Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

    Pitted against him are the sea, the sun, the night cold, and the terror of his isolation. At the core of this raging tale of physical and psychological violence lies Christopher Martin’s will to live as the sum total of his life.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    Traveling from Portsmouth to the south of France, Tarquin Winot, the book's snobbish narrator, instructs us in his philosophy on everything from the erotics of dislike to the psychology of the menu. Under the guise of completing a cookbook, Winot is in fact on a much more sinister mission that only gradually comes to light.

    Stephen Fry's breathtakingly outrageous debut novel, by turns eccentric, shocking, brilliantly comic and achingly romantic.Adrian Healey is magnificently unprepared for the long littleness of life; unprepared too for the afternoon in Salzburg when he will witness the savage murder of a Hungarian violinist; unprepared to learn about the Mendax device; unprepared for more murders and wholly unprepared for the truth.The Liar is a thrilling, sophisticated and laugh out loud hilarious novel from a brilliantly talented writer.

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel Laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion.

    Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother’s Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother’s Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

    The character of The Business seems, even to her, to be vague to the point of invisibility. Her job is to keep abreast of technological developments, but she must let go the assumptions of a lifetime.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    The story encompasses both the rarified aristocratic world and the volatile streets and nightmarish underbelly of London, which Dickens characteristically portrays in vivid, pulsating detail. But the real focus of the book is on the riots themselves, depicted with an extraordinary energy and redolent of the dangers, the mindlessness, and the possibilities–both beneficial and brutal–of the mob.One of the lesser-known novels, Barnaby Rudge is nonetheless among the most brilliant–and most terrifying–in Dickens’s oeuvre.

    Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him. The authorities then dispatch Razumov on a mission to spy on the revolutionary's sister and mother.A fascinating character study, Under Western Eyes hauntingly reveals Razumov's preoccupation with questions of decency and accountability when confronted by the equally powerful truths and values of human integrity and moral strength.