Maybe we don't want to ask it. But viral videos, digital images, and other spectacles surround us in every direction--competing for our time, our attention, our lust, and our money. So we let our lazy eyes feed on whatever comes our way. As a result, we never stop to consider the consequences of our visual diet on our habits, desires, and longings.Journalist Tony Reinke asked these hard questions himself--critiquing his own habits--and now invites us along to see what he discovered as he investigated the possibilities and the pitfalls of our image-centered world. In the end, he shares the beauty of a Greater Spectacle--capable of centering our souls, filling our hearts, and stabilizing our gaze in this age of the digital spectacle.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    Religion for Atheists suggests that rather than mocking religions, agnostics and atheists should instead steal from them – because they're packed with good ideas on how we might live and arrange our societies. Blending deep respect with total impiety, Alain (a non-believer himself) proposes that we should look to religions for insights into, among other concerns, how to:- build a sense of community- make our relationships last- overcome feelings of envy and inadequacy- escape the twenty-four hour media- go travelling- get more out of art, architecture and music- and create new businesses designed to address our emotional needs.For too long non-believers have faced a stark choice between either swallowing lots of peculiar doctrines or doing away with a range of consoling and beautiful rituals and ideas. At last, in Religion for Atheists, Alain has fashioned a far more interesting and truly helpful alternative.

    This book presents the best of them: pipe-smoking robots, clairvoyant pennies, zoo jailbreaks, literary cannibals, corned beef in space, revolving squirrels, disappearing Scottish lighthouse keepers, reincarnated pussycats, dueling Churchills, horse spectacles, onrushing molasses, and hundreds more. Plus the obscure words, odd inventions, puzzles and paradoxes that have made the website a quirky favorite with millions of readers -- hundreds of examples of the marvelous, the diverting, and the strange, now in a portable format to occupy your idle hours.

    She feels herself drawn to him and learns that his presence is disturbing - and not just to her either. But back she goes - again and again. Until she is banned, but still she makes her way over the wall, through the garden to talk to this apparently mad and passionate man. And the consequences of her indiscretion, of what van Gogh comes to mean to her, of what it will do to her marriage, her life once she has touched danger and passion will have far reaching effects - both surprisingly catastrophic and tender.

    'Not one of them has ever displayed the characteristics of this highly diverting human document, with its naïve candours, its unconscious humour, its oscillations between the ridiculous and the exalted, and its power to convince, for the very reason that the young diarist never set out with the intention of convincing. Here was a precocious young boy born with clairvoyance who could see auras and spirits, yet failed to realise that other people were not similarly gifted.'This is the Victorian diary of a boy whose extraordinary supernatural talent unfurls within these pages. A compelling read, The Boy Who Saw True is a time-honoured classic of the paranormal.

    He discovers that all is not well at this urban monastery in the heart of Bangkok. Together with his dogged assistant, an orphaned boy named Jak, Father Ananda uncovers a startling series of clues that eventually expose the motivation behind the crime and lead him to the murderers. "Mindfulness and Murder" is the first in the Father Ananda murder-mystery series.An award-winning movie based on Mindfulness and Murder was released in 2011 by DeWarenne Pictures in Bangkok and nominated for Best Screenplay by the Thailand National Films Awards 2012.

    Maybe you've even begun to wonder, What am I missing? Is the wait really worth it? Marian Jordan Ellis has been there. She knows the pitfalls of giving in to temptation--but also the blessings of God's best found in waiting after she committed herself to Christ and to sexual purity. Now, from one Christian woman to another, she hopes to spare you from the heartache of sexual sin and instead point you toward God's best. Marian offers lots of practical advice, backed by biblical truth, to equip you with the tools to overcome past mistakes and future temptations.You are cherished. Whether you are happily single, casually dating, or have found "the one," your purity is worth fighting for.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.

    So great was her beauty that men stopped in battle to look at her. Boaz was the dynamic general of the Israelite army. Theirs was a love so great that it overcame bitter hatred, war and exile.In a country of strangers, accused of being a spy and pursued by the lust of her enemies, Ruth became, through devotion and courage, the heroine of the Bible's most memorable love story.

    I learned the rules – I had to.” Riveting and fast paced, In the Land of Blue Burqas  depicts sharing the love and truth of Christ with women living in Afghanistan, which has been called  "the world's most dangerous country in which to be born a woman." These stories are honest and true. The harsh reality of their lives is not sugar-coated, and that adds to the impact of this book. Through storytelling, the author shows how people who don't know Christ come to see Him, His truth, and His beauty. The stories provide insight into how a Jesus-follower brought Jesus' teachings of the Kingdom of God to Afghanistan. They reveal the splendor of Christ, the desire of human hearts, and that precious instance where the two meet.All of the names of those involved—including Kate's—plus the locations have been changed to protect the participants.

    Little wonder, for readers are immediately drawn to Kent's vivid descriptions of the experience; we share "the feeling of wind and wet and cold, of lifting seas and steep descents, of rolling over as the wind gusts hit," and the sound "of wind in the shrouds, of hard spray flung on a drum-tight canvas, of rushing water at the scuppers, of the gale shearing a tormented sea."When the ship sinks in a storm-swept fjord within 50 miles of its destination, the story turns to the stranding and subsequent rescue of the three-man crew, salvage of the vessel, and life among native Greenlanders. Magnificently illustrated by Kent's wood-block prints and narrated in his poetic and highly entertaining style, this tale of the perils of killer nor'easters, treacherous icebergs, and impenetrable fog -- and the joys of sperm whales breaching or dawn unmasking a longed-for landfall -- is a rare treat for old salts and landlubbers alike.

    The Vampire Bible is your passport to the world of the Vampire.The Vampire Bible allows you to seek membership in the Temple.By obtaining an authorized copy of The Vampire Bible from usyou open the door to contact and communication with us.You also learn those parts of our most hidden secretsthat can be expressed in words.In less than fifty pages of condensed and clear languageyou will learn the essentials of our way of life.

    But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.