Through the story of Irom Sharmila—on a protest fast since 2000—and many others who have fallen victim to violence or despair or stood up to fight for peace and justice, she shows us an entire society ravaged by insurgency and counter-insurgency operations, corruption and ethnic rivalries. Drawing upon extensive interviews with personnel of the Indian army and intelligence agencies, politicians and bureaucrats, leaders of insurgent groups, Irom Sharmila and her family and ordinary people across Manipur, Anubha Bhonsle has produced a compelling and necessary book on the North East, the Indian state, identity politics and the enormous human cost of conflict.

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    An actor, phased out of Hollywood for his Communist ties during McCarthyism, tries to share a meaningful moment with his son. An Israeli soldier comes of age when his brother is maimed on their communal farm. A gallerist, swept up by the 1970s dissident art movement, begins smuggling paintings out of Moscow and curating underground shows in her Jerusalem home. This is a rare collection as accomplished at capturing our soaring triumphs as it is our crippling defeats--a hopeful reminder that we are all closer and more capable than we sometimes feel.

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.

    A lifetime ago. Before the murder of her father. Before she became Kota Rani, the wise regent who rules over Kashmir with a firm hand.As invaders and immigrants disturb the tranquillity of her land, Kota must find a way to protect her people. But at what personal cost? Can she weather the political intrigues and power-play of the court? Will she succeed in preserving the splendour and diversity of her society? Will social hypocrisy and notions of what a woman should be keep Kota from being the sovereign she knows she is?Set in fourteenth-century Kashmir, The Last Queen of Kashmir is the sweeping saga of a civilization in peril. It is also the tale of one of the greatest queens of the land - one that will speak to the men and women of today.

    The play is a political satire, written as historical drama. Based on the life of Nana Phadnavis (1741–1800), one of the prominent ministers in the court of the Peshwa of Pune. Its theme is how men in power give rise to ideologies to serve their purposes, and later destroy them when they become useless.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    Critics around the world have embraced the book as a major work by this exciting young writer.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    Every afternoon, at precisely 3 o'clock, she hears the sound of unknown footsteps. Every afternoon, she peeks out ... but no one is there. In a state of growing panic, Amma Bi considers moving to an old people's home, before finally taking in a lodger - a winsome young woman named Sabiha. Her arrival fills Amma Bi's lonely world with love and laughter, and Jumman, the household help, is transformed as well. When Sabiha finds herself in trouble, Amma Bi must draw on hidden reserves of skill and empathy in order to resolve the situation... Dopehri - legendary film and theatre personality Pankaj Kapur's first novel - is a wonderfully evocative work of great charm, wry humour and quiet power, a story that readers will fall in love with.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    This is a place where teenage love and friendships are tested by the violence that threatens to erupt at the slightest provocation. A town that always pulls you back into its ways, no matter how cosmopolitan the city has made you.In 'Diwali in Muzaffarnagar' - Tanuj Solanki's new book of short stories after 'Neon Noon' - young men and women straddle the past and the present, the metropolis and the small town, and also the parallel needs of life: solitude and family.

    He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.