Now an adult, she is obsessed with identifying the man who destroyed her life.Supermarket security guard Jim Doyle has just started reading The Nothing Man--the true-crime memoir Eve has written about her efforts to track down her family's killer. As he turns each page, his rage grows. Because Jim's not just interested in reading about the Nothing Man. He is the Nothing Man.Jim soon beings to realize how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first ...

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    . . wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    So far she has spent her adult life hiding bank statements and changing career aspirations weekly.But then one night Joanna hears footsteps on the way home. Is she being followed? She is sure it's him; the man from the bar who wouldn't leave her alone. Hearing the steps speed up Joanna turns and pushes with all of her might, sending her pursuer tumbling down the steps and lying motionless on the floor.Now Joanna has to do the thing she hates most - make a decision. Fight or flight? Truth or lie? Right or wrong?

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    He's waiting. He knows.Three women have been found brutally murdered in south London, the victims only feet away from help during each sadistic attack. And the killer is getting braver . . .Sarah Grainger is rapidly becoming too afraid to leave her house. Once an outgoing photographer, she knows that someone is watching her. A cryptic note brings everything into terrifying focus, but it’s the chilling phone calls that take the case to another level.DI Mike Lockyer heads up the regional murder squad. With three bodies on his watch, and a killer growing in confidence, he frantically tries to find the link between these seemingly isolated incidents. What he discovers will not only test him professionally but will throw his personal life into turmoil too.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    And she works hard to keep it all together. Too hard...There is no room for mistakes in her life. Even taking home a little boy whose parents forgot to pick him up at the pool can put a crimp in Cecilia's carefully planned schedule. Especially when she arrives at the address she was givenand finds an empty, abandoned house...There's nothing for Cecilia to do but to take the boy home with her, never realizing that soon his quiet presence and knowing eyes will trigger unwelcome memories from her past--and unravel her meticulously crafted life...

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    Folks still whisper about her mother, a bewitching young stranger who inspired local myths when she vanished years ago. When one of Lucy's few friends, slow-minded Cheri, is found murdered, Lucy feels haunted by the two lost girls-the mother she never knew and the friend she couldn't protect. Everything changes when Lucy stumbles across Cheri's necklace in an abandoned trailer and finds herself drawn into a search for answers. What Lucy discovers makes it impossible to ignore the suspicion cast on her own kin. More alarming, she suspects Cheri's death could be linked to her mother's disappearance, and the connection between the two puts Lucy at risk of losing everything. In a place where the bonds of blood weigh heavy, Lucy must decide where her allegiances lie.

    Annabelle Schwartzman has finally found a place to belong. As the medical examiner for the San Francisco Police Department, working alongside homicide detective Hal Harris, she uncovers the tales the dead can’t tell about their final moments. It is a job that gives her purpose—and a safe haven from her former life at the hands of an abusive husband. Although it’s been seven years since she escaped that ordeal, she still checks over her shoulder to make sure no one is behind her.Schwartzman’s latest case is deeply troubling: the victim bears an eerie resemblance to herself. What’s more, a shocking piece of evidence suggests that the killer’s business is far from over—and that Schwartzman may be in danger. In this pulse-pounding thriller from award-winning writer Danielle Girard, a woman must face her worst nightmare to catch a killer.