Romero.A decade after the premiere of the 1968 film The Night of the Living Dead, George Romero returned with its sequel, Dawn of the Dead, which tore its way onto movie screens across the country, shocked an entire generation, and became an instant zombie classic as the highest grossing indie film of all time. Shortly thereafter, Romero, along with author Susanna Sparrow, wrote a novel based on the movie -- now back in print in this terrifying trade paperback edition.In one of the landmark tales of the zombie apocalypse, a handful of survivors seek refuge at a local shopping mall, barricading themselves in. They soon realize that this is the perfect place to wait out the end of the world, and despite pending doom, they even start to enjoy themselves. But it doesn't take long for the undead to find a way into their world.Named one of the "500 Greatest Movies of All Time" by Empire Magazine, the original Dawn of the Dead film has left its imprint on viewers for decades -- and will soon be re-released in theaters, having been transformed frame-by-frame into 3D for an entire new audience. Now readers can experience the same chills and thrills with this exciting reissue of a true classic.

    Big developers threaten to take over the town. Then Mikey finds an old pirate map and the kids take off to find the loot that can save their neighborhood. But they never counted on skeletons with swords, a booby-trapped underground passage and the murderous ex-con, all of whom want the Goonies' head. Take the oath. Join the adventure.

    Her budding, devout, dewy-lipped daughter Amélia is soon lusted after by the young priest. What ensues is a secret love affair amidst a host of compelling minor characters: Canon Dias, a priest, glutton, and Sao Joaneira's lover; Dona Maria da Assuncao, a wealthy widow with a roomful of religious relics, agog at any hint of sex; Joao Eduardo, repressed atheist, free-thinker, and suitor to Amelia. Eca's incisive critique flies like a shattering mirror, jabbing everything from the hypocrisy of a rich and powerful Church, to the provincialism of Portuguese society of the time.Haunting, The Crime of Father Amaro is the ghost of a forgotten religion of tolerance, wisdom, and equality. Margaret Jull Costa has rendered an exquisite translation and provides an informative introduction to a story that truly spans all ages." "The Crime of Father Amaro inspired a series of magnificent paintings by the Portuguese artist Paula Rego, one of which graces the cover of this edition. The novel was also made into a controversial film, El Crimen del Padre Amaro by Mexican director Carlos Carrera in 2002."--BOOK JACKET.

    Cunningham, Robert Englund, Adrienne King, Betsy Palmer and Tom Savini- iconography, including Jason, the hockey mask, and a body count in the hundreds

    They have become the monsters that best express the anxieties and fears of the modern west. This collection gathers together zombie works by Stephen King, Harlan Ellison, Robert Silverberg, George R. R. Martin, Clive Barker, Neil Gaiman, Joe Hill, Poppy Z. Brite, Laurell K. Hamilton, and Joe R. Lansdale. These brilliant minds, and The Living Dead, cover the many types of zombie fiction. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    The world is in chaos: violence is rife, nightmares everywhere. Jorg has the ability to master the living and the dead, but there is still one thing that puts a chill in him. Returning to his father's castle Jorg must confront horrors from his childhood and carve himself a future with all hands turned against him.PRINCE OF THORNS, KING OF THORNS and EMPEROR OF THORNS are a remarkable new trilogy by one of fantasy fiction’s newest rising stars. Together, they weave a tale of blood and treachery, magic and brotherhood and paint a compelling and brutal, and sometimes beautiful, picture of an exceptional boy on his journey toward manhood and the throne.

    Kiernan’s short fiction was first published in 1995. Over the intervening decade and a half, she has proven not only one of dark fantasy and science fiction’s most prolific and versatile authors, but, to quote Ramsey Campbell, “One of the most accomplished writers in the field, and very possibly the most lyrical.” S. T. Joshi has written, “Kiernan’s witchery of words creates a mesmerizing effect that we haven’t seen since the days of Lovecraft and Bradbury.”Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) presents a stunning retrospective of the first ten years of her work, a compilation of more than two hundred thousand words of short fiction, including many of her most acclaimed stories, as well as some of the author’s personal favorites, several previously uncollected, hard-to-find pieces, and her sf novella, The Dry Salvages, and a rare collaboration with Poppy Z. Brite. Destined to become the definitive look at the early development of Kiernan’s work, Two Worlds and In Between is a must for fans and collectors alike, as well as an unprecedented introduction to an author who, over the course of her career, has earned the praise of such luminaries as Neil Gaiman, Peter Straub, Charles De Lint, and Clive Barker.

     I mean, it took more than a year before anybody looked up from their smartphones long enough to wonder why so many of their neighbors were infected. Why so many were dying. The vaccination riots came and went. The grocery store shelves emptied out. The spigots eventually ran dry. That was around the time I moved underground and sealed the hatch on my backyard bunker. That was a couple of years ago. Now, my radio hasn't picked up a signal from the world up top since I can't remember when. My exterior camera died in a storm last spring. And the loneliness has set in, gnawing at me, making me think crazy thoughts, including the one that'll change everything. I have to leave the bunker and see if anyone is left alive.

    P. Lovecraft.The Stories included are:The Nameless CityThe FestivalThe Colour Out of SpaceThe Call of CthulhuThe Dunwich HorrorThe Whisperer in DarknessThe Dreams in the Witch HouseThe Haunter of the DarkThe Shadow Over InnsmouthDiscarded Draft of "The Shadow Over Innsmouth"The Shadow Out of TimeAt the Mountains of MadnessThe Case of Charles Dexter WardAzathothBeyond the Wall of SleepCelephaïsCool AirDagonEx OblivioneFacts Concerning the Late Arthur Jermyn and His FamilyFrom BeyondHeHerbert West-ReanimatorHypnosIn the VaultMemoryNyarlathotepPickman’s ModelThe BookThe Cats of UltharThe DescendantThe Doom That Came to SarnathThe Dream-Quest of Unknown KadathThe Evil ClergymanThe Horror at Red HookThe HoundThe Lurking FearThe Moon-BogThe Music of Erich ZannThe Other GodsThe OutsiderThe Picture in the HouseThe Quest of IranonThe Rats in the WallsThe Shunned HouseThe Silver KeyThe Statement of Randolph CarterThe Strange High House in the MistThe StreetThe TempleThe Terrible Old ManThe Thing on the DoorstepThe TombThe Transition of Juan RomeroThe TreeThe UnnamableThe White ShipWhat the Moon BringsPolarisThe Very Old FolkIbidOld BugsSweet Ermengarde, or, The Heart of a Country GirlA Reminiscence of Dr. Samuel JohnsonThe History of the Necronomicon

    The virus becomes us.But the process takes eight hours.If you only had eight hours left to live, what would you do?For Chris Smith, that decision has been made for him. He’s infected, and returns home to find the rest of his family undead or missing, save his youngest daughter Maisie. He’s never been much of a father, but can he make up for it now in the final few hours of his life and find somewhere safe for her to survive?Z-MINUS. Let the countdown begin.

    Set in the world created by Robert Kirkman, this standalone trilogy is fast-paced, action-packed storytelling about the lengths some men will go to survive. With new characters, new storylines and with the same in-depth character-based plotting that has made the television series such an immediate hit, this trilogy of novels is sure to be a hit with those who love zombies and those who have loved the TV series and comic books.In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it’s forcing prisoners to battle zombies in an arena for the townspeople’s amusement, or chopping off the appendages of those who cross him. The Governor was voted “Villain of the Year” by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

    With stories by;Chris PhilbrookAlan MacRaffenJoe TremblayJ.C. FiskeAnd more…

    At first, the birds did little but watch, and Londoners found them amusing, if perhaps a bit odd. But then the birds began to show their sinister side: attacking, maiming, and even killing in incidents of tremendous brutality and violence. Were they a force of nature, or a supernatural manifestation? No one knew: the only thing that was clear was that the birds had only one aim: the destruction of mankind, and no one had any idea how to stop them...The Birds (1936) went largely unnoticed when originally published, but after the release of Alfred Hitchcock’s popular film in 1963, Frank Baker (1908-1983) threatened to sue, believing his book had inspired the film. The Birds was last reprinted in 1964, in a “revised” edition that in fact failed to incorporate hundreds of additions, deletions, and corrections Baker had made. This new edition is based on Baker’s personal copy of the book and includes his numerous handwritten and typewritten revisions, making this definitive text available for the first time. This edition also features a new introduction by Hitchcock scholar Ken Mogg.

    The most "developed" nations of the world have fallen to the shambling zombie masses. Only a few pockets of humanity survive — in places rife with high-powered weaponry, such as Somalia. In New York City, the dead walk the streets, driven by an insatiable hunger for all things living. One amongst them is different; though he shares their appetites he has retained his human intelligence. Alone among the mindless zombies, Gary Fleck is an eyewitness to the end of the world — and perhaps the evil genius behind it all. From the other side of the planet, a small but heavily-armed group of schoolgirls-turned-soldiers has come in search of desperately needed medicine. Dekalb, a former United Nations weapons inspector, leads them as their local guide. Ayaan, a crack shot at the age of sixteen, will stop at nothing to complete her mission. They think they are prepared for anything. On Monster Island they will find that there is something worse even than being undead, as Gary learns the true price of survival.

    This is the epicenter of the outbreak, where your average novel doesn’t dare venture. This is Noah Britton fighting his way through the heart of the zombie freakin’ apocalypse. The high school is on lockdown but the infection has already invaded its borders. It’s too late. Screams echo through the halls, blood stains the lockers, the dead don’t die for long. Mutilated, half eaten corpses wander the halls in search of the living. These aren’t your normal slow moving corpses that trudge along hoping for victims. No. They run faster. Fight harder. Know no pain. Show no weakness. Offer no reprieve. Noah must make the ultimate sacrifice and decide who to save and who to leave behind. What ranks higher in these desperate times; friendship or strategy? Can old rivals put aside their differences and work together for the greater good or will human emotions lead to the end of the world as we know it? The edge of your seat intensity never dies as Noah, his neurotic bus driver, his best friends, his worst enemies, the girl he likes, the girl he hates or loves or who the hell even knows anymore and a power hungry rival desperate for control all try to co-inhabit a school bus in search of a safe haven that may no longer exist. Gruesome. Intense. Graphic and Brutally violent. Yet emotionally driven with enough heart to sustain a dying species taken off life support. The characters tear themselves from the pages, forcing their way into your heart, demanding you continue when it all gets to be too much. This is hope. This is strength. This is the end. And it’s only the beginning.