A Hollywood icon, Ringwald defined the teenage experience in the eighties in such classic films as Pretty in Pink, The Breakfast Club, and Sixteen Candles. Ringwald brings that same compelling candour she displayed in her film roles to the unforgettable characters she has created in this series of intertwined and linked stories about the particular challenges, joys and disappointments of adult relationships. Her characters grapple with infertility and infidelity, fame and familial discord, in a magnificent debut that will resonate broadly with readers - from fans of Melissa Banks to Meg Wolitzer to Lorrie Moore.

    These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

    Both set out to conquer the dazzling world of high fashion --- Edwina as its most successful businesswoman and Billie as its hottest model. But these glittering facades hide darker realities. Edwina, is the target of a powerful designer's bitter rivalry and betrayal, Billie is hunted by an obsessed lover from her past, and both are terrified by the specter of a serial killer stalking Manhattan beauties. When two friends escape to a fabulous Southhampton estate, they face a showdown that sizzles with suspense and blood-racing intrigue --- in a deliciously glamorous novel of love and power ... and sins only the rich can afford.

    Zadie Smith brings to her essays all of the curiosity, intellectual rigor, and sharp humor that have attracted so many readers to her fiction, and the result is a collection that is nothing short of extraordinary. Split into four sections—"Reading," "Being," "Seeing," and "Feeling"—Changing My Mind invites readers to witness the world from Zadie Smith's unique vantage. Smith casts her acute eye over material both personal and cultural, with wonderfully engaging essays-some published here for the first time-on diverse topics including literature, movies, going to the Oscars, British comedy, family, feminism, Obama, Katharine Hepburn, and Anna Magnani. In her investigations Smith also reveals much of herself. Her literary criticism shares the wealth of her experiences as a reader and exposes the tremendous influence diverse writers—E. M. Forster, Zora Neale Hurston, George Eliot, and others—have had on her writing life and her self-understanding. Smith also speaks directly to writers as a craftsman, offering precious practical lessons on process. Here and throughout, readers will learn of the wide-ranging experiences—in novels, travel, philosophy, politics, and beyond—that have nourished Smith's rich life of the mind. Her probing analysis offers tremendous food for thought, encouraging readers to attend to the slippery questions of identity, art, love, and vocation that so often go neglected. Changing My Mind announces Zadie Smith as one of our most important contemporary essayists, a writer with the rare ability to turn the world on its side with both fact and fiction. Changing My Mind is a gift to readers, writers, and all who want to look at life more expansively.

    The characters in The Lemon Table are facing the ends of their lives–some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner–and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound–a writer of astonishing powers of empathy and invention.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    In the cut-throat world of weekly trash mags, Nina thrives on the adrenalin of out-bidding her rivals for scandalous photo sets, scoring exclusive rights to Australia's A-list weddings and having the most influential celebrity managers on speed-dial. But in her personal life, things aren't quite as glossy. Just as she's back on the single scene, all her friends start getting up the duff faster than you can say, 'Welcome to Nappy Valley'. While Nina spends her days managing her magazine's multi-million-dollar budget and stalking Kim Kardashian's every move, they're managing their minuscule maternity leave allowance and stalking their local daycare waiting list. Suddenly she feels like she's being rejected from a club she doesn't even want to join. With a reality TV show in the works and a Facebook feed overflowing with endless baby updates, Nina heads to New York on an impromptu girls' trip to get away from it all - but little does she know that things are about to get a whole lot more complicated...

    In all that time, Taisy’s family has seen Wilson, Caroline, and their daughter Willow only once. Why then, is Wilson calling Taisy now, inviting her for an extended visit, encouraging her to meet her pretty sister — a teenager who views her with jealousy, mistrust, and grudging admiration? Why, now, does Wilson want Taisy to help him write his memoir?Told in alternating voices — Taisy’s strong, unsparing observations and Willow’s naive, heartbreakingly earnest yearnings — The Precious One is an unforgettable novel of family secrets, lost love, and dangerous obsession, a captivating tale with the deep characterization, piercing emotional resonance, and heartfelt insight that are the hallmarks of Marisa de los Santos’s beloved works.

    With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed.Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise."Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet."In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.

    When a new highway threatens to bypass the town of Rossmore and cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. But young Father Flynn is most concerned with the fate of St. Ann's Well, which is set at the edge of the woods and slated for destruction. People have been coming to St. Ann's for generations to share their dreams and fears, and speak their prayers. Some believe it to be a place of true spiritual power, demanding protection; others think it's a mere magnet for superstitions, easily sacrificed. Not knowing which faction to favor, Father Flynn listens to all those caught up in the conflict, and these are the voices we hear in the stories of "Whitethorn Woods"--men and women deciding between the traditions of the past and the promises of the future, ordinary people brought vividly to life by Binchy's generosity and empathy, and in the vivacity and surprise of her storytelling. Maeve Binchy is at the very top of her form in this irresistible tale.

    "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

    Desperate, she decides to take a chance and ask her favourite writer, a celebrated but reclusive English novelist, to help her find a second chance. When she receives the author's reply in an envelope with a Cornish postmark, Maisie decides not to take the writer's half-hearted 'no' for an answer. With nothing to lose, she takes off for the author's last known location, a beautiful hotel on Cornwall's western coast. But when the hotel mistakes her for the latest applicant for a maid's position, Maisie finds herself given an opportunity too good to lose ... and a chance for a summer adventure far bigger than she ever imagined. Surrounded by breathtaking Cornwall and working in an elegant hotel, Maisie's world becomes one of secret identities, quirky friends, and unintentional mishaps — and despite reminders of past relationship disasters, a certain handsome, charming local resident Sidney Daniels has her conflicted about her heart's desires, too. Will Maisie find the chance she's been waiting for — and a possible new romance — in her perfect Cornish summer?

    But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman. An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package—and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories in After the Quake are further proof that Murakami is one of the most visionary writers at work today.

    A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.