The World's Wife


Carol Ann Duffy - 1999
     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

Poisoned Apples: Poems for You, My Pretty


Christine Heppermann - 2014
    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

Great Goddesses: Life Lessons from Myths and Monsters


Nikita Gill - 2019
    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

The War Poems


Siegfried Sassoon - 1919
    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

Collected Poems


Edna St. Vincent Millay - 1956
    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

Transformations


Anne Sexton - 1971
    The fairy tale-based works of the tortured confessional poet, whose raw honesty and wit in the face of psychological pain have touched thousands of readers.

Ariel: The Restored Edition


Sylvia Plath - 1965
    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

Goblin Market


Christina Rossetti - 1862
    Published in 1862, this phantasmagoric tale of two maidens seduced by lewd goblin men provides a startling glimpse into the depths of the Victorian psyche. Full color throughout .

The Invention of Angela Carter: A Biography


Edmund Gordon - 2016
    Her work stands out for its bawdiness and linguistic zest, its hospitality to the fantastic and the absurd, and its extraordinary inventiveness and range. Her life was as modern and as unconventional as anything in her fiction.Born Angela Olive Stalker in Eastbourne in 1940, her story spans the latter half of the twentieth century. After escaping an oppressive childhood and a difficult early marriage, the success of her first novels enable the freedoms of travel – journeying across America in a Greyhound bus, and then on to Tokyo, where she lived for three transformative years – before settling in London to write her last, great novels, amid the joys of late motherhood and prestigious teaching posts abroad. By the time of her tragic and untimely death at the age of fifty-one, she was firmly established as an iconoclastic writer whose fearlessly original work had reinvigorated the literary landscape and inspired a new generation.This is the story of how Angela Carter invented herself – as a new kind of woman and a new kind of writer – and how she came to write such seductive works as The Bloody Chamber, Nights at the Circus and Wise Children. Edmund Gordon has followed in Carter’s footsteps to uncover a life rich in incident and adventure. With unrestricted access to her manuscripts, letters and journals, and informed by dozens of interviews with her friends and family, this major biography offers a definitive portrait of one of our most dazzling writers.

Tree and Leaf: Includes Mythopoeia and The Homecoming of Beorhtnoth


J.R.R. Tolkien - 1964
    Tolkien's imagination and the breadth of his talent as a creator of fantastic fiction.

Birthday Letters


Ted Hughes - 1998
    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

The Common Reader


Virginia Woolf - 1925
    This collection has more than twenty-five selections, including such important statements as "Modern Fiction" and "The Modern Essay."

Sexing the Cherry


Jeanette Winterson - 1989
    The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the reader from epiphany to shimmering epiphany.

The Love Song of J. Alfred Prufrock and Other Poems


T.S. Eliot - 1915
    Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels.

The Complete Stories and Poems


Lewis Carroll - 1884
    Lewis Carroll was the pen name and, it could be claimed, the alter ego of the Reverend Charles Lutwidge Dodgson, a mathematician, writer and photographer. His creations, especially "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There," have been translated into countless languages and are as loved now as they have ever been. His neologisms ("curiouser and curiouser") and turns of phrase have forever infiltrated and enriched our language and culture.