Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.

    We learn to read at an early age, and as we grow older we shed our beloved books for new ones. But some of us surround ourselves with books. We collect them, decorate with them, are inspired by them, and treat our books as sacred objects. In this lighthearted collection of one- and two-page comics, writer-artist Grant Snider explores bookishness in all its forms, and the love of writing and reading, building on the beloved literary comics featured on his website, Incidental Comics. With a striking package including a die-cut cover, I Will Judge You By Your Bookshelf is the perfect gift for bookworms of all ages.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.

    After nearly two decades away, Miracleman uncovers his origins and their connection to the British military's "Project Zarathustra" - while his alter ego, Michael Moran, must reconcile his life as the lesser half of a god.

    Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of Marvels.Witness the birth of this fantastic universe from the inside. See the world's greatest heroes in a different light, with a new awe and a touch of fear.For the first time, experience the Marvel Universe from a whole new perspective — yours. Collects Marvels #1-4 and Marvels #0.

    They are loved. They are hated. In two years, they are dead. The team behind critical tongue-attractors like Young Avengers and PHONOGRAM reunite to create a world where gods are the ultimate pop stars and pop stars are the ultimate gods. But remember: just because you’re immortal, doesn’t mean you’re going to live forever. Collects THE WICKED + THE DIVINE #1-5

    Disguised among the normal citizens of modern-day New York, these magical characters have created their own peaceful and secret society within an exclusive luxury apartment building called Fabletown. But when Snow White's party-girl sister, Rose Red, is apparently murdered, it is up to Fabletown's sheriff, a reformed and pardoned Big Bad Wolf (Bigby Wolf), to determine if the killer is Bluebeard, Rose's ex-lover and notorious wife killer, or Jack, her current live-in boyfriend and former beanstalk-climber.Collecting: Fables 1-5

    Oh, and it also has a lot of sex.

    Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

    By turns puzzling and harrowing, it raises troubling questions about conformity, tradition, and the specter of ritualized violence that haunts even the most bucolic, peaceful village.This graphic adaptation, published in time for Jackson's centennial, allows readers to experience "The Lottery" as never before, or discover it anew. The visual artist—and Jackson's grandson—Miles Hyman has crafted an eerie vision of the hamlet where the tale unfolds, its inhabitants, and the unforgettable ritual they set into motion. His four-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original tale.Perfectly timed to the current resurgence of interest in Jackson and her work, Shirley Jackson's "The Lottery": The Authorized Graphic Adaptation masterfully reimagines her iconic story with a striking visual narrative.

    Lenore: Noogies is a romp into the dark, surreal world of a little dead girl. Featuring stories about limbless cannibals, clock monsters, cursed vampire dolls, taxidermied friends and obssesed would be lover and more fuzzy animal mutilations than should be legal. Lenore is one of the funniest, darkest comic books on the marketplace today.

    Soon everybody is growing older—every half hour—and there doesn’t seem to be any way out of the cove. Levy’s dramatic storytelling works seamlessly with Peeters’s sinister art to create a profoundly disturbing and fantastical mystery.

    Meet Hannah the Rockabilly Elven Mage, Violet the Hipster Dwarven Fighter, Dee the Atheist Human Cleric and Betty the Hippy Smidgen Thief. This modern spin on an old school genre is a violent, monster-killing epic that is like Buffy meets Tank Girl in a Lord of the Rings world on crack! Collecting Rat Queens #1-5!

    Collects Wolverine: Origin #1-6

    Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of detail and storytelling.