Book picks similar to
Barney Google: Gambling, Horse Races, and High-Toned Women by Billy DeBeck
comics
graphic-novels
3
fiction
Archie's Favorite Christmas Comics
Archie Comics - 2014
Laugh at the antics of Riverdale’s teens as they seek the perfect Christmas tree, go on a sleigh ride, help those less fortunate, give one another cherished holiday gifts and more as they enjoy the magic of the season!
Flight, Vol. 1
Kazu KibuishiJoel Carroll - 2004
From the maiden voyage of a home-built plane to the adventures of a young courier and his flying whale to a handful of stories about coming of age and letting things go, this first volume of Flight is full of memorable tales that will both amaze and inspire.
Achewood volume 1: A Momentary Diversion on the Road to the Grave
Chris Onstad - 2002
Also includes a collection of interviews, recipes and a short story by Ray. 187 pages.[http://www.achewood.com]
Nothing Nice to Say
Mitch Clem - 2008
Enter Nothing Nice to Say. Mitch Clem's Nothing Nice to Say leaves no mohawked, leather-jacket-clad stone unturned in its mission to expose the awesomeness and the absurdity of punk culture. Sometimes esoteric and always hilarious, Nothing Nice is so punk you'd think the book was bound with safety pins.
The EC Archives: Tales from the Crypt, Vol. 3
Al Feldstein - 2008
Originally published in 1952 and 1953, this volume of Gemstone''s EC Archives series reprints issues #13-18 of Tales from the Crypt! Creators include writers Bill Gaines and Al Feldstein, and artists Jack Davis, Jack Kamen, Graham Ingels, Al Williamson, Joe Orlando, and George Evans.
Slaine: The Horned God - Part One
Pat Mills - 1989
Slaine has had enough of their tyranny, and communes with the Earth Goddess to discover some shocking truths about the priesthood and his own future Now Slaine must unite all four kings of Ti--Nan-Og to gain the use of their mystical weapons, as he and his Sessair tribe prepare for all-out war.
Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
Chuck Klosterman - 2003
With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.
Mickey Mouse, Vol. 1: Race to Death Valley
Floyd GottfredsonWarren Spector - 2011
But back in the 1930s, Mickey gained fame as a rough-and-tumble, two-fisted epic hero — an adventurousscrapper matching wits with mobsters, kidnappers, spies, and even (gulp!) city slickers! And Mickey’s greatestfeats of derring-do took place in his daily comic strip, written and drawn by one of the greatest cartoonists of the 20thcentury — Floyd Gottfredson.For its first quarter-century, Gottfredson’s Mickey Mouse was a rip-roaring serial: the most popular cartoon-basedcomic of its time, a trendsetting adventure continuity aimed at both kids and grown-ups, and the foundation on whichall later Disney comics grew — including the adventures of Donald Duck and Uncle Scrooge by Gottfredson’s Disneycolleague Carl Barks.Glimpses of Floyd Gottfredson’s masterpiece have been reprinted over the years, most famously in Bill Blackbeard’sclassic Smithsonian Collection of Newspaper Comics. But the whole strip has never been comprehensively collected inEnglish — until now! Fantagraphics Books is proud to bring this classic Disney creation to a 21st century audience inits entirety, starting from the strip’s 1930 launch. Relive Mickey’s race to a gold mine with Pegleg Pete hot on his heels;Mickey’s life on the lam after being framed for bank robbery; even Mickey’s ringside battle with a hulking heavyweightchamp! The premiere volume features a dozen different adventures starring Mickey, his gal Minnie and her uncle Mortimer,his pals Horace Horsecollar and Butch, the villainous Pegleg Pete, and the mysterious and shrouded Fox.Gottfredson’s vibrant visual storytelling has never been more beautifully reproduced; we promise the best reprintingthe strip has ever seen, with each daily lovingly restored from Disney’s original negatives and proof sheets. “DeathValley” also includes more than 50 pages of fascinating supplementary features, including rare behind-the-scenes art andvintage publicity material from the first two years of the strip. Critics, scholars, seasoned Disney archivists, and fellowcartoonists provide commentary and historical essays on the strip’s creation and execution.Walt Disney often said that his studio’s success “all started with a Mouse” — Walt himself wrote the Mickey Mousestrip before turning it over to the able hands of Gottfredson — and today Mickey is among the world’s most recognizableicons. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s MickeyMouse.
Dungeon: The Early Years - Vol. 2: Innocence Lost
Joann Sfar - 2009
In the second story which happens quite a few years later, he’s married and a poor husband, worse even, a poor lover, until Alexandra plots to gain him back. Cloak and dagger with romantic bravura! And you thought he didn’t have it in him. Art by Eisner nominated Blain (Isaac The Pirate, Gus) and story by legendary Trondheim and Eisner nominated Sfar (Rabbi’s Cat).
99 Percent Perspiration: A Frazz Collection
Jef Mallett - 2006
Frazz is cool. Frazz is . . . a hit! Take one successful and secure songwriter, put him on the steering end of a janitor's broom, and drop him into the world of elementary education. And with that, if Jef Mallett's calling the creative shots, you have the makings of one of the most flourishing new comic strips to come along in years.Frazz follows the life and loves of one Edwin Frazier, aka Frazz, as he writes more best-selling lyrics, ponders the world's greatest literature and deepest mysteries with an 8-year-old genius, and interacts with the menagerie of other faculty and staff members. What results is a wild mix of witty observations and outright slapstick that amuses while causing you to see the world in a new light.99 Percent Perspiration is the second collection of this very popular strip that appears in more than 150 newspapers worldwide, including the Los Angeles Times, Washington Post, and Chicago Tribune. Frazz was nominated in 2004 as one of the best comic strips of the year by the National Cartoonists Society. It has also received two Wilbur awards for ethics and values.
FCBD: Rated Free For Everyone
Joey Weiser - 2011
And in the Crogan's Adventure, you'll get an epilogue to the story of one of the brothers from Crogan's Loyalty.
Quit Your Job
James Kochalka - 1998
He only gets as far as the coffee shop on the next block, but his world is forever changed in the short journey.
Just Enough Liebling: Classic Work by the Legendary New Yorker Writer
A.J. Liebling - 2004
Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved. Today Liebling is best known as a celebrant of the sweet science of boxing, and as a feeder who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.