Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    There wasn't even a reason for it: sometimes love just fades, as quickly and mysteriously as it appears in the first place. Enter Damien. Damien's the guy with a different man on his arm for every event, he's smooth and arrogant and always impeccably turned out. Christo hates him. But God, he's gorgeous. Damien could be exactly what Christo needs to get him over John.It's only going to be a fling. Nothing serious, nothing that will affect their working relationship or the rest of their lives. So why are they fighting through the night rather than letting go and walking away? Why does Damien's secretive nature bug Christo so much? And why does he even care that the other man might not be as tough as he pretends to be?

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    Father Gray surprises him with his understanding and Jude accepts his offer of help in overcoming his condition. When Sebastian Gray extends an offer of help to a troubled teenager, the last thing he expects is that it is Jude that will save him. Yet Jude steadily breaks through the priest’s barriers, bringing him out of his self-imposed exile and into the world. As the two find surprising parallels between their lives and obsession gives way to affection, both men begin to understand that their love may cost them their souls. Jude stands to lose his family to the truth of his affections, and Sebastian could fail in his original task; saving Jude, no matter what the cost.Sarah Goodwin is currently undertaking a degree in Creative Writing from Bath Spa University, would love to one day have one of her books published on paper and hates talking about herself in the third person. Reviewed here on Top2Bottom Reviews http://top2bottomreviews.wordpress.co..."I’m looking forward to reading more this author. I loved her ability to bring this reader deeply into her lives of her characters and keep the story moving pretty smoothly. If you are looking for an emotional read with amazing and well written characters, this book is definitely for you. Just make sure you don’t start reading it before you go to bed, or you’ll be as sleep deprived as I was! Highly Recommended!"

    His grandfather, silver-screen heartthrob James Ringer, died tragically at twenty-one, and Brandon looks exactly like him. But that’s where the resemblance ends. Brandon is unknown, unemployed, and up to his ears in bills after inheriting his grandparents’ Hollywood mansion. He refuses to sell it—it’s his last connection to his grandmother—so to raise the cash he needs, he joins a celebrity look-alike escort agency.Percy Charles is chronically ill, isolated, and lonely. His only company is his meddlesome caregiver and his collection of James Ringer memorabilia. When he finds “Jim Ringer” on Hollywood Doubles’ website, he books an appointment, hoping to meet someone who shares his passion for his idol.Brandon? Not that person.But despite their differences, they connect, and Percy’s fanboy love for James shows Brandon a side of his grandfather he never knew. Soon they want time together off the clock, but Percy is losing his battle for independence, and Brandon feels trapped in James’s long shadow. Their struggle to love each other is the stuff of classic Hollywood. Too bad Brandon knows how those stories end.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    The object of her obsession is her room-mate, Lucy Blake, and Lucy's friendship with their new and disturbing classmate. Ernessa is a mysterious presence with pale skin and hypnotic eyes. Around her swirl dark secrets and a series of ominous disasters. As fear spreads through the school, fantasy and reality mingle into a waking nightmare of gothic menace, fueled by the lusts and fears of adolescence.And at the center of the diary is the question that haunts all who read it: Is Ernessa really a vampire? Or is the narrator trapped in her own fevered imagination?

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    Christine Graham, host of the late-night radio show The Midnight Couch. Every night when midnight approaches, she vows that this will be the day when she asks Christine on a date—only to chicken out every time. But when Christine hosts a special show about revealing secret love on Valentine’s Day, Paula suddenly finds herself on The Midnight Couch.

    One got left behind. One went off to war. He came back a man. A broken, lonely, desperate man searching for the one thing to ease his pain. Can Dylan forgive George for leaving him? Can love snuff out the pain? The Proof Is the Way It Hurts. *This is a standalone M/M novella. A shorter version of this story was featured as a KU Korner's Bedtime Story*

    Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds. With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019