sisters, mother and formidable father, a well-known political agitator. When the father falls foul of the authorities the family migrates to Beirut, where the narrator becomes something of a rebel while attempting to support his now impoverished family. He returns alone to Adana as a disaffected teenager, but lack of money and prospects prompts him and his best friend to set off for Istanbul in an ill-fated attempt to seek fame and fortune. Soon, however, he is forced to return home as a humiliated and alienated youth struggling on the bottom rung of society. Things only begin to look up when he meets a young factory girl ..." In his writings Orhan Kemal examines the struggles that ordinary people face in order to survive in the harsh conditions that can result from social and economic upheaval. A master at portraying the relationship between the individual and society, he left an immortal literary legacy - not only to Turkey but to the world.

    Heir to an immense aristocratic fortune, mental and physical mutant Moravagine is a monster, a man in pursuit of a theorem that will justify his every desire. Released from a hospital for the criminally insane by his starstruck psychiatrist (the narrator of the book), who foresees a companionship in crime that will also be an unprecedented scientific collaboration, Moravagine travels from Moscow to San Antonio to deepest Amazonia, engaged in schemes and scams as, among other things, terrorist, speculator, gold prospector, and pilot. He also enjoys a busy sideline in rape and murder. At last, the two friends return to Europe—just in time for World War I, when "the whole world was doing a Moravagine."This new edition of Cendrars's underground classic is the first in English to include the author's afterword, "How I Wrote Moravagine."

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Contains two novellas:The slut of the Normandy CoastThe Atlantic manandAn interview with Marguerite Duras by Ana Maria Moix --An afterword by Alberto Manguel.

    And I never told you.”There’s always one moment in life that passes without you saying what you really wanted – needed – to. For Ruth that day came after the death of her beloved husband Trip. She and Trip had fitted together perfectly, right from the very start, and their marriage was filled with love, happiness and travel. Determined to leave nothing unspoken, Trip has left ten letters, taking Ruth on one last adventure - scattering his ashes in ten locations that have meaning for them both. The letters take her on a journey across the world, but also back through her marriage, and the life she thought they had shared.They had been so happy. Hadn’t they? At once heart-breaking and uplifting …prepare to smile through your tears. Farewell Trip is a must read.

    Boril Krustev, former rock star and middle-aged widower who is driving aimlessly to outrun his grief, picks them up and accompanies them on their journey. It doesn’t take them long to figure out they’re connected to each other by more than their need to travel—specifically through Boril’s daughter, whose actions damaged each of the characters in this novel. Co-winner of the Contemporary Bulgarian Writers Contest, A Short Tale of Shame marks the arrival of a new talent in Bulgarian literature with a novel about the need to come to terms with the shame and guilt we all harbor.