Crete, present day. A woman anxiously awaits the arrival of someone who could change her life for ever…Lancashire, the 1950s. Three young girls make their way in a brave new post-war world. But can they escape the trappings of the past?Bookworm Connie dreams of university. Brought up on myths about her mysterious father, her life is turned upside down when she accidentally discovers the truth about him.Former ugly duckling Joy is determined to snare a man now she's finally a swan. Winning the "Miss Mercury" competition she bowls over local heart-throb Denny Gregson. But she quickly finds he's not all he seems…Convent-educated Rosa is a born rebel, desperate to flee the strict nuns for a life on the stage. But sometimes you need to be careful what you wish for…As all three girls face heartbreak and tragedy, can they learn from the mistakes of their mothers? Or will history repeat itself?For everyone who loves Maureen Lee and Maeve Binchy, this emotionally charged tale of that most special relationship of all will capture your heart.

    Starting with an account of his childhood in Ireland at the end of the 19th century, the story moves to Scotland where, tramp then gang-labourer then navvy, Dermond Flynn (as he sometimes calls himself) discovers himself as a writer.

    As Fergus tries to make sense of the mad world around him—his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what—a little voice comes to him in his dreams, and the mystery of the bog child unfurls.Bog Child is an astonishing novel exploring the sacrifices made in the name of peace, and the unflinching strength of the human spirit.

    But The Hiding Place need not "hide" behind any ready-made comparisons; Azzopardi's astonishing, tension-filled debut stands assuredly on its own as a work of tremendous power and originality. The Hiding Place is narrated by Dolores, the youngest of six daughters born to a Maltese immigrant father and a Welsh mother. With one hand permanently disfigured by a fire when she was only one month old -- the hand is beautifully described by the author as "a closed white tulip standing in the rain; a cutoff creamy marble in the shape of a Saint; a church candle with its tears flowing down the bulb of wrist" -- Dolores has always been treated as an outcast. Her father, Frankie Gauci, is an incorrigible gambler who bets "more than he can afford to lose." On the day Dolores is born, he loses his half-share of a caf&eacute, as well as the apartment above it where his family lives. Everything in Frankie's life is potential currency, including his family; he even sells his second-oldest daughter Marina to gangster Joe Medora in exchange for a house and money to pay off his debts. Dolores's mother, Mary, is driven to the edge of insanity as she watches the world around her collapse, helpless to save even her children from her husband's vices. At times, The Hiding Place paints a phantasmagoric portrait of cruelty, but Trezza Azzopardi's gracefully exacting prose saves her tale from becoming a shock-fest of the sort you would expect on daytime television talk shows. Azzopardi forges profundity through delicately interwoven double-sided images: rabbits that are the children's playthings, until they are brutally slaughtered by their father; trunks, rooms, and cages that can either protect or ensnare; and most abundantly and most significantly, fire, which can warm as well as ravage. Even Dolores's older sister Fran is sent away to a home for being a pyromaniac, craving risk like her father, "gambling on how hot, how high, on how long she can bear it." While some readers may wonder how Dolores is able to relate events that happened when she was so young, it is easy to associate these stories with the phantom pains she feels in her missing fingers, her ability to "miss something [she] never knew." The story comes to us in a dreamlike tapestry, weaving together different times and perspectives. Consequently, the narrative is fragmented, leaving the reader with half-tellings, missing details, stories that unfold only in the retelling, and a sense that the only fact we can be certain of is the profound meaning she imparts through them. The Hiding Place is as much a portrait of a family's destruction as it is an exploration of how memory bends and buckles under the weight of ruin, and how "blame can be twisted like a flame in draught; it will burn and burn."

    Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.   In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    A Catholic schoolboy playing football has a theological debate with a Protestant policeman; a chess game in Spain is a catalyst for grief and redemption; in the haunting title story a Belfast man out walking his dog is kidnapped at gunpoint.As always, MacLaverty's writing is vivid, exact, and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only after we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy. This is a powerful, honest, and moving book by one of the great storytellers of our age.

    When Marian Taylor takes a post as governess at Gaze Castle, a remote house on a desolate coast, she finds herself confronted with a number of weird mysteries and involved in a drama she only partly understands.

    Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to blossom fully into themselves.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    The one catch is she has to masquerade as a member of a cookery course and the only piece of culinary equipment Leo can handle is a tin opener - Weekend Entertaining Part 1 is daunting to say the least. As she strips away layers of marital infidelity - not to mention several other scandalous secrets - she battles with bread-making and brulee. But where will it all end - in triumph or tragedy?

    He becomes a priest, winning the coveted Golden Chalice for his singing when in seminary school abroad. But the duality of nature threatens to destroy the brilliant future that lies before him. Beloved of his parishioners and canon, he is devastatingly attractive to women, in particular the wealthy patron of his church at Kilbarrack, Ireland. But it is not until her wayward and sensual niece, Claire, arrives that disaster strikes . . .In the magnificent narrative tradition of The Citadel, The Stars Look Down and Cronin's other classic novels, The Minstrel Boy is a great book by a much-loved author

    Where Stella's family struggle to make ends meet, Charlie can have anything he wants, and that includes Stella, who is rapidly falling for him. Then Stella discovers she is pregnant. Suddenly Charlie is gone, and Stella is left with only the bracelet he gave her. Stella's devoutly religious mother, horrifed by the scandal, sends her errant daughter to a Magdalene Laundry convent, miles from home, where in return for daily and rigorous and endless chores, Stella will be able to have her baby in secret. The convent is bleak and austere, the nuns themselves cruel and lacking compassion. When Stella's baby girl is born, it will be taken from her for adoption, the only answer is to run away with her child. But Stella didn't expect the struggle and pain of being a single mother - with her family turning against her, who can she rely on for help. Out of the blue, comes support and love from an unexpected quarter, to finally make Stella's story a happy one.