This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    It's an absorbing saga of innocent dreams and green desire corrupted by gilded temptation.

    But when a quiet tragedy and an unwelcome letter interrupt Toby's sedate existence, he needs his housemates to find some direction in their lives. Leah Pilgrim has watched the tenants of the house over the road for several years, and when the owner of 31 Silversmith Road asks her for advice, he opens the door not only to the eccentric building across the street - but to five lives in various stages of turmoil. Can Toby and Leah help these misfits to grow up, move on and move out? And in doing so, can they make their own dreams come true? Hidden : A trail of blood winding through a squalid flat in Margate leads DCI Dave Gosworth to the body of Jacqui Jennings, her skull smashed with a chisel. For Dave it is just the start of a long and puzzling case...Forty miles away in South London a young single mother named Melanie Stenning is blissfully unaware of Jacqui's life and death. But that trail of blood will one day lead straight to her door - with terrifying repercussions. For Melanie is about to fall in love with a stranger...Fourteen months later, Melanie has a new husband, a new baby and a new home on the isolated Kent coast. But when her seven-year-old daughter Poppy disappears, she is forced to question everything in her new life, including the man she loves. Because DCI Dave Goswrth has come knocking - with some chilling questions... The Two Mrs Robinsons: Anna lives with Oliver Robinson and their 3-year-old son Charlie. They met when she worked as a waitress at his restaurant; he had recently separated and she was a shoulder to cry on. But friendship turned to love. Now she juggles motherhood with part-time work and she couldn't be happier. Or perhaps she could? Oliver has never divorced his first wife Eve who is everything Anna is not. Eve insists on making herself part of their lives and her demands soak up much of their time and income. Anna understands that Oliver needs to support his two teenage children, but why should they keep Eve too? The situation looks set to grumble on indefinitely unless someone or something shakes it up. And something does - it's called Fate. Oliver is killed in a car crash, leaving both women shattered. How will they react to this appalling tragedy? Will it drive them further apart, or force them to cut their losses and pull together for the sake of their children and their futures?

    "The innocent and the damned, the lonely and the frustrated, the hopeful and the hopeless . . . (Williams) brings them all into focus with an earthy, irreverently comic passion."--Newsweek.

    It is absolutely intoxicating to ponder what he will give us in the future.”—Irish Echo“The unique and extraordinary aspect of McPherson’s writing is the way in which his characters reveal themselves in tiny details which almost imperceptibly build up an extensive picture of the past, present and future, not just of themselves but of Ireland.”—The Sunday Mail (London)Conor McPherson returns to his native Dublin for the setting of his new play, which he will direct in a much-anticipated production at London’s National Theatre in fall 2006. It is Christmas Eve, and James “Sharky” Harkin, erstwhile fisherman/van driver/chauffeur, gathers with friends at the dingy flat he shares with his blind brother to drink booze and play cards. As Christmas Eve becomes Christmas Day, the familiar-looking stranger Mr. Lockhart reminds Sharky of the bargain he made when they last met in prison—and Sharky suddenly finds himself playing a game with the stakes set at his soul. With this magnificently atmospheric new play, McPherson is once again set to entrance his audience, this time with a new take on the Faustian theme.Conor McPherson was born in Dublin, where he still lives. His plays include This Lime Tree Bower, St. Nicholas, The Weir, Port Authority, Dublin Carol, and Shining City, which premiered on Broadway in spring 2006. One of Ireland’s leading playwrights, his work has been produced throughout the United Kingdom and the United States.

    This collection presents a cross-section of Shaw's most important theater workâ��Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated. "Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor. A Chronology and a Selected Bibliography are included.

    Mattie Sylvester, a widow of one of America's most celebrated painters, reveals the sordid truth of the past, and of her husband, to her secretary.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    Pheobe Throssel and Valentine Brown are a young couple separated by the Neopoleonic wars for ten years, only to find themselves the unfortunate victims of time and age upon their reunion. This story of lost love, spinsters, secret disguises, and the complexities of human emotion will enchant readers today as much as it did the audiences of New York and London over a century ago.

    More than 100 true crime cases discussed.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    The first half of DROPKICKromance focuses on a toxic, long-distance relationship the author was involved in for several years, while the second half focuses on Parker's current relationship with poet Amanda Lovelace, who penned a beautiful foreword for the book. This collection takes you by hand and brings you on a journey through first love, heartbreak, and learning to love again.

    The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.

    While holding its audience with the gripping tension of a detective thriller, it is also a philosophical play about social conscience and the crumbling of middle class values. Time and the Conways and I Have Been Here Before belong to Priestley's 'time'plays, in which he explores the idea of precognition and pits fate against free will. The Linden Tree also challenges preconceived ideas of history when Professor Linden comes into conflict with his family about how life should be lived after the war.