Poems deal with language, desire, suffering, art, human relationships, and mortality.

    "Your brother is dead," whispers a voice. At the hospital, Angie finds Jeremy in a coma from which he may never recover. Angie is on her own trying to piece together the events of that horrifying night. Her family is new to town. What could Jeremy possibly have discovered that led him so deeply into danger? Angie won't rest until she finds out. But she doesn't know someone is ready to do anything to stop her...

    There was only one problem: many of those who were arrested, tried, and imprisoned were innocent citizens. In a work as taut and exciting as a suspense novel, Pulitzer Prize-winning author and journalist Edward Humes embarks on a chilling journey to the dark side of the justice system. He reveals the powerful true story of retired high-school principal Pat Dunn's battle to prove his innocence. And how Dunn, prosecuted for killing his wife to inherit her millions, was the victim of a case tainted by hidden witnesses, concealed evidence, and behind-the-scenes lobbying by powerful politicians.Even more disturbing, Humes demonstrates how the mean justice dispensed in Bakersfield is part of a growing national trend in which innocence has become the unintended casualty of today's war on crime. American cities are enjoying their lowest crime rates in decades. But at what price? Mean Justice provides answers both compelling and frightening.

    DramaFull LengthCast: 3 men, 1 woman: 4 totalSetting: EXTERIORTHE STORY: Tracing the legacy of war through three generations of a Puerto Rican family, the play focuses on nineteen-year-old Elliot, a recently anointed hometown hero who returns from Iraq with a leg injury and a difficult question: Will he go back to war a second time? While on leave, Elliot learns the stories of his father and grandfather who served in Korea and Vietnam before him.

    For this volume, Professor Hadas chose nine plays which display the diversity and grandeur of tragedy, and the critical and satiric genius of comedy, in outstanding translations of the past and present. His introduction explores the religious origins, modes of productions, structure, and conventions of the Greek theater, individual prefaces illuminate each play and clarify the author's place in the continuity of Greek drama.

    Following what was then conventional practice among church reformers, the Pope referred to his war of liberation as Christ's own war, to be fought in accordance with God's will and intentions.Urban II called this a war of liberation for two reasons: one, to free the church of Jerusalem from oppression and pillage by the Muslims and to liberate western churches in general; and two, to free the city of Jerusalem from the servitude into which it has fallen. This summons of the lay knight to the faith between 1095 and 1096 was Urban II's personal response to an appeal that had reached him from eastern Christians.In this classic work, Jonathan Riley-Smith, today one of the world's most renowned crusade historians, approaches this central and well-known topic of medieval history with freshness and impeccable research. Through the vivid presentation of a wide range of European chronicles and charter collections, Riley-Smith provides a striking illumination of crusader motives and responses and a thoughtful analysis of the mechanisms that made this expedition successful.

    Thematic collection of 12 stories based around the theme of urban decay.# From Out of the Angry Ruins • Philip Nutman • introduction# • Godflesh • # • Childhood at the Lost and Found • # • Androgyny • # • In a Roadhouse Far, Past the Edge of Town • # • Naked Lunchmeat •# • Cancer Causes Rats •# • Mostly Cloudy, Chance of Kurt •# • Heartsick • # • Extinctions in Paradise •# • The Meat in the Machine •# • Extract • # • Liturgical Music for Nihilists •# • Endnotes: The Ticking of an Unfriendly Clock

    A Gathering of Saints is an astonishing report on one of this century's most puzzling, cunningly executed crimes. 16 pages of photos.

    As fiercely protective about his privacy as he is guarding the goal on the field, Howard opens up for the first time about how a hyperactive kid from New Jersey with Tourette’s syndrome defied the odds to become one of the world’s premier goalkeepers.The Keeper recalls his childhood, being raised by a single mother who instilled in him a love of sports and a devout Christian faith that helped him cope when he was diagnosed with Tourette’s in the fifth grade. He looks back over his fifteen-year professional career—from becoming the youngest player to win MLS Goalkeeper of the Year to his storied move to the English Premier League with Manchester United and his current team, Liverpool’s Everton, to becoming an overnight star after his record-making performance with the United States Men’s National Team. He also talks about the things closest to his heart—the importance of family and the Christian beliefs that guide him.Told in his thoughtful and articulate voice, The Keeper is an illuminating look at a remarkable man who is an inspirational role model for all of us.The Keeper is illustrated with two 8-page color photo inserts.

     Including never-before published stories by: Neil Gaiman, Steve Rasnic Tem, Kathe Koja, David J. Schow, Bentley Little, Poppy Z. Brite, Joe R. Lansdale, Jack Ketchum, Melanie Tem, Tanith Lee, Caitlin R. Kiernan, Lea Silhol, Freda Warrington, Elizabeth Massie, Brett Alexander Savory, Katherine Ramsland, Yvonne Navarro, Thomas S. Roche, Michael Marano, John Shirley, Brian Hodge, and Elizabeth Engstrom ...all at their most brilliant and most outrageous. Here are dangerous games between lovers, howls from the dark, voyeurs and their victims, disturbed wishes and bitter dreams. Unflinching, uncommon, and underground, these tales vibrate with new life.

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    160 illustrations including 100 in color.The Newmarket Pictorial Moviebooks, official companions to films, large format (8 3/8 x 10 7/8), heavily illustrated throughout, with color photographs, details on the making of the film, background on the filmmakers and cast.

    In The Shadow Of The Vampire offers a close up view of her devotees and disciples, fangs and all. Over 100 photographs from Anne Rice's Memnoch Ball in New Orleans as well as other events serve as a portrait of this growing subculture. The photographs illustrate the themes the readers relate to in their fantasies and everyday lives and the extremes to which they will go to be close to their mentor. The subjects of the photographs, the fans themselves, explain in accompanying interviews their spiritual relationships to romance, eroticism, loneliness, bloodlust or outsider status of the characters in the book. From the people who sleep in coffins to the teenage Goth-rockers to the HIV-positive man who found a deep allegorical comfort in the vampire Lestat, their responses range from the burlesque to the sublime.

    He was busy reading the drugstore bulletin board when Madigan first saw him. He sure was good looking! His hair was dark and he had a full beard with a mustache that curled up on the ends and hid his mouth, just as his silver sunglasses hid his eyes. Then he walked right up to the soda fountain where Madigan and her friend Angie were sipping cherry Cokes, and asked for directions to Madigan's house!Now the handsome "mystery man" is renting a room in her very own home -- and Madigan is about to take some dangerous risks to find who he is...