These included "The Hounds of Tindalos" (the 1st Mythos story written by anyone other than Lovecraft), The Horror from the Hills (which introduced the elephantine Great Old One Chaugnar Faugn to the Mythos) & "The Space-Eaters" (featuring a fictionalized HPL as main character). The Hounds are Long's most famous 17 fictions. They're a pack of foul, incomprehensibly alien beasts "emerging from strange angles in dim recesses of non-Euclidean space before the dawn of time" to pursue travelers down the corridors of time. They can only enter our reality via angles, where they mangle & exsanguinate their victims, leaving behind only a "peculiar bluish pus or ichor". They're referenced by many later Mythos writers, including Ramsey Campbell, Lin Carter & Brian Lumley. They've inspired a number of metal & electronic music artists, such as Epoch of Unlight, Edith Byron's Group, Beowulf, Fireaxe/Brian Voth & Univers Zero, all of whom have recorded tracks based on the story.

    This new collection (an expansion of the limited-release Bibliomancy, which won the World Fantasy Award in 2005) showcases a wildly inventive author at the height of her powers. Included in this collection are "The Least Trumps," in which a lonely women reaches out to the world through symbols, tattooing, and the Tarot, and "Pavane for a Prince of the Air," where neo-pagan rituals bring a recently departed soul to something very different than eternal rest. Written in the author's characteristic poetic prose and rich with the details of traumatic lives that are luminously transformed, Saffron and Brimstone is a worthy addition to an outstanding career.* Elizabeth Hand's work has been selected as a Washington Post Notable Book and a New York Times Notable Book, and she has been awarded a Nebula Award and two World Fantasy Awards.

    Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy award-winning editor John Joseph Adams delivers a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if . . . ?  The Best American Science Fiction and Fantasy 2015 includes  Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Rowand others  JOE HILL, guest editor, is the New York Times best-selling author of the novels Heart-Shaped Box, Horns, and NOS4A2 and the short story collection 20th Century Ghosts. He is also the writer of the comic book series Locke & Key.   JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds, Wastelands, and The Living Dead. He is also the editor and publisher of the digital magazines Lightspeed and Nightmare and is a producer of Wired’s podcast The Geek’s Guide to the Galaxy.

    At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    No pastiches and no stories in his style. Using variety in tone, setting, point of view, time, but no direct reference in the story to Lovecraft or his works. Featuring work by Laird Barron, Brian Evenson, Caitlin R. Kiernan, Jeffrey Ford, Nathan Ballingrud, and many more, with a stunning cover by Hellboy creator Mike Mignola.

    Lovecraft, the American master of horror, understood with horrible clarity that all things must die. After summer is winter, and life inevitably gives way to frozen sterility. In our modern world, we live cushioned existences, and congratulate ourselves on our supposed escape from the old dangers. We think ourselves caught out of nature’s reach by our technological wizardry. Safely cocooned. This foolishness blinds us to the truth that our elder forebears could not avoid. Engulfed by the rhythms of the world, they understood... Autumn means death. There are far worse fates than mere death, of course. As blight spreads, the leaves wither and fall — as do the most important foundations of life. There is nothing more horrible than watching the sources of meaning in your world unravel before you. But these things we cherish are just pretty lies. In autumn’s cold grasp, the bright petals of our reality shrivel and die. Beneath them, there is nothing but the insanity of the howling void. Faced with inevitable, agonizing corruption, death is a gentle blessing. The stories collected in "Autumn Cthulhu" reflect the darkest, most ancient truths of the season. Inside, you’ll find nineteen beautiful, terrifying glimpses of decay and loss inspired by Lovecraft’s work. Be sure that you want the burden of understanding before venturing further, though. The dissolving strands of mind, of love, of legacy within leave no room for merciful doubt. The true meaning of life is that there is no meaning.

    Something has been removed, taken flight, or been destroyed. Us.Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.Wyrd contains seven derelictions, original tales of mystery and horror from the author of Hasty for the Dark and Some Will Not Sleep (winner of The British Fantasy Award for Best Collection).

     Suspenseful, surprising, sometimes dark, sometimes humorous-these all-new stories will ensure that readers never think of vampires (or birthdays) in quite the same way again. In New York Times bestselling author Charlaine Harris's "Dracula Night," Sookie Stackhouse is the only human at the annual commemoration of Dracula's birth. But this year, the Prince of Darkness actually shows up-and finds Sookie to be a tasty-looking present. New York Times bestselling author Jim Butcher's crime-solving wizard Harry Dresden, of the Dresden Files novels, heads to a role-playing party to give his vampire brother a birthday present in "It's My Birthday Too," only to discover there are some bloodthirsty party crashers who don't share their brotherly love. In "Twilight," Cassandra DuCharme, who appeared in New York Times bestselling author Kelley Armstrong's Dime Store Magic, knows she has to kill to live as a vampire another year-but finds herself disturbingly disinterested in the hunt. Plus ten more bloody good birthday stories that take the cake.Contents xi • Preface: A Few Words (Many Bloody Returns) • (2007) • essay by Charlaine Harris and Toni L. P. Kelner1 • Dracula Night • [Sookie Stackhouse 4.3] • shortstory by Charlaine Harris21 • The Mournful Cry of Owls • novelette by Christopher Golden50 • I Was a Teenage Vampire • novelette by Bill Crider73 • Twilight • [Women of the Otherworld Short Fiction 7.2] • novelette by Kelley Armstrong100 • It's My Birthday, Too • [The Dresden Files 9.2] • novella by Jim Butcher146 • Grave-Robbed • [Vampire Files] • novelette by P. N. Elrod176 • The First Day of the Rest of Your Life • [The Morganville Vampires: Extras 2.5] • novelette by Rachel Caine201 • The Witch and the Wicked • novelette by Jeanne C. Stein230 • Blood Wrapped • [Henry Fitzroy] • novelette by Tanya Huff254 • The Wish • shortstory by Carolyn Haines265 • Fire Ice and Linguini for Two • [Garnet Lacey 2.5] • novelette by Lyda Morehouse [as by Tate Hallaway ]290 • Vampire Hours • novelette by Elaine Viets318 • How Stella Got Her Grave Back • novelette by Toni L. P. Kelner

    Martin is a giant in the field of fantasy literature and one of the most exciting storytellers of our time. Now he delivers a rare treat for readers: a compendium of his shorter works, collected into two stunning volumes, that offer fascinating insight into his journey from young writer to award-winning master.Gathered here in Volume I are the very best of George R.R. Martin's early works, including never-before-published fan pieces, his Hugo, Nebula, and Bram Stoker Award-winning stories plus the original novella The Ice Dragon, from which Martin's New York Times bestselling children's book of the same title originated. A dazzling array that features extensive author commentary, Dreamsongs, Volume I, is the perfect collection for both Martin devotees and a new generation of fans.Contents:- Introduction by Gardner Dozois One: A Four-Color Fanboy (2003)- Only Kids Are Afraid of the Dark (1967)- The Fortress (2003)- And Death His Legacy (2003)Two: The Filthy Pro (2003)- The Hero (1971)- The Exit to San Breta (1972)- The Second Kind of Loneliness (1972)- With Morning Comes Mistfall (1973)Three: The Light of Distant Stars (2003)- A Song for Lya (1974)- The Stone City (1977)- This Tower of Ashes (1976)- And Seven Times Never Kill Man (1975)- Bitterblooms (1977)- The Way of Cross and Dragon (1979)Four: The Heirs of Turtle Castle (2003)- The Lonely Songs of Laren Dorr (1976)- The Ice Dragon (1980)- In the Lost Lands (1982)Five: Hybrids and Horrors (2003)- Meathouse Man (1976)- Remembering Melody (1981)- Sandkings (1979)- Nightflyers (1980)- The Monkey Treatment (1983)- The Pear-Shaped Man (1987)

    E. D. KleinThe Detective of Dreams by Gene WolfeVengeance Is. By Theodore SturgeonThe Brood by Ramsey CampbellThe Whistling Well by Clifford D. SimakThe Peculiar Demesne by Russell KirkWhere the Stones Grow by Lisa TuttleThe Night Before Christmas by Robert BlochThe Stupid Joke by Edward GoreyA Touch of Petulance by Ray BradburyLindsay and the Red City Blues by Joe HaldemanA Garden of Blackred Roses by Charles L. GrantOwls Hoot in the Daytime by Manly Wade WellmanWhere There’s a Will by Richard Matheson and Richard Christian MathesonTraps by Gahan WilsonThe Mist by Stephen King

    P. Lovecraft, this stylish new collection of adventure stories fizzes with wit and invention. They can be enjoyed separately, but read them in one sitting and the pieces fit horribly together into a larger and more terrible nightmare. †These tales constitute David Hambling’s initial foray into the realm of Lovecraftian fiction. The fertility of imagination, the crisp character delineations, and the smooth-flowing prose that we find in these seven tales leave us wishing for more of the same, and Hambling will no doubt oblige in the coming years. For now, we can sit back and relish a brace of stories that not only evoke the shade of the dreamer from Providence, but which that dreamer himself would have enjoyed to the full. —S. T. Joshi(from his foreword)

    Carter takes particular interest in noting the stories where particular aspects of Mythos lore first appeared, and tracing their reappearances in later tales.The book takes pains to establish whether each Lovecraft story "belongs to the Cthulhu Mythos" or not. His requirement for including a story on the list of Mythos stories is that it must "present us with a significant item of information about the background lore of the Mythos, thus contributing important information to a common body of lore."

    Blissed out club kids dying at the speed of sound. The un-dead and the very soon-to-be-dead. They're all here, trying to claw their way free. From the radioactive streets of a war-scarred future, where the nuclear bombs have become self-aware, to the fallow fields of Nebraska where the kids are mainlining lightning bugs, this is a world both alien and intensely human. This is a place where self-discovery involves scalpels and horse tranquilizers; where the doctors are more doped-up than the patients; where obsessive-compulsive acid-freaks have unlocked the gateway to God and can't close the door. This is not a safe place. You can turn back now, or you can head straight into the heart of. the Angel Dust Apocalypse

    This book is pretty much what that title conveys, a tour through all fifty-one of H.P. Lovecraft's mature works of prose fiction. We're skipping the poetry, the collaborations and ghost-writing and revisions (except for Through the Gates of the Silver Key), the travel writing, the artistic and literary criticism and all the other things Lovecraft wrote instead of horror stories. It is my contention that the tale's the thing, and al- though some of Lovecraft's other works are interesting or fun or valuable, they're not what any of us really signed up for. Like most tours, we'll stay a little longer at the good spots, and try our best to hustle past the weedy, overgrown patches. Hopefully I can point out one or two scenic overlooks along the way, letting you perhaps see some familiar landscape from an angle you hadn't noticed before. .