As with Chris Ware’s selections for his best-selling McSweeney’s anthology, Brunetti’s choices make for a highly personal book (“my criteria were simple: these are comics that I savor and often revisit”) that serves as a broad historical overview of the medium and a round-up of some of today’s best and most interesting North American comic artists. Included here are works from such well-known artists as Robert Crumb, Kim Deitch, Art Spiegelman, Chris Ware, Ben Katchor, Charles Burns, Gary Panter, Seth, Phoebe Gloeckner, Daniel Clowes, Lynda Barry, Joe Sacco, and Jaime and Gilbert Hernandez, as well as many other pioneers whose names may be less familiar.Brunetti offers selections from the works of more than seventy-five avant-garde comic artists.  His selections are arranged by genre and grouped thematically. Luxuriously produced and printed in four-color throughout, the book is a must-have for collectors, aficionados, readers of comics, and those generally interested in cutting-edge art and literature.

    Part of the Nobrow 17x23 series.

    And Then Emily Was Gone is a dark horror-mystery that tells the story of Greg Hellinger, a man who sees monsters. A former detective driven to the brink of madness by terrifying apparitions, Hellinger is tasked with finding a missing girl named Emily. His search takes him to a remote community in the Orkney Islands of Scotland, where strange and terrible things are happening.Collects the complete, critically acclaimed

    Foxes oppress and devour, bunnies suffer and die. Everyone knows their place. Everyone's satisfied. So what happens when a secret desire puts you at odds with your society? Starting from a simple premise -- and without using a single word -- Fox Bunny Funny leads the reader on a zigzag chase in and out of rabbit holes, and through increasingly strange landscapes where funny animals have serious identity problems. The tale swerves from slapstick to horror and back again before landing at the inevitable climax, in which all the old rules are shattered. When you emerge, you'll find yourself gazing at our own fragmenting society with new eyes.

    The latter three-quarters will collect his acclaimed short stories from MOME, as well as several little-seen stories from elsewhere, and a new 20-page story.The Unclothed Man in the 35th Century A.D. is Shaw’s first book since his breakthrough graphic novel of 2008, Bottomless Belly Button, which was named Publishers Weekly’s best graphic novel of 2008, one of Entertainment Weekly’s top ten books of 2008, and one of Amazon.com’s top ten graphic novels of the year, amongst numerous other accolades.The book also collects Shaw’s acclaimed, genre-bending short stories from MOME, including “Look Forward, First Son of Terra Two,” a remarkable story of two lovers traveling in opposite directions… in time. Also featured: “Galactic Funnels,” the 2008 Ignatz Award nominee for “Outstanding Story,” about the parasitic relationship between an artist and his lover/mentor; “Satellite CMYK,” a sci-fi mindwarp that ingeniously drives the narrative through Shaw’s masterful control of color, and “Making the Abyss,” a fictionalized story of a surreal film set filled with nuclear tanks, hot tubs, and blind ambition.“Like the very best illustrated fiction, Shaw’s work moves between pathos and humor, between the fantastic and the familiar.”—The Christian Science Monitor“Shaw’s style deftly combines cartoon drawings with a slavish attention to detail…Masterfully using the comics medium to juggle all the different characters, weaving their stories together seamlessly.”—Publishers Weekly

    As the beast sups upon a lifetime of Jack's fear and regret, Jack must find the courage within himself to face the fiend once and for all. Beautifully adapted by Colleen Doran (The Sandman, Stan Lee's Amazing Fantastic Incredible: A Marvelous Memoir), a gorgeous new addition to your Gaiman library.

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power

    A weird buzzing noise on the other side of the wall has woken him up, and there, across the room, next to a huge hole torn out of the bricks, sits his beloved cat, Inky. Who died years ago. But who’s nonetheless slinking out through the hole, beckoning Doug to follow.What’s going on? To say any more would spoil the freaky, Burnsian fun, especially because X’ed Out, unlike Black Hole, has not been previously serialized, and every unnervingly meticulous panel will be more tantalizing than the last...

    In this cloud lived a young girl named Ravina. And she is about to be unleashed on the human world! A bewitching and beautiful tale of an orphan girl who was raised by crows in a trash heap. One day, a dying witch gifts her with a mysterious magic wand and her life changes forever! Now, the human world is hers to play with... Or will this land of fear and corruption prove too much for the fledgling witch? In a time of witch hunts, Ravina must have her wits about her! Soon to be the subject of a highly-anticipated art exhibition in Los Angeles!"

    Meanwhile, what is her connection to a 10-year-old girl who claims to actually be Elle's mind trapped in this girl's body? All of this, plus the acclaimed silent issue "Speechless" and the unmasking that changes the entire series.Collects Mind the Gap #6-10.

    As Jacob grew up, though, he decided that these photos were obvious fakes, simple forgeries designed to stir his youthful imagination. Or were they...?Following his grandfather's death - a scene Jacob literally couldn't believe with his own eyes - the sixteen-year-old boy embarks on a mission to disentangle fact from fiction in his grandfather's tall tales. But even his grandfather's elaborate yarns couldn't prepare Jacob for the eccentricities he will discover at Miss Peregrine's Home for Peculiar Children!

    CHILL as Lady Deadpool and Headpool try to find the root cause of their majorly abusive frenemieship. Then THRILL as Kidpool and Dogpool embark on a 100-ton mechanized joy ride and and uhm...GET ILL as Dogpool makes a brand-new archenemy. Then it's 'Two Mutants and a Baby' in the untold story of how Cable escaped from Alaska with Hope. Wait -- You don't think Cable did that alone, did you? PLUS: Deadpool struggles to find the perfect way to honor his pal Cable.

    This volume also includes brand new story and art as well as critical background information heretofore unrevealed.

    Ellsworth's careful line gives shape to profound and profoundly silly thoughts alike, bringing a visionary, startling new life to the doubts and hopes that are so familiar to everyone. This is the 2010 reprint of Theo Ellsworth's debut graphic novel. Capacity.

    Abandoned Cars is Tim Lane's first collection of graphic short stories, noir-ish narratives that are united by their exploration of the great American mythological drama by way of the desperate and haunted characters that populate its pages. Lane's characters exist on the margins of society--alienated, floating in the void between hope and despair, confused but introspective. Some of them are experiencing the aftermath of an existential car crash--those surreal moments after a car accident, when time slows down and you're trying to determine what just happened and how badly you're hurt. Others have gone off the deep end, or were never anywhere but the deep end. Some are ridiculous, others dignified in their efforts to struggle to make sense of, and cope with, the absurdities, outrages, ghosts, and poisons in their lives.