But a terrible incident on his first beat has left him dishonored, dismayed, and barely clinging to sanity. Years later Stu prowls the streets again, not as a cop, but a scruffy private detective with one hell of a trick up his sleeve...and a monster under his skin. But when the city he always wanted to protect claims the one person who helped him survive it this far, Stu is prepared to unleash the beast he's kept inside and embark on his own road to revenge...and he gets the feeling that two graves will not be nearly enough. A supernatural hardboiled crime thriller for the 21st century. "Feels like a modern retelling of a classic monster movie" - THE BEAT "One of the masters of modern horror comics." - PASTE MAGAZINE "What separates Lonesome Days, Savage Nights from your typical werewolf story is how Stu communicates with the beast within." - HORROR DNA "TKO Studios is the Criterion Collection of comic books" - COMIC BOOK COUPLES COUNSELING "TKO Studios wants to revolutionize comics...and it just might do it" - AV CLUB

    Everything I did, I did for her..."When Regan Pen discovers that her long-term boyfriend has been cheating on her with over eight women, she packs her bags and leaves the sunny island in Spain that she had called home for a year. She returns to South Africa where she is given the chance to start over in life. Reassemble herself. Now is her time to be selfish. Find a new career, get a home of her own. Become whoever she wants to be... but when her best friend, Peyton, is brutally murdered, Regan is forced to put her life on hold to take responsibility for her friends thirteen year old daughter, Harley. As the police battle to solve the murder of Peyton and her unborn child, Regan becomes convinced that her Godchild is not the sweet, innocent little girl everyone seems to think she is. Could Harley have been so consumed by her jealousy and fear of not being the epicenter of her mothers universe that it lead to murder? If so, is Regan safe in her own home?

    And when a vicious migraine sends her to a saggy hotel bed and him to the marketing conference in her place, she is first relieved and then thankful.Weeks later, upon discovering she’s pregnant, Claire has no reason for concern. With the help of genetic counselors and fertility specialists, she and her college-sweetheart husband, Tim, have been striving for a sibling for their ten-year-old daughter, Ally. And now they have one: a precious baby boy they name Owen.But all is not well, and soon Claire begins spotting alarming quirks in Owen’s behavior that suggest he may be stricken with Batten Disease, the terminal illness that took her brother, Ricky, back in nineteen seventy-nine. If Claire is right and Owen is sick, other disturbing things may also be true. Things like: Claire has been raped; Owen is not Tim’s son; and Owen is going to die. As events unfold, Claire finds herself confronting unthinkable choices, the consequences of which could jeopardize her career, her marriage, and even her freedom.

    He had to keep on the run, changing towns, changing jobs, changing women. He worked out the perfect setup--no attachments, no trails, no explanations. But now a girl has caught up with him. Her name was Paula--and a million dollars lay behind her strange invitation.

    Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.It’s been twelve years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.In the modern vein of Girl on the Train and The Bone Collector, The One That Got Away is a dark, psychological thriller, featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.

    Here Victor Gischler draws us into a wild and wicked world, where tenured professors are busy burying bodies, cash-up-front P.I.’s hunt for missing coeds and one desperate street-tough has to decide which he’d rather be: a live poet or a dead criminal.An unlucky grad student just got himself killed in a robbery gone bad. And as lowly drug lieutenant Harold Jenks races with the killer out of the alley, a light goes off in his head: He’ll steal the dead kid’s identity. Now Jenks, who once lorded it over seven square blocks in East St. Louis, is headed due west. With a .32 in his pocket, a 9mm Glock taped across his back, and a rap sheet nearly as long as Finnegans Wake, he’s cruising the halls of academia as Eastern Oklahoma U’s newest grad student, looking for action and hoping he can stay one couplet ahead of his violent past. While this new bad boy on campus makes mincemeat of his metaphors, across campus visiting professor Jay Morgan has a more pressing problem: What to do about the dead coed in his bed. The professor’s no killer, but try telling that to private eye Deke Stubbs. With the professor on the lam and Stubbs hot on his trail, more trouble blows into town. Now, as St. Louis drug boss Red Zach and his minions converge on Fumbee, Oklahoma, looking for a consignment of missing cocaine, the bullets start flying faster than the zingers at a faculty hate fest. For Morgan and Jenks, now desperate fugitives from poetic justice, survival means learning new skills—and learning fast. Because if they find out they’re bottom-of-the-class, that means they’re already dead. Featuring the sleaziest, sorriest, and most captivating group of criminal lowlifes, sexed-up academics, poets, and rappers ever to collide in one crime novel, The Pistol Poets speeds deliriously to its electrifying payoff.From the Hardcover edition.

    Or the dead guy. Or the steamer trunk. Or the rag doll. If only he hadn’t found any of these things, everything might have been okay. But he had found them. All of them. Now Carson Halliday is on the run, trying his damnedest to keep one step ahead of a dangerous gang of outlaws and mad men. A run leading him from town to town in the dry wasteland of the southern New Mexico desert, over dark hills and dangerous plains, through shantytowns and city streets, and, most frightening of all, into the mysterious depths of the human heart."One of the best of the new breed of writers." —Joe R. Lansdale"A powerful and good writer." —Neil Gaiman"Trent Zelazny is the best hard-boiled noir writer of this generation!" —Sarah L. Covert, Editor of She Never Slept

    It's lean and smart and very good. I say, check it out.” Joe Lansdale Career criminal Longview Moody, on the run from killers, assumes his dead, twin brother's identity as the new Chief of Police of a Texas town that's being terrorized by a Mexican drug cartel. To pull off the deadly deception, Longview desperately works to become the kind of cop and man that his brother was. But when the two lives he’s living converge, he’s forced to embrace the violence within him to get justice...and vengeance. PRAISE FOR ‘DEAD MAN’S BADGE' “Robert Dunn unloads both barrels – DEAD MAN'S BADGE is a fast, furious shootout from beginning to end. This tale of corrupt cops, cartel killers, and one bad guy just trying to make good, lingers like gun smoke. Bloody, dark, and pistol-whip smart, it's Border noir at its best.” J. Todd Scott, author of THE FAR EMPTY “Fans of Clint Eastwood’s spaghetti westerns will find a lot to like.” Publishers Weekly "In Dunn's capable hands, readers will jump onboard for the ride. Dunn is a gifted writer and he opens DEAD MAN'S BADGE with one of the most gripping scenes I've ever read. Fans of grit will love this fast-paced book." Mystery Scene Magazine "Riveting thriller about coming back from the dead, revenge and redemption. The pages fly by even faster than the bodies pile up. DEAD MAN'S BADGE establishes Robert E. Dunn as a formidable new name in hard-boiled fiction." R.G Belsky, author of the Clare Carlson and Gil Malloy mystery series "DEAD MAN'S BADGE sizzles with suspense! Dunn promises action on page one of this thriller and delivers the goods nonstop to the very end." Margaret Mizushima, award-winning author of HUNTING HOUR. "Brutal, vivid, and unforgettable...a modern-day western morality tale in crime-novel wrapping with a blood-red bow. This one will haunt you." -Lee Goldberg, #1 New York Times bestselling author of TRUE FICTION "DEAD MAN’S BADGE is crazy good, a great story, non-stop action, and a brilliantly-crafted hero. Dunn hit it out of the park with this one". -Harry Hunsicker, former executive vice president of the Mystery Writers of America and the author of THE DEVIL’S COUNTRY

    . . As the body count starts to mount, Detective Inspector Scott Baker and his team face a race against time to track down a serial killer who’s methodical, disturbed and unforgiving. His boss seems grateful someone else is doing their job for them and thinks it’s all down to an internal power struggle between the factions of Brighton’s criminal underworld. As the killings become increasingly more savage, can Scott track down the murderer before anyone else dies and before the criminal underworld implodes? If you love police procedurals, hard boiled mysteries, or books from Damian Boyd, Angela Marsons, Helen H Durrant, Mel Sherratt, Lisa Hartley, or Kerry Wilkinson, you’ll enjoy the debut novel in the DI Scott Baker, an exciting new crime thriller and mystery series. Greed is the first in a new series of detective police procedurals featuring D.I. Scott Baker from Brighton and Hove CID. Scott Baker is a single, thirty something Detective Inspector who thrives on the challenges that life throws at him. His personal life, however, haunts him and threatens to break him every day. He treads a fine line between sanity and self-destruction. The police procedural series is set in the coastal resort of Brighton on the South Coast of England. It’s a bustling, vibrant, cosmopolitan town with a rich mix of fun, history and intrigue.Greed is a murder mystery thriller peppered with a sprinkling of romance and humour in this fast-paced crime whodunnit.

    In the dark forests of Sandviken, Sweden, a hiker makes a shocking discovery that disrupts the lives of four families, bound by memories of joyous summer vacations, but confronted by a dark secret they long believed to be a relic of the past.For over thirty years, a serial killer has lived among them, hunting innocent young girls and using them for his perverted pleasures.The investigation is slow, and the inspectors assigned to the case are confronted not only with a cunning, calculated and ruthless killer but also with their own personal demons.It’s only a matter of time before he strikes again.Will they be able to stop him this time?And at what price?Keywords: mystery, detective, suspense.

    From the London underworld, Viva la Madness moves to international crime with trans-Atlantic drug deals, money laundering, and high-tech electronic fraud, portrayed with the same uncanny believability. The anonymous hero of Layer Cake is pulled back into the drug game before he can escape to a sunny retirement. In a dazzling combination of London low-life, Caribbean high-life, and Venezuelan drug cartels toting machine-guns in Mayfair, our hero's voice and mission are authentic, thrilling, and whiplash-inducing in equal shares.

    His first case is a young woman found in an urban bayou. He immediately sees clues that lead him places he doesn't want to go. But his own demons may be the clue to solving the mystery of the woman's death. And as the case widens, so do his new partner's suspicions about his past and motivations.

    In his tales of terror, ordinary people find themselves in the most extraordinary circumstances—and, as readers, we share their spine-tingling tension every step of the way. Here, collected for the first time, are four of his most nail-biting novellas.Eyes That Watch YouGreedy Vera Miller plots her husband’s murder right under the nose of her mute, paralyzed mother-in-law. After all, the old lady won’t be able to tell anyone about the crime. Or will she?The Night I DiedNice guy Ben Cook, goaded by his scheming common-law wife, fakes his own suicide and moves to another town—all to trick his life insurance company into making a large payout. No one en route or at the new address will recognize him, will they?You’ll Never See Me AgainEd Bliss’s new bride, miffed by her husband’s insults about her biscuits, promises that Ed will never have to see her again—and storms out! When she doesn’t return within a few days, Ed begins to suspect foul play—but when he reports the crime to the police, he’s the first one they suspect!Murder Always Gathers MomentumFor his wife’s sake, Dick Paine approaches a former employer for back wages he is owed—but things go terribly wrong and the old boss ends up dead. Now the guilt-ridden Paine, who’d never before committed a crime, is convinced that people will figure out what happened. As his paranoia gathers momentum, anyone he meets is at risk of becoming his next victim.

    Two stories from this collection have been adapted into the films Viscosity and A F*ckload of Scotch Tape.

    The driver is at the wheel, oblivious to the inferno surrounding him.There is no explanation for why the vehicle was on the road or why the quiet tradesman was murdered in such a macabre way. The only witness to the fire, claims she saw nothing. Whatever she did see goes to the grave with her when she is brutally strangled. Frustration grows when the driver’s daughter disappears.With time running out to find the daughter alive, Fiona is drawn into a web of powerful men determined to keep their deadly games secret. Juggling a family crisis and a growing suspicion her boss is corrupt, her judgement is hampered by her attraction to the man central to everything.