Entertaining and readable, these tales present the ancient Germanic and Scandinavian myths that have helped shape literature.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He offers her a choice—work for him or spend the rest of her days hanging out in Hades with her ex-husband. For Abby, this choice is a no-brainer, especially when Zeus says the only thing he wants her to do is make a love match. She’s the Goddess of Love. What could go wrong?Everything.Abby stumbles into an ex-lover, a dead demi-god and the realization that a crucial relic has been stolen right out from underneath Zeus’ nose. Eris, the Goddess of Chaos and Discord, is behind the theft and murder and the faltering powers Abby is trying to keep secret. With Zeus breathing down her neck, she’ll need to keep her wits about her as she races against the clock and Zeus’ imposed two-week time period. Of course, this is easier said than done. Not only is she struggling with a budding attraction to a sexy lawman and feelings for long-time friend, Hermes, she’s also trying to keep everyone out of the path of a vengeful goddess while saving the Earth and Olympus from the reign of a tyrant. What’s a goddess to do when the fate of the world rests upon her fashionable shoulders?

    Besides vividly retelling the tales, Miranda Aldhouse-Green brings her expertise in the archaeology of the Iron Age and particularly shamanism to bear on the mythical world she describes, with evidence as diverse as the Gundestrup Cauldron and the famous bog bodies.Starting with a discussion of how myths are transmitted and by whom, Aldhouse-Green continues with an account of Irish and Welsh myths, their key actors and motifs, and themes such as heroes, animals, women, environment, and the Otherworld. The book concludes with a look at the influence of monastic chroniclers on the tales, which they preserved and adapted.Boxed features, quotes from primary texts and contemporary sources, two-color illustrations, photographs, and drawings all come together to create a comprehensive guide for anyone interested in Celtic history or the history of myth as well as anyone who simply loves a good story.

    When her estranged husband suddenly commits suicide she realizes that things wouldn’t be the same again…Shrikanth thought that he was a confirmed bachelor but when his mother refused to get herself treated for cancer unless he got married, he had to get a bride in a hurry.She needed a husband in name, to save her career while he needed to marry to please his mother. Will they find love second time around? Will they lower their shields and succumb to a mutual passion?

    The are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection's genesis to somewhere between AD 800-900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband Shahryar, to prevent him from executing her. Many tales that have become independently famous come from the Book, among them Ali Baba and the Forty Thieves, and the voyages of Sinbad the Sailor. This collection comes from the third of sixteen volumes translated by Burton.

    There are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures, resourceful witches and the origins of birds and animals. This is a world of extremes, and one that resonates deeply with our own: mysterious diseases devastate cities; environmental disasters tear lives apart; women habitually suffer violence at the hands of men.Unlike in many previous collected myths, female characters take centre stage - Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation, their tales combine to form a dazzling, sweeping epic of storytelling, and a magnificent work of scholarship and imagination.'Startlingly fresh... This excellent book should delight many generations of story lovers to come.' Guardian

    But when a charmed, beautiful boy called Perseus arrives on the island, her lonely existence is disrupted with the force of a supernova, unleashing desire, love, betrayal . and destiny itself.Filled with glorious full-colour illustrations by award-winning Olivia Lomenech Gill, this astonishing retelling of Greek myth is perfect for readers of Circe and The Silence of the Girls. Illuminating the girl behind the legend, it brings alive Medusa for a new generation.

    But when Grayson Park's bride leaves him at the altar, a solo trip to paradise seems like just the thing to take him far from his troubles. Then he meets the beautiful and enigmatic Hi'iaka, and his troubles just begin--because when she's abducted by the sinister Kamapua'a, a savage creature bent on draining her life by the light of the full moon, she calls on Grayson to rescue her. With his loyal, new-found Hawaiian friend Polunu as his steadfast guide, Grayson sets out on an incredible adventure that pits him against the very gods of Hawaiian mythology and leads him to the heart of Pele's volcano, into the ocean to find the mythical Hook of Maui, and through the strange and brutal upcountry fleeing from demonic mo'o sent to destroy him. But there are only two nights left before the moon becomes full, and Grayson is running out of time to save Hi'iaka...and himself.

    Their narratives, themes, and characters address and provide answers to eternal questions: where do we come from, how do we live, what do we believe in? This fascinating book explores the major myths and legends across the world, from Classical mythology to Eastern beliefs, and from American legends to African folk tales. The stories are retold in compelling detail, while key aspects of each myth are considered: their meaning, purpose, and power; the main characters; and their importance to modern culture.Special illustrations and photographs combine with informative text, family trees, and a focus on themes such as creation, death, and the afterlife. From Gilgamesh to Quetzalcoatl, Heracles to Pan Gu, Myths and Legends provides a full and captivating reference guide to the worlds of mythical beings, mortal heroes, and immortal gods.

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    . .’ Enduring myths of vengeful gods and tragically flawed mortals from ancient Rome’s great poet. Ovid tells the tales of Theseus and the Minotaur, Daedalus and Icarus, the Calydonian Boar-Hunt, and many other famous myths.(Taken from Books VIII and IX of Mary M. Innes’s translation of Metamorphoses.)[ Ovid (Publius Ovidius Naso) 43 BC–17 AD ]Little Black Classics celebrates Penguin’s 80th birthday, introducing 80 works from the classics.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    Rukmini nodded with a confident smile. ‘Trust me, Acharya. In addition to the mayhem I fought against in my own family, I also fought against the fear of uncertainties that would envelope my life, if, all gods willing, I wed Krishna. I am no stranger to the fact that life would become only more challenging at Dwaraka.’A Princess. A Lover. A GoddessAn overreaching emperor thought he would use her as a pawn.Her eldest brother became a tool of her enemy.In her own family, she had none to call her own.But Rukmini, the princess of Vidarbha, made a choice.She would not bow down to patriarchy.The story of Rukmini is often overshadowed by the glorious exploits of her charismatic husband, Krishna Vaasudeva. For the very first time, this novel gives Rukmini her due. It portrays the life of the feisty bride who made bold choices not only while eloping with her beloved but all through her life to become a resplendent goddess, a fitting partner to the most beloved god of the land.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.