Petersburg has embodied power, heroism, and fortitude. It has encompassed all the things that the Russians are and that they hope to become. Opulence and artistic brilliance blended with images of suffering on a monumental scale make up the historic persona of the late W. Bruce Lincoln's lavish "biography" of this mysterious, complex city. Climate and comfort were not what Tsar Peter the Great had in mind when, in the spring of 1703, he decided to build a new capital in the muddy marshes of the Neva River delta. Located 500 miles below the Arctic Circle, this area, with its foul weather, bad water, and sodden soil, was so unattractive that only a handful of Finnish fisherman had ever settled there. Bathed in sunlight at midnight in the summer, it brooded in darkness at noon in the winter, and its canals froze solid at least five months out of every year. Yet to the Tsar, the place he named Sankt Pieter Burkh had the makings of a "paradise." His vision was soon borne out: though St. Petersburg was closer to London, Paris, and Vienna than to Russia's far-off eastern lands, it quickly became the political, cultural, and economic center of an empire that stretched across more than a dozen time zones and over three continents. In this book, revolutionaries and laborers brush shoulders with tsars, and builders, soldiers, and statesmen share pride of place with poets. For only the entire historical experience of this magnificent and mysterious city can reveal the wealth of human and natural forces that shaped the modern history of it and the nation it represents.

    There were more than 300 escape attempts at Colditz in the four and a half years of its war history and Major Pat Reid vividly describes a unique interlude in Second World War history that contains the mythical qualities which cause a legend to live forever. Men from all over the world and from all walks of life were incarcerated in suffocating intimacy for five years in an alien and hostile land. Under these conditions they proved that men could live together, and that loyalty and generosity could thrive, transcending the natural prejudices of race, creed, language and intellectual diversity.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    It's likely that Du Noyer has spent more hours in formal, recorded conversation with McCartney than any other writer."Conversations with McCartney" is the culmination of Du Noyer's long association with McCartney and his music. It draws from their interview sessions across 35 years, coupling McCartney's own, candid thoughts with his observations and analysis.

    They became wildly successful writing partners when they moved to Los Angeles and co-wrote screenplays and adaptations together. Didion is well-known for her literary journalistic style in both fiction and non-fiction. Some of her most-notable work includes Slouching Towards Bethlehem, Run River, and The Year of Magical Thinking, a National Book Award winner and shortlisted for the Pulitzer Prize, it dealt with the grief surrounding Didion after the loss of her husband and daughter. Daugherty takes readers on a journey back through time, following a young Didion in Sacramento, through to her adult life as a writer interviewing those who know and knew her personally, while maintaining a respectful distance from the reclusive literary great. The Last Love Song reads like fiction; lifelong fans, and readers learning about Didion for the first time will be enthralled with this impressive tribute.

    The French turned them over to the Gestapo, who imprisoned them. Dudach was executed by firing squad in May; Delbo remained in prison until January 1943, when she was deported to Auschwitz and then to Ravensbruck, where she remained until the end of the war. This book - Delbo's vignettes, poems and prose poems of life in the concentration camp and afterwards - is a literary memoir. It is a document by a female resistance leader, a non-Jew and a writer who transforms the experience of the Holocaust into prose.

    On sea, in the air, and on land our boys fought against totalitarian powers that threatened to overturn the American ideal of liberty for every individual, even civilization itself.But while often forgotten, America s women were there too. On the homefront they were more than willing to share in the hardships of wartime, and in countless cases they fairly lived and breathed with support for our troops overseas. Whether working in factories or taking care of families, rationing or volunteering, their unflagging support contributed more to our victories than has ever been told.Young people have been falling in love since time began, but romance during a global conflagration brought a unique set of challenges. The uncertainty of the time led to an abundance of couples marrying quickly, after brief courtships. Others grew closer through intermittent correspondence, where the soldier was invariably censored by officers, yet true longing from either side invariably came through. It was the worst time at all to try to have a relationship; yet amazingly, thousands of couples created lifelong bonds.From blind dates to whirlwind romances to long separations, War Bonds highlights stories of couples who met or married during or shortly after WWII. Underscoring these tales are the principles of maintaining lasting love in the face of tumultuous times, as well as the daily challenges of building a life together. When the soldiers finally came home and many of them did not the next job of building a family began. Suddenly it was the females who were the true front-line.Each of the 30 stories in this book begins with a World War II-era song title and concludes with a look at wartime couples in their twilight, as well as when they were so hopeful and young, and determined to save the world. Illustrated with photos from the 1940's as well as current photographs of each couple, War Bonds offers readers a glimpse of bygone days, as well as a poignant glimpse of our own.During history s greatest war it was no time to start a relationship. But many among our young men and women did so regardless, and in this book we see how amazingly the war bonds of that World War II generation so frequently endured."

    She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

    It’s a completely different from her quiet old world, but she’s determined to do her part. And the back-breaking work is made bearable with the help from her two new friends - bold, outspoken Fay and quiet, guarded Evie - and the letters that arrive from her childhood friend, Sam Carmichael...To Alice, Sam was always more than just a friend, but as the son of her wealthy employer, she never dared dream he could be more… But at least ever letter brings reassurance that he’s still alive and fighting on the frontline... Because it’s when all goes quiet on the letter front that nothing seems certain and it’s a reminder of how life – and hearts – are so fragile. A tale of true courage and the power of sheer determination, this un-put-downable WWII set saga is filled with warmth, humour and heart-wrenching emotion. Perfect for fans of Nadine Dorries, Katie Flynn and Dilly Court.

    In the Great War, when fliers were still "knights of the air," Luke was an ungallant loner, a kid from Arizona who collected tarantulas, shot buzzards, and boxed miners. But during two torrid weeks in September 1918, he was the deadliest man on the Western Front. In only ten missions, he destroyed fourteen heavily-defended German balloons and four airplanes, a rampage unequaled even by the dreaded von Richtofen, and the second highest American tally of the entire war. Cocksure and constantly reprimanded, Luke was actually under arrest on the day of his final flight, but he stole a plane to join the fatal action that won him the first Congressional Medal of Honor awarded to a pilot. Blaine Pardoe retraces and refreshes Frank Luke's story through recently discovered correspondence. What emerges is a portrait of a life out of an "Old West" that was, by the late Teens, colliding with modernity. Frantic, short, and splendid, the life of Frank Luke, Jr. dramatizes the tragic intervention of an American spirit in the war that devastated Europe.

    The charismatic daughter of Salmon P. Chase, Lincoln’s treasury secretary, Kate Chase enjoyed unprecedented political power for a woman. As her widowed father’s hostess, she set up a rival “court” against Mary Lincoln in hopes of making her father president and herself his First Lady. To facilitate that goal, she married one of the richest men in the country, the handsome “boy governor” of Rhode Island, in the social event of the Civil War. She moved easily between the worlds of high fashion, adorning herself in the most regal Parisian gowns, and politics, managing her father's presidential campaigns. "No Queen has ever reigned under the Stars and Stripes," one newspaper would write, "but this remarkable woman came closer to being a Queen than any American woman has."But when William Sprague turned out to be less of a prince as a husband, Kate found comfort in the arms of a powerful married senator. The ensuing sex scandal ended her virtual royalty; after the marriage crumbled and the money disappeared, she was left only with her children and her ever-proud bearing. She became a social outcast and died in poverty, yet in her final years she would find both greater authenticity and the inner peace that had always eluded her.Kate Chase’s dramatic story is one of ambition and tragedy, set against the seductive allure of the Civil War and Gilded Age, involving some of the most famous personalities in American history. In this beautifully written and meticulously researched biography, drawing on much unpublished material, John Oller captures the extraordinary life of a woman who was a century ahead of her time.

    With no other family, except each other, they build a world that revolves around Sidonia's extraordinary talent with a needle and thread to create beautiful garments while Hanna serves as her dutiful model. As Sidonia becomes well-known in western Massachusetts and northern Connecticut for her remarkable sewing talent, she continues to keep her inner secrets about her past hidden not only from her daughter but from everyone else. Determined to craft a life of pride, self-reliance and perseverance, Sidonia teaches her daughter to "stand up straight" in fashion and in life. Sidonia's Thread uses sewing metaphors to tell the tale of these two women as though stitched together like a handmade garment. Why did Sidonia keep these significant life secrets, and why was Hanna so afraid to ask about them? When Sidonia moves to elderly housing, Hanna steals some of her old letters and photographs hoping to find clues to her paternity, her mother's reclusive behavior, and her heritage. Combined with a trip to her mother's Hungarian homeland and a phone conversation with her father, Hanna's surprising discoveries inspire a revised view of her life with her mother, replacing her conflicting emotions toward her mother with true reverence.

    An urbane Harvard-educated German, Putzi was living in Germany in 1922 when he first heard Hitler speak in Munich. Introducing himself after the speech, Putzi began one of the strangest relationships in twentieth-century politics. As he tried to introduce Hitler to Munich high-society and polish his image in the eyes of the world, Hanfstaengl helped finance Mein Kampf, claimed to have devised the chant of "Sieg Heil," and attempted to set Hitler up with the American ambassador's beautiful young daughter. But he fell out of Hitler's graces, fled to Britain where he was interned, and then transferred to America. There, he worked for his old friend from the Harvard Club, Franklin Delano Roosevelt. The star of Roosevelt's "S-Project," Putzi provided information on four hundred leading Nazis, analyses of Hitler's speeches, and a sixty-eight-page psychological portrait of Hitler. Through newly declassified documents, photographs, interviews with members of Hanfstaengl's family, and original writing by Hanfstaengl, Peter Conradi recounts the remarkable life of history's personal link between Hitler and FDR.

    The secret diaries of a twenty-three-year-old White Russian princess who worked in the German Foreign Office from 1940 to 1944 and then as a nurse, these pages give us a unique picture of wartime life in that sector of German society from which the 20th of July Plot -- the conspiracy to kill Hitler -- was born.Includes index.

    Vladimir Nabokov) brings to shimmering life one of the greatest literary love stories of our time. Vladimir Nabokov--the émigré author of Lolita; Pale Fire; and Speak, Memory--wrote his books first for himself, second for his wife, Véra, and third for no one at all."Without my wife," he once noted, "I wouldn't have written a single novel." Set in prewar Europe and postwar America, spanning much of the century, the story of the Nabokovs' fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine--a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.