Forty years later Journalist Ted Pratt investigates what may be the sudden reappearance of Jacob Walden and follows the trail to find Jacob. Ted encounters Charlie Smith, a secretive and seasoned Operative who may have answers to the question about "What Happened to Jacob Walden," and why Jake never returned home.

    Trained in combat since he was a youth, and taught the dark arts of war by a brilliant ex-monk, he is determined to prove wrong those who say he is unfit for command. As he follows the trail of devastation left by the raiders, he discovers that Valentina, his half-brother's betrothed, has been taken captive. The mission that he has viewed merely as an adventure now turns into a personal quest to save the headstrong daughter of his father's closest ally from the slave markets of Arabia.In the capital of Toledo, the sudden death of the monarch unravels old alliances, sparking a fierce competition for the throne. As the country descends into civil war, Musa ibn Nosseyr, Caliph al-Walid's ambitious governor in Carthage, sees the Iberian nation's troubles as an opportunity to expand the reach of the caliphate into Europe.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    He was also a great wit and prose stylist, well known for his aphorisms. Between 1745 and 1755, Johnson wrote perhaps his best-known work, A Dictionary of the English Language. During the decade he worked on the Dictionary, Johnson, needing to augment his precarious income, also wrote a series of semi-weekly essays under the title The Rambler. These essays, often on moral and religious topics, tended to be more grave than the title of the series would suggest. They ran until 1752. Initially they were not popular, but once collected as a volume they found a large audience. Johnson's final major work was his Lives of the Poets (1781), comprising short biographies of about 50 English poets, most of whom were alive in the eighteenth century. Amongst his other works are The Idler (1758-1760), Rasselas, Prince of Abissinia (1759) and The Patriot (1774).

    Casino king and vicious thug Jerry Bagger is hunting Annabelle Conroy, who conned him out of millions. Stone and his colleagues must marshal all their resources to protect her. Yet their skills may not be enough when a deadly new opponent rips the veneer off Stone's own mysterious past: Bagger's menace pales next to Harry Finn's lethality. As bodies and institutions topple, the story rockets toward a shattering finale that will leave the survivors of this explosive tale changed forever...DIVINE JUSTICEKnown by his allias, 'Oliver Stone,' John Carr is the most wanted man in America. With two pulls of the trigger, the men who hid the truth of Stone's past and kept him in the shadows were finally silenced. But Stone's freedom has come at a steep price: the assassinations he carried out have prompted the US Government to unleash a manhunt. Stone's flight from the demons of his past will take him far from Washington DC, to the coal-mining town of Devine, Virginia - and headlong into a confrontation every bit as lethal as the one he is trying to escape.

    In this unique work, he gives an utterly candid and self-revealing account of the reading he did during his formative years. In  The Books in My Life  he shares the thrills of discovery that many kinds of books have brought to a keenly curious and questioning mind. Some of Miller's favorite writers are the giants whom most of us revere––authors such as Dostoievsky, Boccaccio, Walt Whitman, James Joyce, Thomas Mann, Lao-Tse. To them he brings fresh and penetrating insights. But many are lesser-known figures: Krishnamurti, the prophet-sage; the French contemporaries Blaise Cendrars and Jean Giono; Richard Jeffries, who wrote  The Story of My Heart ; the Welshman John Cowper Powys; and scores of others.  The Books in My Life contains some fine autobiographical chapters, too. Miller describes his boyhood in Brooklyn, when he devoured the historical stories of G. A. Henty and the romances of Rider Haggard. He tells of the men and women whom he regards as "living books": Lou Jacobs, W. E. B. DuBois, Elizabeth Gurley Flynn, and others. He offers his reminiscences of the New York Theatre in the early 1900's––including plays such as  Alias Jimmy Valentine  and  Nellie, the Beautiful Cloak Model . And finally, in Miller's best vein of humor, he provides a satiric chapter on bathroom reading. In an appendix, Miller lists the hundred books that have influenced him most.

    Once in America she awakens to the stark difference between her dreams and the disillusioning reality of an immigrant’s life. It is her new friends, flamboyant cousin and her new found love that make life in the big city an unforgettable adventure. In America she encounters her wildly flamboyant cousin Isabelle who just happens to be the “IT” actress of the moment and the girlfriend of a notorious dangerous gangster. Isabelle introduces her to the enticing, glamorous but ultimately empty and deceptive world of fame and fortune. Annie falls deeply in love with Jack an extremely successful stockbroker haunted by the ghost of his past which threatens their future. In the end it is the knot that ties family and friends together that helps her through great adversity and devastating loss.

     Former Canadian military officer David Baird, now an up-and-coming singer in Britain, is invited to perform at a reception in the Soviet Embassy. Approached by British Intelligence to ‘keep his eyes and ears open’ while he deals with the Soviets, Baird thinks there’s nothing to it. But when he stumbles upon a plot to sabotage Britain’s development of a top-secret vertical-take-off jet fighter, he finds himself plunged into a dark world of secrets, murder and espionage. A beautiful Soviet agent with dark, degrading secrets, a KGB assassin, a Soviet cruise ship heading for Odessa with a mysterious cargo, and a smooth-talking Soviet cultural attaché who is more than his title suggests – Baird discovers that by fighting monsters there is a danger of becoming one. The terrifying dual climax takes place in the skies over the North Atlantic, and in a secret Soviet safe house used for both for interrogation and depraved sex-sting operations. In over his head, and afraid for his life, David must decide how far he is willing to go in order to foil the Soviets’ plans and protect those he holds most dear. With his Debut as a Spy Baird’s life will be changed forever… 'Debut For A Spy' is a brilliantly authentic espionage thriller that is perfect for fans of Jack Higgins and Robert Harris. ‘Meticulously researched, empathetic character portrayal, wonderfully painted scenes. The fast paced Harrier sorties were great fun for an old fighter pilot like me.’ - Flight Lieutenant John Dunlop - RCAF (Ret'd), Air Canada 767 Captain (Ret'd) ‘A novel equal to Le Carré and Higgins. Fast-paced, hair-raising confrontations with the KGB, carnal scenes tastefully outstanding, handling of the Harrier right on. A first-rate, excellent novel from start to finish.’ - Major General Richard Rohmer - fighter pilot and best-selling author. Harry Currie is a Canadian musician, author and journalist now living in Thailand. Endeavour Press is the UK's leading independent publisher of digital books.

    The Life You Save May Be Your Own is their story - a vivid and enthralling account of great writers and their power over us.Thomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker in New York; Flannery O'Connor a "Christ-haunted" literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. A friend came up with a name for them - the School of the Holy Ghost - and for three decades they exchanged letters, ardently read one another's books, and grappled with what one of them called a "predicament shared in common."A pilgrimage is a journey taken in light of a story; and in The Life You Save May Be Your Own Paul Elie tells these writers' story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change - to save - our lives.

    Haldeman to David Hasselhoff's world tour. Contributors include David Foster Wallace, Jess Mowry, Donnell Alexander, and R.U. Sirius.

    Borges's writings are models of succinct power; by temperament and by artistic ambition, he was a minimalist, given to working his wonders on the smallest scale possible. A master of fiction, Borges never published a novel -- or even, it seems, felt the lure of attempting one. He professed a heartfelt conservative piety for the older literary forms, for the saga and epic, the lyric and tale, but he made radically inventive uses of the traditional forms in his own literary labors.Borges possessed an uncommon complement of gifts. He was capable of launching startling, even unnerving flights of cerebral fantasy or metaphor but owned a first-rate mind and a critical intelligence entirely at ease with the metaphysical abstractions of the philosophers and theologians. All the same, in his intellectual bearing Borges was a skeptic, critical of but not disparaging or cynical toward the truth claims of systematic philosophical or religious thought. He was at once a genuine artist and a judicious, sympathetic critic.The posthumous publication of This Craft of Verse, Borges's 1967 Norton Lectures, reacquaints us with his splendid critical faculties. The volume is a welcome gift, too, reminding us of Borges's generous insistence on identifying with his fellow readers, who are ever ready to be transported by their love for literature. (Harvard University Press scheduled release of the remastered recordings for the fall of 2000.) Enough cause, then, to celebrate the recent discovery of these long-stored and forgotten tape recordings of lectures delivered at Cambridge more than three decades ago. By the late 1960s, Borges was quite blind and incapable of consulting notes when delivering an address. The lectures transcribed and collected here -- with their frequent quotations from the European languages, both ancient and modern -- were delivered extemporaneously, performances made possible by Borges's own powers of recollection (which were, it need hardly be said, formidable).In life and in literary manner Borges was a cosmopolitan, his range of reference almost inexhaustibly wide. His reading embraced Homer and Virgil, the Icelandic sagas and Beowulf, Chaucer and Milton, Rabelais and Cervantes, Kafka and Joyce. This Craft of Verse addresses issues central to the art of poetry: essential metaphors, epic poetry, the origins of verse, and poetic meaning. The lectures conclude with a statement of Borges's own "poetic creed." This slim but profound volume, however, ranges much farther afield. Borges serves up intriguing asides on the novel, on literary criticism and history, and on theories of translation. Ultimately, his comments touch on the largest questions raised by literature and language and the thornier puzzles of human communication.The lectures convey Borges's evident delight in English and his eloquence and ease in the language, even when facing a distinguished audience of native English speakers. But perhaps that is not so surprising, after all, for Borges carried on a lifelong love affair with the English language and the literatures of the British Isles and North America. His parents, who were fluent in English, introduced Borges to the language when he was a young boy, and Borges was allowed the run of his father's extensive library of English classics. Among the bookshelves of his father's study he first encountered authors he would admiringly cite over a long literary life: Wells and Kipling and Chesterton and Shaw, to name only a few. And the study of Old English became a hobby to which Borges remained passionately devoted until his death. The English language he counted as his second (and perhaps even preferred) home.Since the 1960s, when the then relatively obscure Buenos Aires writer was first introduced to English-speaking readers in translations of the classic Ficciones and the anthology Labyrinths, it has been apparent that Borges survives the ordeal of translation without obvious loss. His power remains intact on the page. This he owes to the virtues of his prose style, to the elegant simplicity and naturalness that, as the transcribed Norton Lectures demonstrate, were indistinguishable from the man. Borges's style is classical: concise, understated, cleanly cadenced, strict in its devotion to the old-fashioned values of clarity and logical order. Whether in his native Spanish or in his adopted English, Borges is a writer and lecturer who impresses us with his singular intellectual wit, charm, and refinement.This Craft of Verse makes an exquisite addition to a distinguished series and offers, moreover, invaluable insights into the mind and work of a true modern master. Between its covers, this small book holds the pleasures of the modest, warm voice of a writer who stands unquestionably with the strongest literary talents of the 20th century.--Gregory Tietjen, Academic & Scholarly Editor

    The main body of the work consists of an alphabetical glossary of all words and phrases used in a sexual or scatological sense, with full explanations and cross-references.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    Writing with an incomparable knowledge of his subject but without a hint of pedantry, Van Doren elucidates both the astonishing boldness and myriad subtleties of Shakespeare's protean art. His Shakespeare is a book to be treasured by both new and longtime students of the Bard.

    I had the urge to poison a monk.' Along the way, it touches on bad books, ideal readers, historical form, and the metaphysics of the detective story.